America on film: representing race, class, gender, and sexuality at the movies
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Malden, Mass. [u.a.]
Wiley-Blackwell
2011
|
| Ausgabe: | 2. ed., 1. publ., [Nachdr.] |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XVII, 453 S. zahlr. Ill. |
| ISBN: | 9781405170550 |
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| 245 | 1 | 0 | |a America on film |b representing race, class, gender, and sexuality at the movies |c Harry M. Benshoff and Sean Griffin |
| 250 | |a 2. ed., 1. publ., [Nachdr.] | ||
| 264 | 1 | |a Malden, Mass. [u.a.] |b Wiley-Blackwell |c 2011 | |
| 300 | |a XVII, 453 S. |b zahlr. Ill. | ||
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Datensatz im Suchindex
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|---|---|
| adam_text |
CONTENTS
Acknowledgments
xi
How to Use This Book
xvi
Part I Culture and American Film
1
Introduction to the Study of Film Form
and Representation
3
Film Form
3
American Ideologies: Discrimination and Resistance
6
Culture and Cultural Studies
12
Case Study: The Lion King
(1994) 17
Questions for Discussion
20
Further Reading
20
2
The Structure and History of Hollywood
Filmmaking
21
Hollywood vs. Independent Film
21
The Style of Hollywood Cinema
23
The Business of Hollywood
28
The History of Hollywood: The Movies Begin
30
The Classical Hollywood Cinema
34
World War II and Postwar Film
37
"New" Hollywood and the Blockbuster Mentality
40
Questions for Discussion
43
Further Reading
43
Further Screening
44
Contents
Part II
Race and Ethnicity and American Film
45
Introduction to Part II: What is Race?
3
The Concept of Whiteness and
American Film
51
Seeing White
52
Bleaching the Green: The Irish in American Cinema
56
Looking for Respect: Italians in American Cinema
60
A Special Case: Jews and Hollywood
65
Case Study: The Jazz Singer
(1927) 68
Veiled and Reviled: Arabs on Film in America
70
Conclusion: Whiteness and American Film Today
76
Questions for Discussion
77
Further Reading
77
Further Screening
77
4
African Americans and American Film
78
African Americans in Early Film
78
Blacks in Classical Hollywood Cinema
82
World War II and the Postwar Social Problem Film
85
The Rise and Fall of Blaxploitation Filmmaking
88
Box: Blacks on TV
90
Hollywood in the
1980s
and the Arrival of Spike Lee
90
Black Independent vs. "Neo-Blaxploitation"
Filmmaking
93
New Images for a New Century
-
Or Not?
95
Case Study: Bamboozled
(2000) 98
Questions for Discussion
100
Further Reading
100
Further Screening
101
5
Native Americans and American Film
102
The American "Indian" Before Film
103
Ethnographic Films and the Rise of the
Hollywood Western
105
The Evolving Western
110
A Kinder, Gentler America?
115
CaseStudy: Smoke
Signais
(1998) 118
Conclusion: Twenty-First-Century Indians?
121
Questions for Discussion
122
Further Reading
122
Further Screening
122
VI
Contents
6
Asian Americans and American Film
123
Silent Film and Asian Images
124
Asians in Classical Hollywood Cinema
126
World War II and After: War Films, Miscegenation
Melodramas, and
Kung
Fu
130
Contemporary Asian American Actors and Filmmakers
134
Case Study: Eat a Bowl of Tea
(1989) 140
Questions for Discussion
142
Further Reading
142
Further Screening
142
7
Latinos and American Film
143
The Greaser and the Latin Lover: Alternating Stereotypes
145
World War II and After: The Good Neighbor Policy
148
The
1950s
to the
1970s:
Back to Business as Usual?
152
Expanding Opportunities in Recent Decades
154
Conclusion: A Backlash Against
Chícanos?
159
Case Study: My Family/Mi
Familia
(1995) 160
Questions for Discussion
163
Further Reading
163
Further Screening
163
Part III Class and American Film
165
Introduction to Part III: What is Class?
8
Classical Hollywood Cinema and Class
171
Setting the Stage: The Industrial Revolution
171
Early Cinema: The Rise of the Horatio
Alger
Myth
173
Hollywood and Unionization
178
Class in the Classical Hollywood Cinema
180
Case Study: The Grapes of Wrath
(1940) 184
Conclusion: Recloaking Class Consciousness
186
Questions for Discussion
186
Further Reading
186
Further Screening
186
9
Cinematic Class Struggle After the
Depression
187
From World War II to the Red Scare
187
From Opulence to Counterculture
191
Box: Class on Television
196
VII
Contents
New Hollywood
and the Resurrection of the Horatio
Alger
Myth
198
Case Study: Bulworth
(1998) 204
Conclusion: Corporate Hollywood and Labor Today
204
Questions for Discussion
208
Further Reading
208
Further Screening
209
Part IV Gender and American Film
Introduction to Part IV: What is Gender?
