Prispevek k analizi institucij slovenske glasbe 20. stoletja:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Slovenian |
| Veröffentlicht: |
Ljubljana
Znanstvena Založba Fil. Fak.
2010
|
| Schriftenreihe: | Razprave Filozofske Fakultete
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | Zsfassung in engl. Sprache |
| Beschreibung: | 149 S. Notenbeisp. 24 cm |
Internformat
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Datensatz im Suchindex
| _version_ | 1804148406841507840 |
|---|---|
| adam_text | KAZALO
PREDGOVOR
................................................................................................................. 7
FOREWORD...................................................................................................................
9
POGLED
Z
ZAČETKA
..................................................................................................11
Kulturologija ali fenomenologija ali
...?
Muzikologija
in
nacionalna identiteta
ob
slovenski glasbeni sodobnosti
...............................................................................
1
1
О
sodobni slovenski glasbeni identiti
ob
Bemetzriederjevih opazkah
s
konca
18.
stoletja
....................................................................................................................... 16
Prelomi
v
slovenski glasbi
20.
stoletja
...................................................................... 43
TEME
............................................................................................................................ 53
...
v
prvi polovici
20.
stoletja
....................................................................................... 55
Nova stvarmost 1920ih
in glasba:
med potrebnim, možnim
in smiselnim ............... 55
Glasbena
matica: zadnja leta?
................................................................................... 63
...
v
drugi polovici
20.
stoletja
.................................................................................... 73
Relativna avtonomija
glasbe: primer
Ljubljanskega dnevnika
1951-1% 1 .............. 73
Avantgardnost klasičncga. Opombe
h
glasbeni
poetila
Uroša
Rojka
........................ 83
Kompozicijske zasnove
v
slovenski
instrumentalni
glasbi zadnje četrtine
20.
stoletja
................................................................................................................. 89
POGLED
S
KONCA
.................................................................................................... 105
О
uporabnosti glasbe: funkcije slovenske glasbe
v
sodobnosti
.............................. 105
Krajevne
in prostoreké
opredelitve glasbe ~ opombe
к
zgodovini vrednotenja
sodobne slovenske glasbe
.........................................................................................114
Popularnost slovenske popularne glasbe
................................................................. 120
LITERATURA
..............................................................................................................134
IMENSKO KAZALO
...................................................................................................143
Foreword
FOREWORD
The majority of the studies published here was written for different symposia. With few
changes, they are rounded off into a monograph, summarizing the last decade of my in¬
volvement with the Slovenian music of the 20th century.
Although each text is a separate elaboration of a rather confined topic, together, I believe,
they allow a coherent
—
although by no means comprehensive (much less conclusive)
-
view of the Slovenian musical life of the chosen period. The idea behind this compila¬
tion was a rather ambitious one: to trace some, in my opinion, tectonic changes in the
Slovenian musical practice through different issues dealing mainly with institutional his¬
tory and perception. Being aware of the scarce argumentation
-
even a glimpse of the dis¬
cussed
topoi,
ranging from historiography to perception of popular music
-
the whole can
be easily subjected to justified criticism. For instance, the most important musical institu¬
tions after the Second World War
—
the Academy of Music, the Slovenian Philharmonic
Orchestra, the Radio Orchestra, the Big Band, the Society of Slovenian Composers, the
Slovenian musical activity of the cultural and congress centre Cankarjev
dom,
the Slov¬
enian Music Information Centre, music policy at the Ministry of Culture, music education,
modern media, etc.
-
are »bypassed«. Moreover, they are almost ignored, although they
are the pillars of the Slovenian musical practice.
