Art and copyright:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Hart
2012
|
| Ausgabe: | 2. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XLIV, 261 S. |
| ISBN: | 9781849461627 1849461627 |
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Datensatz im Suchindex
| _version_ | 1804148434825904128 |
|---|---|
| adam_text | Table
of
Contents
Preface v
Acknowledgments (in respect of the First Edition)
vii
Frequently Cited Material
xv
Table of Cases
xxiii
Table of Legislation
xxxv
1
Introduction
1
1.1
Background and Scope
1
1.2
Copyright and Art
3
2
The Copyright System: Justification and History
11
2.1
Introduction
11
2.2
Justifications for Copyright
12
2.2.1
The Economic/Utilitarian Justifications for
Copyright
13
2.2.2
Public Policy Arguments
14
2.2.3
Moral Rights
15
2.2.4
Copyright Scepticism
21
2.2.5
Some Conclusions
26
2.3
The History of Copyright
27
3
The Modern Law of Copyright
31
3.1
Background
31
3.2
UK Law
33
3.2.1
The Classes of Work Protected by Copyright
34
3.2.2
Criteria for Protection: Work Must be Original
50
3.2.3
Who is the Author?
52
3.2.4
The Need for Fixation/Permanence of the Work
53
3.2.5
Qualifying Factors for Protection
54
3.2.6
The Duration of Protection
55
3.2.7
The First Owner of the Copyright
56
3.2.8
The Scope of the Copyright Monopoly: Economic
Rights, the Idea/Expression Dichotomy and
Exceptions to Copyright
56
χ
Table of Contents
3.2.9
Other Rights Analogous or Related to Copyright
(excluding Moral Rights but including Designs)
68
4
Moral Rights and
Droit de
Suite
83
4.1
Moral Rights
83
4.2
Implications of Moral Rights
89
4.2.1
Morrison Leahy Music and Another
ν
Lightbond
Limited and Others
(1991) 90
4.2.2
Tidy
ν
The Trustees of the Natural History
Museum and Another
(1996) 91
4.2.3
Pasterfield
ν
Denham
and Another
(1999) 92
4.2.4
Confetti Records
ν
Warner Music
(2003) 93
4.2.5
Conclusion: Derogatory Treatment in UK Law
94
4.3
Moral Rights in the United States
95
4.4
Artist s Resale Right
(Droit de
Suite)
97
4.4.1
Background, Rationale and History
97
4.4.2
EU Harmonisation
101
4.4.3
UK Implementation
oř
the Resale Right Directive
106
5
Art and the Internet: Copyright, Related Rights and
Digitisation
111
5.1
Copyright in Digital and Digitised Works 111
5.1.1
Digital Works 111
5.1.2
Digitised Works
113
5.2
Copyright and Computer-Generated Works
113
5.3
Transitory Copying and the Internet
115
5.3.1
Caching
116
5.3.2
Linking and Framing
117
5.3.3
Liability of ISPs and Others, Including for User-
Generated Content
117
5.4
Transmission Right
118
5.5
Publication Right
119
5.6
Database Right
120
5.7
Implications of Moral Rights for the Digital Environment
121
5.8
Art, Copyright Legislation and the Digital Future
122
5.8.1
Legislation
122
5.8.2
The Future
125
Table
of Contents
xi
6
Some Current Issues
127
6.1
Copyright in Photographs
127
6.1.1
Graves Case
(1869) 128
6.1.2
The
Bridgeman
Case
(1998) 130
6.1.3
Comment
136
6.2
Copyright and Visual Search Engines: Fair Use and
Fair Dealing in the Online Environment
141
6.2.1
Kelly
v
Arriba
Soft
(1999-2004) 142
6.2.2
Perfect
10
v
Google
(2006-11) 148
6.2.3
Comment
150
6.2.4
A View from the United Kingdom
150
6.3
Image Sharing, User-Generated Works and Online
Artistic Collaboration
156
6.3.1
Case Study: The National Portrait Gallery, Derrick
Coetzee and Wikimedia Commons
156
6.3.2
User-Generated Content and Online Artistic
Collaboration
162
6.4
Modern Art and Copyright (including Film, Video and
Performances)
164
6.4.1
Ready
-Mades,
Objets Trouvés,
Installations and
Assemblage
164
6.4.2
Appropriation Art
166
6.4.3
Minimalist Art
167
6.4.4
Film Copyright, Modern Art and Advertising:
Gillian Wearing, Mehdi Norowzian and Beyond
168
6.4.5
The Limits of Appropriation: Parody
172
6.4.6
Appropriation and Parody: Some Concluding
Thoughts
178
6.4.7
Film, Video, Multimedia Works, Animation,
Computer Games and Performance Works:
Copyright and Performers Rights
178
6.5
Orphan Works
180
6.6
Art, Originality, Infringement and Recent Developments
in
EU
Copyright Law
183
6.7
Traditional Cultural Expressions and Copyright
185
7
Some Practical Issues and Precedents
193
7.1
Copyright in the Context of Art Loans
193
xii
Table
of
Contents
7.2
Copyright
and Setting Up a Website: Acquiring and
Using Image Rights
196
7.3
The Use of Images in Art Books: The Limits of
Fair Dealing
198
7.4
Transferring/Acquiring Copyright in Artistic Works:
Commissioned Art Works and Moral Rights Waivers
199
7.5
Licensing Artistic Works
201
7.6
Artist s Resale Right (ARR) in the United Kingdom:
Practical Guidance
201
7.6.1
What is Artist s Resale Right?
