Gothic song: Victorine sequences and Augustinian reform in twelfth-century Paris
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Notre Dame, Ind.
Univ. of Notre Dame Press
2011
|
| Ausgabe: | 2. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Previous ed.: Cambridge [England] ; New York : Cambridge Univ. Press, 1993 Includes bibliographical references and index |
| Beschreibung: | XXXIX, 487 S. Ill. |
| ISBN: | 9780268028893 0268028893 |
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| 245 | 1 | 0 | |a Gothic song |b Victorine sequences and Augustinian reform in twelfth-century Paris |c Margot E. Fassler |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Introduction:
Scholarship on the Late Sequence since Gothic Song
xv
List of illustrations
xxxiii
Acknowledgments
xxxv
Notes on the text xxxvii-xxxix
List of abbreviations
xxxvii
Quotations from editions and from translations
xxxviii
Bibliographic conventions
xxxviii
Citations from the Bible
xxxviii
Pitch designation
xxxix
Part I The changing language of the liturgy
1
The study of liturgical change in the Middle Ages: problems and
potential
3
The medieval liturgy: mediator between past and present
3
The study of liturgical change: four stages
7
the interdisciplinary nature of liturgical study
15
2
Liturgical commentators, within the liturgy and without
18
The nature of liturgical commentary
18
Exegesis within the liturgy: the tropes
22
The Alleluia and its commentators
30
In the company of angels: the
prosula
for the Alleluia
34
3
Early medieval sequences as Alleluia commentaries
38
Songs with words and without
38
Explanations of praise in early French sequences
43
Alte
uox
canat :
an early medieval sequence for the cross
47
4
An introduction to the twelfth-century sequence
58
Liturgical commentators and the late sequences
58
The new song of the twelfth century: the text
64
xii Contents
The new song of the twelfth century: the music
72
Laudes
cruciş :
text and music
77
Conclusions to Part I
78
Part II The rise of the late sequence in twelfth-century France
5
Chartres
and Nevers
85
The importance of comparative study: Benedictines,
Augustinians,
cathedral canons
85
The first half of the twelfth century: the
Augustinians
of
Chartres
87
The Benedictine attitude toward sequences in the mid twelfth
century: St. Evroult
94
Nevers during the middle decades of the twelfth century:
long-standing tradition and rapid change
98
St.
Florentin
of Auxerre: a Benedictine house in the vicinity of Nevers
106
6
Late sequences in southern France during the twelfth century
110
Introduction: Bernard Itier, librarian and cantor
110
Sequences at St. Martial from the late eleventh through the early
thirteenth century
113
The Augustinians of Limoges
121
Sequences in Narbonne Cathedral in the late twelfth century
124
Conclusion to Part II: liturgical change and the late sequences in
twelfth-century France
129
Part III The rise of the late sequence in Paris
7
Paris: first major center for the late sequences
137
Introduction
137
The earliest sources from the Abbey of St. Victor
139
Other early Parisian sources
147
The number of late sequences written in Paris
154
8
Contrafacta in the Parisian sequence repertories: an introduction
The two Parisian sequence repertories
161
Victime paschali
and
Mundi renouatio
164
Variants in the early contrafacta of
Mane prima sabbati
170
Families of sequences at the Abbey of St. Victor
178
Conclusion to Part III
182
Part IV The political and theological contexts of the
Parisian sequences
9
The
Augustinians
of Paris and the politics of reform
187
Introduction: who were the canons regular?
187
Contents xiii
A twelfth-century view of the canons regular:
Libellus
de
diversis ordinibus
191
Reformers in a changing Paris
197
The struggle for reform at the Cathedral of Notre Dame:
Stephen of Senlis and the
Victorines 203
Conclusion: Adam of St. Victor in Paris
206
10
Hugh of St. Victor s vision of the church
211
Introduction
211
A model for contemplation
216
The church within and the church without
222
De sacramentis Christiane
fidei
227
Conclusion to part IV:
Augustinian
and Benedictine attitudes toward the
Dedication compared
233
Part V The church, the ceremony, and the sequences at St. Victor in the
late twelfth century
11
Themes of reform in the Victorine church and the sequence repertory
243
Introduction
243
The church at St. Victor
245
The altars and chapels of the twelfth-century church and their connections to
the sequence repertory
249
Symbolic expressions of hierarchy in the medieval liturgy and at St. Victor
260
12
Sequences for the
temporale:
unity through the cornerstone
267
Introduction
267
Texts for Pentecost and Ascension: Apostles as canons
270
Patriarchs and Apostles at Easter
279
Conclusion: themes of unity at Christmas
285
13
The Victorine sequence music: an art of memory
290
Introduction: hierarchy and melody
290
The musical cornerstone:
Laudes
cruciş
and
Zima uetus
296
The Apostles and the cross
302
Later adaptations of Victorine music
311
Conclusion: Let this church sing
315
14
Mary and the microcosm
321
The lateness of the Marian emphasis
321
A family of Marian sequences at St. Victor
322
Mary: type of the reformed church
326
Mary: model of the faithful soul
328
Conclusion to Part IV: Godefroy of St. Victor, redactor of the
Victorine sequentiary?
