Holdings: America on film :: THWS Bibkatalog

America on film: representing race, class, gender, and sexuality at the movies

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Bibliographic Details
Main Authors:	Benshoff, Harry M. 1963- (Author), Griffin, Sean 1964- (Author)
Format:	Book
Language:	English
Published:	Malden, Mass. [u.a.] Wiley-Blackwell 2011
Edition:	2. ed., 1. publ., [Nachdr.]
Subjects:	Film Geschichte Minorities in motion pictures Motion pictures > United States > History Geschlechterverhältnis Soziale Klasse > Motiv Ethnische Beziehungen Geschlechterverhältnis > Motiv Klassenbewusstsein Ethnische Beziehungen > Motiv USA
Online Access:	Inhaltsverzeichnis
Item Description:	Includes bibliographical references and index
Physical Description:	XVII, 453 S. zahlr. Ill.
ISBN:	9781405170550

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adam_text	CONTENTS Acknowledgments xi How to Use This Book xvi Part I Culture and American Film 1 Introduction to the Study of Film Form and Representation 3 Film Form 3 American Ideologies: Discrimination and Resistance 6 Culture and Cultural Studies 12 Case Study: The Lion King (1994) 17 Questions for Discussion 20 Further Reading 20 2 The Structure and History of Hollywood Filmmaking 21 Hollywood vs. Independent Film 21 The Style of Hollywood Cinema 23 The Business of Hollywood 28 The History of Hollywood: The Movies Begin 30 The Classical Hollywood Cinema 34 World War II and Postwar Film 37 "New" Hollywood and the Blockbuster Mentality 40 Questions for Discussion 43 Further Reading 43 Further Screening 44 Contents Part II Race and Ethnicity and American Film 45 Introduction to Part II: What is Race? 3 The Concept of Whiteness and American Film 51 Seeing White 52 Bleaching the Green: The Irish in American Cinema 56 Looking for Respect: Italians in American Cinema 60 A Special Case: Jews and Hollywood 65 Case Study: The Jazz Singer (1927) 68 Veiled and Reviled: Arabs on Film in America 70 Conclusion: Whiteness and American Film Today 76 Questions for Discussion 77 Further Reading 77 Further Screening 77 4 African Americans and American Film 78 African Americans in Early Film 78 Blacks in Classical Hollywood Cinema 82 World War II and the Postwar Social Problem Film 85 The Rise and Fall of Blaxploitation Filmmaking 88 Box: Blacks on TV 90 Hollywood in the 1980s and the Arrival of Spike Lee 90 Black Independent vs. "Neo-Blaxploitation" Filmmaking 93 New Images for a New Century - Or Not? 95 Case Study: Bamboozled (2000) 98 Questions for Discussion 100 Further Reading 100 Further Screening 101 5 Native Americans and American Film 102 The American "Indian" Before Film 103 Ethnographic Films and the Rise of the Hollywood Western 105 The Evolving Western 110 A Kinder, Gentler America? 115 CaseStudy: Smoke Signais (1998) 118 Conclusion: Twenty-First-Century Indians? 121 Questions for Discussion 122 Further Reading 122 Further Screening 122 VI Contents 6 Asian Americans and American Film 123 Silent Film and Asian Images 124 Asians in Classical Hollywood Cinema 126 World War II and After: War Films, Miscegenation Melodramas, and Kung Fu 130 Contemporary Asian American Actors and Filmmakers 134 Case Study: Eat a Bowl of Tea (1989) 140 Questions for Discussion 142 Further Reading 142 Further Screening 142 7 Latinos and American Film 143 The Greaser and the Latin Lover: Alternating Stereotypes 145 World War II and After: The Good Neighbor Policy 148 The 1950s to the 1970s: Back to Business as Usual? 152 Expanding Opportunities in Recent Decades 154 Conclusion: A Backlash Against Chícanos? 159 Case Study: My Family/Mi Familia (1995) 160 Questions for Discussion 163 Further Reading 163 Further Screening 163 Part III Class and American Film 165 Introduction to Part III: What is Class? 