202
7.6.2
Resale Royalty
203
7.6.3
What Works of Art are Relevant?
204
7.6.4
What Sales Attract the Resale Royalty?
205
7.6.5
Who is Entitled to Claim the Right?
206
7.6.6
Who is Liable to Pay the Resale Royalty?
206
7.6.7
Right to Information
207
7.6.8
The Works of Deceased Artists
207
8
Art and Intellectual Property Rights other than Copyright
209
8.1
Breach of Confidence
210
8.2
Passing Off
211
8.3
Trade Marks
215
8.4
Domain Names
218
8.4.1
Samfrancis.com: Frederick
M
Nicholas,
Administrator, The Sam Francis Estate
v
Magdison
Fine Art
Inc
(2000) 220
8.4.2 Gallerina.
com:
Gallerina
v
Mark Wilmsburst
(2000) 221
8.4.3
Annews.nev. Artneivs,
LEC
v Ecorp.com
(2000) 221
8.4.4
Getty museum.com/Gettysmuseum.com;
Brooklynmuseumofart.com/.org: The
J
Paul Getty
Trust
v
Domain
4
Sale
&
Company and Brooklyn
Institute of Arts and Sciences
v
Fantastic Sites
(2000) 222
8.5
Privacy and Publicity Rights
222
9
Conclusion
227
9.1
Categories of Art and the Subsistence of Copyright
228
9.2
Appropriating the Public Domain: Idea versus Expression
231
9.3
The Digital Future
232
Table
of Contents
xiii
Appendix A: Precedents and Precedent Checklists
235
Appendix B: Sources for Cases, Images and Legislation
249
Index
251
In recent years the intellectual property protection afforded
to works of art has received increased attention from artists,
museums, galleries, auction houses, publishers and their profes¬
sional staff and legal advisers, as well as from those teaching
or studying copyright and/or the law of cultural property. This
was the first text to examine in detail the intellectual property
rights protecting artistic works and artists rights generally in
the United Kingdom. First published in
2001,
Art and Copyright
has established itself as a leading text in the field. Now revised
and updated, the second edition includes expanded coverage of
Artist s Resale Right and the relationship between designs law
and artistic works, as well as greater coverage of new media and
art, and digital developments generally. It also includes additional
precedent materials and checklists. It remains an invaluable
work for all those involved in art law and for intellectual prop¬
erty lawyers involved with the exploitation and/or sale of artistic
works, as well as for intellectual property academics, research¬
ers, law students, curators, publishers, artists, gallery owners
and all those interested in how the law protects artistic works.
Simon Stokes is a partner with Blake Lapthorn in London
and a Visiting Research Fellow at Bournemouth Law School.
ISBN:
Ч7аійЧЧЧЬ1Ь27
9V81849461627
Hart Publishing
|
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| spellingShingle | Stokes, Simon Art and copyright Copyright / Art / Great Britain Copyright and electronic data processing / Great Britain Internet / Law and legislation / Great Britain Kunst Recht Kunst (DE-588)4114333-4 gnd Internet (DE-588)4308416-3 gnd Urheberrecht (DE-588)4062127-3 gnd |
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| title | Art and copyright |
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| title_full | Art and copyright Simon Stokes |
| title_fullStr | Art and copyright Simon Stokes |
| title_full_unstemmed | Art and copyright Simon Stokes |
| title_short | Art and copyright |
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| topic | Copyright / Art / Great Britain Copyright and electronic data processing / Great Britain Internet / Law and legislation / Great Britain Kunst Recht Kunst (DE-588)4114333-4 gnd Internet (DE-588)4308416-3 gnd Urheberrecht (DE-588)4062127-3 gnd |
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