Despite thematic gaps, however, the selected articles offer, I believe, sufficiently illustra¬
tive and interconnected phenomena of the recent musical past of Slovenia and present what
may be reckoned as fairly important, if not fundamental. Even if the reader is encouraged
to read the chapters randomly, some themes within them suggest that certain phenom¬
ena are observed several times in different contexts. Throughout the book, as a common
thread connecting the three main »knots« indicated as the three periods of the 20th century
Slovenian music, two contents circulate
-
merge with and digress from
-
the discussed
phenomena: identification processes or identity and evaluation or value issues. I had those
two gnoseological qualia in mind while choosing the title for this book:
1
find them to be
the main institutions in defining (probably not only) the Slovenian musical practice of the
20th century. And, hopefully, the emphasis on the noetic side of the discussed facts and
ideas may stimulate benevolent criticism for the people, styles, genres, social and political
facts that did not find their otherwise well deserved place in this book.
Despite the rather modest historiographical relevance included in the essays, the »mix« of
contents addressed as a reflection of the institutional keys of the
20th-century
Slovenian
Leon Stefanija:
Příspěvek
к
analizi
instituci)
slovenske
glasbe
20.
stoletja
_____________
musical
practice
may be of interest as a basis for further research, pointing to two direc¬
tions. One may find a ground for a detailed sociological analysis of the Slovenian musical
practice on a much broader scale than it is unfolded here. Yet, the more ambitious idea
may be seen in finding pointers for a comparison of the phenomena discussed here with
regard to similar phenomena outside of Slovenia. Regardless of the potentials for further
elaborations offered here, however, I would be more than happy if the noetic background
of this book finds itself to be useful for the music students at the University of Ljubljana.
Ljubljana, February
2009
Leon Stefanija
10
|
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| era_facet | Geschichte 1900-2000 |
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| language | Slovenian |
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| spelling | Stefanija, Leon 1970- Verfasser (DE-588)143578979 aut Prispevek k analizi institucij slovenske glasbe 20. stoletja Leon Stefanija Ljubljana Znanstvena Založba Fil. Fak. 2010 149 S. Notenbeisp. 24 cm txt rdacontent n rdamedia nc rdacarrier Razprave Filozofske Fakultete Zsfassung in engl. Sprache Geschichte 1900-2000 Geschichte 1900-2000 gnd rswk-swf Music / Slovenia / 20th century / History and criticism Music / Philosophy and aesthetics Musik Einrichtung (DE-588)4113393-6 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Slowenien (DE-588)4055302-4 gnd rswk-swf Slowenien (DE-588)4055302-4 g Musik (DE-588)4040802-4 s Einrichtung (DE-588)4113393-6 s Geschichte 1900-2000 z DE-604 Musikleben (DE-588)4075128-4 s Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024428598&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen 2 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024428598&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Stefanija, Leon 1970- Prispevek k analizi institucij slovenske glasbe 20. stoletja Music / Slovenia / 20th century / History and criticism Music / Philosophy and aesthetics Musik Einrichtung (DE-588)4113393-6 gnd Musik (DE-588)4040802-4 gnd Musikleben (DE-588)4075128-4 gnd |
| subject_GND | (DE-588)4113393-6 (DE-588)4040802-4 (DE-588)4075128-4 (DE-588)4055302-4 |
| title | Prispevek k analizi institucij slovenske glasbe 20. stoletja |
| title_auth | Prispevek k analizi institucij slovenske glasbe 20. stoletja |
| title_exact_search | Prispevek k analizi institucij slovenske glasbe 20. stoletja |
| title_full | Prispevek k analizi institucij slovenske glasbe 20. stoletja Leon Stefanija |
| title_fullStr | Prispevek k analizi institucij slovenske glasbe 20. stoletja Leon Stefanija |
| title_full_unstemmed | Prispevek k analizi institucij slovenske glasbe 20. stoletja Leon Stefanija |
| title_short | Prispevek k analizi institucij slovenske glasbe 20. stoletja |
| title_sort | prispevek k analizi institucij slovenske glasbe 20 stoletja |
| topic | Music / Slovenia / 20th century / History and criticism Music / Philosophy and aesthetics Musik Einrichtung (DE-588)4113393-6 gnd Musik (DE-588)4040802-4 gnd Musikleben (DE-588)4075128-4 gnd |
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