211
10
Women in Classical Hollywood Filmmaking
217
Images of Women in Early Cinema
Early Female Filmmakers
Images of Women in
1930s
Classical Hollywood
World War II and After
Case Study: All that Heaven Allows
(1955)
Questions for Discussion
Further Reading
Further Screening
11
Exploring the Visual Parameters of
Women in Film
Ways of Seeing
"Visual Pleasure and Narrative Cinema"
Case Study:
Gilda (1946)
Conclusion: Complicating Mulvey's Arguments
Questions for Discussion
Further Reading
Further Screening
12
Masculinity in Classical Hollywood
Filmmaking
Masculinity and Early Cinema
Masculinity and the Male Movie Star
World War II and Film
Noir
Case Study: Dead Reckoning
(1947)
Masculinity in
1950s
American Film
Questions for Discussion
Further Reading
Further Screening
218
222
227
231
234
236
237
237
238
238
242
250
253
255
255
256
257
260
262
267
272
274
277
277
277
VIII
Contents
13
Gender in
American
Film Since the
1960s 278
Second Wave Feminism and Hollywood
278
Into the
1980s:
A Backlash against Women?
283
Box: Women and American Television
284
A New Generation of Female Filmmakers
291
Case Study: The Ballad of Little Jo
(1993) 296
Conclusion: Gender in the Early Twenty-First Century
296
Questions for Discussion
301
Further Reading
301
Further Screening
302
Part V Sexuality and American Film
303
Introduction to Part V: What is Sexuality?
14
Heterosexuality, Homosexuality, and
Classical Hollywood
309
(Hetero)Sexuality on Screen
309
(Homo)Sexuality in Early Film
311
Censoring Sexuality during the Classical Hollywood
Era
314
Postwar Sexualities and the Weakening of the
Production Code
319
Camp and the Underground Cinema
324
Case Study: The Celluloid Closet
(1995)
326
Questions for Discussion
328
Further Reading
328
Further Screening
328
15
Sexualities on Film Since the Sexual
Revolution
329
Hollywood and the Sexual Revolution
329
Film and Gay Culture from Stonewall to AIDS
331
The AIDS Crisis
336
Queer Theory and New Queer Cinema
339
Box: Queer TV
340
Case Study: Go Fish
(1995) 347
Hollywood Responds to New Queer Cinema
347
(Hetero)Sexualities in Contemporary American Cinema
352
Questions for Discussion
354
Further Reading
354
Further Screening
355
IX
Contents
Part VI Ability and American Film
357
Introduction to Part VI: What is Ability?
16
Cinematic Images of (Dis)Ability
363
Disabled People in Early American Film: Curiosities
and Freaks
364
Romanticizing Disability in Classical Hollywood
Melodramas
368
Disability in War Movies and Social Problem Films
370
Disability and the Counterculture
374
Case Study: Children of a Lesser God
(1986) 378
A More Enlightened Age?