334
Epilogue Sacred history and the common life
341
xiv Contents
Appendices
Key
to the appendices
345
Appendix
1
Three Norman sequence repertories from the first half of the twelfth
century
347
Appendix
2
Three sequence collections of the third quarter of the twelfth century
from Nevers and the vicinity
351
Appendix
3
Five southern French Benedictine sequence
libelli
from St. Martial
of Limoges: late eleventh to the early thirteenth century
368
Appendix
4
Two late-twelfth- or early-thirteenth-century sequence repertories
from southern France
375
Appendix
5
The earliest sequence repertories of Paris compared: status of Parisian
sequences in the first major collections of late sequences
390
Anthology
Example A.I
Laudes
cruciş
416
Example A.2
Mundi renouatio
419
Example A.3
Zima uetus
421
Example A.4 Prunis datum
425
Example A.5 Gaude Roma
429
Example A.6 Gaude, sion,
que
diem recolis
432
Example A.7
Iocundare
plebs fidelis
434
Example A.8 O Maria,
stella
maris
436
Translations
438
Bibliography
442
Primary sources
442
Selected secondary sources
446
Indices
474
Index of sequence incipits
474
Index of manuscripts
479
Index of citations from the Bible
480
General index
481
|
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| spelling | Fassler, Margot Elsbeth Verfasser (DE-588)141949872 aut Gothic song Victorine sequences and Augustinian reform in twelfth-century Paris Margot E. Fassler 2. ed. Notre Dame, Ind. Univ. of Notre Dame Press 2011 XXXIX, 487 S. Ill. txt rdacontent n rdamedia nc rdacarrier Previous ed.: Cambridge [England] ; New York : Cambridge Univ. Press, 1993 Includes bibliographical references and index Katholische Kirche Stift Saint-Victor Paris (DE-588)1089297-7 gnd rswk-swf Geschichte 1100-1200 gnd rswk-swf Kirchengeschichte Church music Catholic Church 500-1400 Sequences (Music) History and criticism Church music France Paris 500-1400 Sequenz Liturgischer Gesang (DE-588)4181026-0 gnd rswk-swf Frankreich Paris (France) Church history Paris (DE-588)4044660-8 gnd rswk-swf Paris (DE-588)4044660-8 g Sequenz Liturgischer Gesang (DE-588)4181026-0 s Geschichte 1100-1200 z DE-604 Stift Saint-Victor Paris (DE-588)1089297-7 b Digitalisierung BSB Muenchen 4 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024432918&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Fassler, Margot Elsbeth Gothic song Victorine sequences and Augustinian reform in twelfth-century Paris Katholische Kirche Stift Saint-Victor Paris (DE-588)1089297-7 gnd Kirchengeschichte Church music Catholic Church 500-1400 Sequences (Music) History and criticism Church music France Paris 500-1400 Sequenz Liturgischer Gesang (DE-588)4181026-0 gnd |
| subject_GND | (DE-588)1089297-7 (DE-588)4181026-0 (DE-588)4044660-8 |
| title | Gothic song Victorine sequences and Augustinian reform in twelfth-century Paris |
| title_auth | Gothic song Victorine sequences and Augustinian reform in twelfth-century Paris |
| title_exact_search | Gothic song Victorine sequences and Augustinian reform in twelfth-century Paris |
| title_full | Gothic song Victorine sequences and Augustinian reform in twelfth-century Paris Margot E. Fassler |
| title_fullStr | Gothic song Victorine sequences and Augustinian reform in twelfth-century Paris Margot E. Fassler |
| title_full_unstemmed | Gothic song Victorine sequences and Augustinian reform in twelfth-century Paris Margot E. Fassler |
| title_short | Gothic song |
| title_sort | gothic song victorine sequences and augustinian reform in twelfth century paris |
| title_sub | Victorine sequences and Augustinian reform in twelfth-century Paris |
| topic | Katholische Kirche Stift Saint-Victor Paris (DE-588)1089297-7 gnd Kirchengeschichte Church music Catholic Church 500-1400 Sequences (Music) History and criticism Church music France Paris 500-1400 Sequenz Liturgischer Gesang (DE-588)4181026-0 gnd |
| topic_facet | Katholische Kirche Stift Saint-Victor Paris Kirchengeschichte Church music Catholic Church 500-1400 Sequences (Music) History and criticism Church music France Paris 500-1400 Sequenz Liturgischer Gesang Frankreich Paris (France) Church history Paris |
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