8 Classical Hollywood Cinema and Class 171 Setting the Stage: The Industrial Revolution 171 Early Cinema: The Rise of the Horatio Alger Myth 173 Hollywood and Unionization 178 Class in the Classical Hollywood Cinema 180 Case Study: The Grapes of Wrath (1940) 184 Conclusion: Recloaking Class Consciousness 186 Questions for Discussion 186 Further Reading 186 Further Screening 186 9 Cinematic Class Struggle After the Depression 187 From World War II to the Red Scare 187 From Opulence to Counterculture 191 Box: Class on Television 196 VII Contents New Hollywood and the Resurrection of the Horatio Alger Myth 198 Case Study: Bulworth (1998) 204 Conclusion: Corporate Hollywood and Labor Today 204 Questions for Discussion 208 Further Reading 208 Further Screening 209 Part IV Gender and American Film Introduction to Part IV: What is Gender? 211 10 Women in Classical Hollywood Filmmaking 217 Images of Women in Early Cinema Early Female Filmmakers Images of Women in 1930s Classical Hollywood World War II and After Case Study: All that Heaven Allows (1955) Questions for Discussion Further Reading Further Screening 11 Exploring the Visual Parameters of Women in Film Ways of Seeing "Visual Pleasure and Narrative Cinema" Case Study: Gilda (1946) Conclusion: Complicating Mulvey's Arguments Questions for Discussion Further Reading Further Screening 12 Masculinity in Classical Hollywood Filmmaking Masculinity and Early Cinema Masculinity and the Male Movie Star World War II and Film Noir Case Study: Dead Reckoning (1947) Masculinity in 1950s American Film Questions for Discussion Further Reading Further Screening 218 222 227 231 234 236 237 237 238 238 242 250 253 255 255 256 257 260 262 267 272 274 277 277 277 VIII Contents 13 Gender in American Film Since the 1960s 278 Second Wave Feminism and Hollywood 278 Into the 1980s: A Backlash against Women? 283 Box: Women and American Television 284 A New Generation of Female Filmmakers 291 Case Study: The Ballad of Little Jo (1993) 296 Conclusion: Gender in the Early Twenty-First Century 296 Questions for Discussion 301 Further Reading 301 Further Screening 302 Part V Sexuality and American Film 303 Introduction to Part V: What is Sexuality? 14 Heterosexuality, Homosexuality, and Classical Hollywood 309 (Hetero)Sexuality on Screen 309 (Homo)Sexuality in Early Film 311 Censoring Sexuality during the Classical Hollywood Era 314 Postwar Sexualities and the Weakening of the Production Code 319 Camp and the Underground Cinema 324 Case Study: The Celluloid Closet (1995) 326 Questions for Discussion 328 Further Reading 328 Further Screening 328 15 Sexualities on Film Since the Sexual Revolution 329 Hollywood and the Sexual Revolution 329 Film and Gay Culture from Stonewall to AIDS 331 The AIDS Crisis 336 Queer Theory and New Queer Cinema 339 Box: Queer TV 340 Case Study: Go Fish (1995) 347 Hollywood Responds to New Queer Cinema 347 (Hetero)Sexualities in Contemporary American Cinema 352 Questions for Discussion 354 Further Reading 354 Further Screening 355 IX Contents Part VI Ability and American Film 357 Introduction to Part VI: What is Ability? 16 Cinematic Images of (Dis)Ability 363 Disabled People in Early American Film: Curiosities and Freaks 364 Romanticizing Disability in Classical Hollywood Melodramas 368 Disability in War Movies and Social Problem Films 370 Disability and the Counterculture 374 Case Study: Children of a Lesser God (1986) 378 A More Enlightened Age? 380 Questions for Discussion 384 Further Reading 384 Further Screening 384 17 Making Connections 385 Case Study 1: Queen Christina (1933) 386 Case Study 2: The Old Maid (1939) 388 Case Study 3: The Gang's All Here (1943) 390 Case Study 4: A Patch of Blue (1965) 392 Case Study 5: Erin Brockovich (2000) 394 Case Study 6: 8 Mile (2002) 396 Case Study 7: Better Luck Tomorrow (2002) 398 Case Study 8: Saving Face (2004) 400 Case Study 9: Crash (2004) 402 Case Study 10: The Prize Winner of Defiance, Ohio (2005) 404 Case Study 11: Brokeback Mountain (2005) 406 Case Study 12: Quinceanera (2006) 408 Glossary 410 Index 432
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author	Benshoff, Harry M. 1963- Griffin, Sean 1964-
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dewey-tens	300 - Social sciences
discipline	Allgemeines Soziologie Anglistik / Amerikanistik
edition	2. ed., 1. publ., [Nachdr.]
