Ground Zero fiction: history, memory, and representation in the American 9/11 novel
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
Heidelberg
Winter
2011
|
| Schriftenreihe: | American studies
208 |
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Klappentext Inhaltsverzeichnis |
| Beschreibung: | XII, 497 S. |
| ISBN: | 9783825359300 |
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Datensatz im Suchindex
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A
decade after the terrorist attacks of September
11,
2OOT, the iconic force of what Jean Baudrillard has
termed a "symbolic world event" has not subsided.
What is less commonly known is the extent to which
literary texts have contributed to the cultural memory
of the day we now call
'9/11.'
In the past ten years, over
160
novels by U.S.-American writers have fictionally
re-enacted, reflected, or revised the dominant media
narrative of 'the day that changed everything.'
This study systematically charts the richly diverse sub-
genre of Ground Zero Fiction by exploring its formal,
structural, thematic, and functional dimensions. In a
combination of typological survey and detailed analysis,
both familiar texts (by Jonathan
Safran Foer,
Don
DeLillo, or John Updike) and lesser-known approaches
(by writers such as Karen Kingsbury, Laila Halaby,
Nicholas Rinaldi, Helen Schulman, Richard Powers,
or Ronald Sukenick) are investigated for their specific
engagements with contemporary history. The American
9/11
novel, this volume argues, not only provides a
productive testing ground for narrative crisis manage¬
ment, but it serves as an exemplary twenty-first century
interface between historical and fictional representation,
between ethical and aesthetic responsibilities, and be¬
tween national and transnational formations of identity.
Titel: Ground Zero fiction
Autor: Däwes, Birgit
Jahr: 2011
Contents
Acknowledgements xi
1 Beyond the Rubble 1
2 Fiction and the Representation of 9/11 :
Theoretical Trajectories 25
2.1 "The Bare Bones of Narrative":
Fiction, Mimesis, and the Pitfalls of Representation 25
2.1.1 Haunted 25
2.1.2 Writing 29
2.2 Perspectives on the Literature of 9/11:
A Survey of Material and Research 37
2.3 History, Trauma, Fiction: Aspects of Methodology 57
2.3.1 History and Narrative 57
2.3.2 Trauma 61
2.3.3 Memory, Fiction, Event 68
2.3.4 Historic Rupture and the Exceptionalism of Suffering 72
2.4 Ground Zero Fiction: Toward a Definition 79
2.4.1 What is a 9/11 Novel? 79
Bibliografische Informationen
http://d-nb.info/1014367972
digitalisiert durch
3.1.1 Terror and Representation:
The Art of Not Writing about September 11 95
3.1.2 "Straight Out of Independence Day": Premonitions 99
3.1.3 Ellipsis: Disruptive Strategies of Unnarration 105
3.1.4 "The Phantom Thrill, the Fleeting Terror":
Implication and Projection 113
3.1.5 "Is Your Hijacker Suicidal?" The Satirical Mode 122
3.1.6 Drawing the Lines: Unnarrative Ground Zero Fiction 133
3.2 "America Needs to Change the Story": Salvational Approaches. 137
3.2.1 Restoring Order: Narratives of Redemption 137
3.2.2 "God Wins. Period": Religious Salvation 143
3.2.3 "She Needed This Closure": Counterhistories of 9/11 159
3.2.4 "Pattern Recognition":
Cognitive Salvation and Conspiracy Theory 175
3.2.5 The Apocalyptic Imagination 193
3.3 "Archaeologists of the Present": Diagnostic Approaches 197
3.3.1 "Forbidden Thoughts": Political Interventions 197
3.3.2 Arab, Muslim, and South Asian Specters:
Identity in Trouble 203
3.3.3 "We're All the Same People. And We are All Falling":
Native American Rewritings of the Homeland 217
3.3.4 Identity Construction Revisited 226
3.3.5 Local and Global Memories 235
3.4 "There Was Something About These Men You Wanted to Become":
Appropriative Approaches 241
3.4.1 Perpetrators and Scandals 241
3.4.2 Writing Terrorism from the Other Side:
Historical Perspectives 243
3.4.3 "Muhammad Atta's Body":
Corporeal Approaches to the 9/11 Hijackers 249
3.4.4 "Wanting to Prove Yourself:
John Updike's Terrorist (2006) 260
3.4.5 "This Hatred Gives him Strength":
Andre Dubus Ill's The Garden of Last Days (2008) 266
3.4.6 "There Are No Others":
Don DeLillo's Falling Man (2007) 273
3.4.7 Speaking for Others: Aesthetic and Ethical Challenges 281
3.5 "The Shadow of No Towers": Symbolic Approaches 285
3.5.1 "Twin Epicenters of the Universe of Suffering":
The Expanded Semantics of 9/11 285
3.5.2 "Phantom Bodies" and the Wounded City:
Medical Crises 289
3.5.3 "Being Twins Meant Something of Quite Another Order":
Crises of the Domestic Sphere 300
3.5.4 "A World From Which There's No Appeal":
Religious Crises 318
3.5.5 Revisiting the Domestic Turn 336
3.6 "Art is an Arrangement Against Nothingness":
Writerly Approaches 343
3.6.1 Beyond "Cultural Hypnosis": Writing against the Grain 343
3.6.2 Crises of Art, Aesthetics of Crisis 349
3.6.3 "In New York, We're All Cops Now":
Allegorical Novels 356
3.6.4 "A Patch of Sky Where There Should Be None":
Richard Powers's Neurological Metafiction 371
3.6.5 "Every New Yorker was Capable of Flight": Jonathan
Safran Foer's Extremely Loud and Incredibly Close 378
3.6.6 "Ground Zero was a Cipher": Ronald Sukenick's Last Fall 388
3.6.7 "Living Language is Not Diminished": Writerly Memorials397
4 Topographies of 9/11 401
5 Bibliography 415
5.1 Primary Sources 415
5.1.1 American 9/11 Novels 415
5.1.2 International 9/11 and 9/12 Novels 420
5.1.3 American Novels Loosely Associated with 9/11 423
5.1.4 9/11 Poetry and Short Fiction 423
5.1.5 9/11 Drama 425
5.1.6 9/11 Children's Books and Comics 427
5.1.7 Autobiographies, Diaries, Memoirs, and Journalism 427
5.1.8 Selected 9/11 Films 428
5.2 Secondary Sources 429
6 Index of Names 485 |
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| discipline | Anglistik / Amerikanistik |
| era | Geschichte 2003-2010 gnd |
| era_facet | Geschichte 2003-2010 |
| format | Thesis Book |
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| title | Ground Zero fiction history, memory, and representation in the American 9/11 novel |
| title_auth | Ground Zero fiction history, memory, and representation in the American 9/11 novel |
| title_exact_search | Ground Zero fiction history, memory, and representation in the American 9/11 novel |
| title_full | Ground Zero fiction history, memory, and representation in the American 9/11 novel Birgit Däwes |
| title_fullStr | Ground Zero fiction history, memory, and representation in the American 9/11 novel Birgit Däwes |
| title_full_unstemmed | Ground Zero fiction history, memory, and representation in the American 9/11 novel Birgit Däwes |
| title_short | Ground Zero fiction |
| title_sort | ground zero fiction history memory and representation in the american 9 11 novel |
| title_sub | history, memory, and representation in the American 9/11 novel |
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