380
Questions for Discussion
384
Further Reading
384
Further Screening
384
17
Making Connections
385
Case Study
1:
Queen Christina
(1933) 386
Case Study
2:
The Old Maid
(1939) 388
Case Study
3:
The Gang's All Here
(1943) 390
Case Study
4:
A Patch of Blue
(1965) 392
Case Study
5:
Erin Brockovich
(2000) 394
Case Study
6: 8
Mile
(2002) 396
Case Study
7:
Better Luck Tomorrow
(2002) 398
Case Study
8:
Saving Face
(2004) 400
Case Study
9:
Crash
(2004) 402
Case Study
10:
The Prize Winner of Defiance, Ohio
(2005) 404
Case Study
11:
Brokeback Mountain
(2005) 406
Case Study
12:
Quinceanera
(2006) 408
Glossary
410
Index
432 |
| any_adam_object | 1 |
| author | Benshoff, Harry M. 1963- Griffin, Sean 1964- |
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| dewey-tens | 300 - Social sciences |
| discipline | Allgemeines Soziologie Anglistik / Amerikanistik |
| edition | 2. ed., 1. publ., [Nachdr.] |
| format | Book |
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| geographic | USA USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV039579240 |
| illustrated | Illustrated |
| indexdate | 2024-10-23T14:04:53Z |
| institution | BVB |
| isbn | 9781405170550 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024430569 |
| oclc_num | 756312946 |
| open_access_boolean | |
| owner | DE-473 DE-BY-UBG DE-20 |
| owner_facet | DE-473 DE-BY-UBG DE-20 |
| physical | XVII, 453 S. zahlr. Ill. |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | Wiley-Blackwell |
| record_format | marc |
| spelling | Benshoff, Harry M. 1963- Verfasser (DE-588)108935391X aut America on film representing race, class, gender, and sexuality at the movies Harry M. Benshoff and Sean Griffin 2. ed., 1. publ., [Nachdr.] Malden, Mass. [u.a.] Wiley-Blackwell 2011 XVII, 453 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Film Geschichte Minorities in motion pictures Motion pictures United States History Geschlechterverhältnis (DE-588)4020548-4 gnd rswk-swf Soziale Klasse Motiv (DE-588)4315466-9 gnd rswk-swf Ethnische Beziehungen (DE-588)4176973-9 gnd rswk-swf Geschlechterverhältnis Motiv (DE-588)4213077-3 gnd rswk-swf Klassenbewusstsein (DE-588)4164015-9 gnd rswk-swf Ethnische Beziehungen Motiv (DE-588)4176974-0 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Ethnische Beziehungen Motiv (DE-588)4176974-0 s DE-604 Geschlechterverhältnis Motiv (DE-588)4213077-3 s Soziale Klasse Motiv (DE-588)4315466-9 s Ethnische Beziehungen (DE-588)4176973-9 s Geschlechterverhältnis (DE-588)4020548-4 s Klassenbewusstsein (DE-588)4164015-9 s 1\p DE-604 Griffin, Sean 1964- Verfasser (DE-588)1154609758 aut Digitalisierung UB Bamberg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024430569&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Benshoff, Harry M. 1963- Griffin, Sean 1964- America on film representing race, class, gender, and sexuality at the movies Film Geschichte Minorities in motion pictures Motion pictures United States History Geschlechterverhältnis (DE-588)4020548-4 gnd Soziale Klasse Motiv (DE-588)4315466-9 gnd Ethnische Beziehungen (DE-588)4176973-9 gnd Geschlechterverhältnis Motiv (DE-588)4213077-3 gnd Klassenbewusstsein (DE-588)4164015-9 gnd Ethnische Beziehungen Motiv (DE-588)4176974-0 gnd Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4020548-4 (DE-588)4315466-9 (DE-588)4176973-9 (DE-588)4213077-3 (DE-588)4164015-9 (DE-588)4176974-0 (DE-588)4017102-4 (DE-588)4078704-7 |
| title | America on film representing race, class, gender, and sexuality at the movies |
| title_auth | America on film representing race, class, gender, and sexuality at the movies |
| title_exact_search | America on film representing race, class, gender, and sexuality at the movies |
| title_full | America on film representing race, class, gender, and sexuality at the movies Harry M. Benshoff and Sean Griffin |
| title_fullStr | America on film representing race, class, gender, and sexuality at the movies Harry M. Benshoff and Sean Griffin |
| title_full_unstemmed | America on film representing race, class, gender, and sexuality at the movies Harry M. Benshoff and Sean Griffin |
| title_short | America on film |
| title_sort | america on film representing race class gender and sexuality at the movies |
| title_sub | representing race, class, gender, and sexuality at the movies |
| topic | Film Geschichte Minorities in motion pictures Motion pictures United States History Geschlechterverhältnis (DE-588)4020548-4 gnd Soziale Klasse Motiv (DE-588)4315466-9 gnd Ethnische Beziehungen (DE-588)4176973-9 gnd Geschlechterverhältnis Motiv (DE-588)4213077-3 gnd Klassenbewusstsein (DE-588)4164015-9 gnd Ethnische Beziehungen Motiv (DE-588)4176974-0 gnd Film (DE-588)4017102-4 gnd |
| topic_facet | Film Geschichte Minorities in motion pictures Motion pictures United States History Geschlechterverhältnis Soziale Klasse Motiv Ethnische Beziehungen Geschlechterverhältnis Motiv Klassenbewusstsein Ethnische Beziehungen Motiv USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024430569&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT benshoffharrym americaonfilmrepresentingraceclassgenderandsexualityatthemovies AT griffinsean americaonfilmrepresentingraceclassgenderandsexualityatthemovies |