format	Book
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spelling	Benshoff, Harry M. 1963- Verfasser (DE-588)108935391X aut America on film representing race, class, gender, and sexuality at the movies Harry M. Benshoff and Sean Griffin 2. ed., 1. publ., [Nachdr.] Malden, Mass. [u.a.] Wiley-Blackwell 2011 XVII, 453 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Film Geschichte Minorities in motion pictures Motion pictures United States History Geschlechterverhältnis (DE-588)4020548-4 gnd rswk-swf Soziale Klasse Motiv (DE-588)4315466-9 gnd rswk-swf Ethnische Beziehungen (DE-588)4176973-9 gnd rswk-swf Geschlechterverhältnis Motiv (DE-588)4213077-3 gnd rswk-swf Klassenbewusstsein (DE-588)4164015-9 gnd rswk-swf Ethnische Beziehungen Motiv (DE-588)4176974-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Ethnische Beziehungen Motiv (DE-588)4176974-0 s DE-604 Geschlechterverhältnis Motiv (DE-588)4213077-3 s Soziale Klasse Motiv (DE-588)4315466-9 s Ethnische Beziehungen (DE-588)4176973-9 s Geschlechterverhältnis (DE-588)4020548-4 s Klassenbewusstsein (DE-588)4164015-9 s 1\p DE-604 Griffin, Sean 1964- Verfasser (DE-588)1154609758 aut Digitalisierung UB Bamberg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024430569&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk
spellingShingle	Benshoff, Harry M. 1963- Griffin, Sean 1964- America on film representing race, class, gender, and sexuality at the movies Film Geschichte Minorities in motion pictures Motion pictures United States History Geschlechterverhältnis (DE-588)4020548-4 gnd Soziale Klasse Motiv (DE-588)4315466-9 gnd Ethnische Beziehungen (DE-588)4176973-9 gnd Geschlechterverhältnis Motiv (DE-588)4213077-3 gnd Klassenbewusstsein (DE-588)4164015-9 gnd Ethnische Beziehungen Motiv (DE-588)4176974-0 gnd Film (DE-588)4017102-4 gnd
subject_GND	(DE-588)4020548-4 (DE-588)4315466-9 (DE-588)4176973-9 (DE-588)4213077-3 (DE-588)4164015-9 (DE-588)4176974-0 (DE-588)4017102-4 (DE-588)4078704-7
title	America on film representing race, class, gender, and sexuality at the movies
title_auth	America on film representing race, class, gender, and sexuality at the movies
title_exact_search	America on film representing race, class, gender, and sexuality at the movies
title_full	America on film representing race, class, gender, and sexuality at the movies Harry M. Benshoff and Sean Griffin
title_fullStr	America on film representing race, class, gender, and sexuality at the movies Harry M. Benshoff and Sean Griffin
title_full_unstemmed	America on film representing race, class, gender, and sexuality at the movies Harry M. Benshoff and Sean Griffin
title_short	America on film
title_sort	america on film representing race class gender and sexuality at the movies
title_sub	representing race, class, gender, and sexuality at the movies
topic	Film Geschichte Minorities in motion pictures Motion pictures United States History Geschlechterverhältnis (DE-588)4020548-4 gnd Soziale Klasse Motiv (DE-588)4315466-9 gnd Ethnische Beziehungen (DE-588)4176973-9 gnd Geschlechterverhältnis Motiv (DE-588)4213077-3 gnd Klassenbewusstsein (DE-588)4164015-9 gnd Ethnische Beziehungen Motiv (DE-588)4176974-0 gnd Film (DE-588)4017102-4 gnd
topic_facet	Film Geschichte Minorities in motion pictures Motion pictures United States History Geschlechterverhältnis Soziale Klasse Motiv Ethnische Beziehungen Geschlechterverhältnis Motiv Klassenbewusstsein Ethnische Beziehungen Motiv USA
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024430569&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT benshoffharrym americaonfilmrepresentingraceclassgenderandsexualityatthemovies AT griffinsean americaonfilmrepresentingraceclassgenderandsexualityatthemovies

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