In lonely places: film noir beyond the city
"The author investigates the alienation expressed by film noir, pinpointing its motivation in the conflict between desires for escape, autonomy and freedom. This survey examines how film noir reflected radical changes in the physical and social landscapes of postwar America, defining the genre&...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jefferson, N.C. [u.a.]
McFarland
2011
|
| Schlagworte: | |
| Zusammenfassung: | "The author investigates the alienation expressed by film noir, pinpointing its motivation in the conflict between desires for escape, autonomy and freedom. This survey examines how film noir reflected radical changes in the physical and social landscapes of postwar America, defining the genre's contribution to the eternal debate between the values of individualism and community"--Provided by publisher |
| Beschreibung: | Includes bibliographical references and index Introduction -- Imaginary prisons: noir and the city -- In exile at home: noir between two worlds -- Maximum security: domestic noir -- The tyranny of neighbors: small-town noir -- Blind highways: noir on the road -- Mirage of safety: noir on the Mexican border -- Lone and level sands: desert noir -- Past sunset: noir westerns -- Private traps: noir in the mind |
| Beschreibung: | VII, 247 S. Ill. |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV039575901 | ||
| 003 | DE-604 | ||
| 005 | 20111020 | ||
| 007 | t | ||
| 008 | 110912s2011 a||| |||| 00||| eng d | ||
| 020 | |z 9780786463053 |c pbk. |9 978-0-7864-6305-3 | ||
| 035 | |a (OCoLC)714086829 | ||
| 035 | |a (DE-599)BVBBV039575901 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 082 | 0 | |a 791.43/653 |2 23 | |
| 100 | 1 | |a Smith, Imogen Sara |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a In lonely places |b film noir beyond the city |c Imogen Sara Smith |
| 264 | 1 | |a Jefferson, N.C. [u.a.] |b McFarland |c 2011 | |
| 300 | |a VII, 247 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 500 | |a Introduction -- Imaginary prisons: noir and the city -- In exile at home: noir between two worlds -- Maximum security: domestic noir -- The tyranny of neighbors: small-town noir -- Blind highways: noir on the road -- Mirage of safety: noir on the Mexican border -- Lone and level sands: desert noir -- Past sunset: noir westerns -- Private traps: noir in the mind | ||
| 520 | |a "The author investigates the alienation expressed by film noir, pinpointing its motivation in the conflict between desires for escape, autonomy and freedom. This survey examines how film noir reflected radical changes in the physical and social landscapes of postwar America, defining the genre's contribution to the eternal debate between the values of individualism and community"--Provided by publisher | ||
| 648 | 7 | |a Geschichte 1945-1960 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Film noir / United States / History and criticism | |
| 650 | 4 | |a Alienation (Social psychology) in motion pictures | |
| 650 | 0 | 7 | |a Film noir |0 (DE-588)4116435-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Entfremdung |g Motiv |0 (DE-588)4152349-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Landleben |g Motiv |0 (DE-588)4166610-0 |2 gnd |9 rswk-swf |
| 651 | 4 | |a USA | |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Film noir |0 (DE-588)4116435-0 |D s |
| 689 | 0 | 2 | |a Landleben |g Motiv |0 (DE-588)4166610-0 |D s |
| 689 | 0 | 3 | |a Entfremdung |g Motiv |0 (DE-588)4152349-0 |D s |
| 689 | 0 | 4 | |a Geschichte 1945-1960 |A z |
| 689 | 0 | |5 DE-604 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-024427318 | ||
Datensatz im Suchindex
| _version_ | 1804148405023277056 |
|---|---|
| any_adam_object | |
| author | Smith, Imogen Sara |
| author_facet | Smith, Imogen Sara |
| author_role | aut |
| author_sort | Smith, Imogen Sara |
| author_variant | i s s is iss |
| building | Verbundindex |
| bvnumber | BV039575901 |
| ctrlnum | (OCoLC)714086829 (DE-599)BVBBV039575901 |
| dewey-full | 791.43/653 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/653 |
| dewey-search | 791.43/653 |
| dewey-sort | 3791.43 3653 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| era | Geschichte 1945-1960 gnd |
| era_facet | Geschichte 1945-1960 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02347nam a2200469 c 4500</leader><controlfield tag="001">BV039575901</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20111020 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">110912s2011 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="z">9780786463053</subfield><subfield code="c">pbk.</subfield><subfield code="9">978-0-7864-6305-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)714086829</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV039575901</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43/653</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Smith, Imogen Sara</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">In lonely places</subfield><subfield code="b">film noir beyond the city</subfield><subfield code="c">Imogen Sara Smith</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Jefferson, N.C. [u.a.]</subfield><subfield code="b">McFarland</subfield><subfield code="c">2011</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">VII, 247 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Introduction -- Imaginary prisons: noir and the city -- In exile at home: noir between two worlds -- Maximum security: domestic noir -- The tyranny of neighbors: small-town noir -- Blind highways: noir on the road -- Mirage of safety: noir on the Mexican border -- Lone and level sands: desert noir -- Past sunset: noir westerns -- Private traps: noir in the mind</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"The author investigates the alienation expressed by film noir, pinpointing its motivation in the conflict between desires for escape, autonomy and freedom. This survey examines how film noir reflected radical changes in the physical and social landscapes of postwar America, defining the genre's contribution to the eternal debate between the values of individualism and community"--Provided by publisher</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1945-1960</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film noir / United States / History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Alienation (Social psychology) in motion pictures</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Film noir</subfield><subfield code="0">(DE-588)4116435-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Entfremdung</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4152349-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Landleben</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4166610-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">USA</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Film noir</subfield><subfield code="0">(DE-588)4116435-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Landleben</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4166610-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Entfremdung</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4152349-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1945-1960</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-024427318</subfield></datafield></record></collection> |
| geographic | USA USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV039575901 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:06:36Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024427318 |
| oclc_num | 714086829 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | VII, 247 S. Ill. |
| publishDate | 2011 |
| publishDateSearch | 2011 |
| publishDateSort | 2011 |
| publisher | McFarland |
| record_format | marc |
| spelling | Smith, Imogen Sara Verfasser aut In lonely places film noir beyond the city Imogen Sara Smith Jefferson, N.C. [u.a.] McFarland 2011 VII, 247 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Introduction -- Imaginary prisons: noir and the city -- In exile at home: noir between two worlds -- Maximum security: domestic noir -- The tyranny of neighbors: small-town noir -- Blind highways: noir on the road -- Mirage of safety: noir on the Mexican border -- Lone and level sands: desert noir -- Past sunset: noir westerns -- Private traps: noir in the mind "The author investigates the alienation expressed by film noir, pinpointing its motivation in the conflict between desires for escape, autonomy and freedom. This survey examines how film noir reflected radical changes in the physical and social landscapes of postwar America, defining the genre's contribution to the eternal debate between the values of individualism and community"--Provided by publisher Geschichte 1945-1960 gnd rswk-swf Film noir / United States / History and criticism Alienation (Social psychology) in motion pictures Film noir (DE-588)4116435-0 gnd rswk-swf Entfremdung Motiv (DE-588)4152349-0 gnd rswk-swf Landleben Motiv (DE-588)4166610-0 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film noir (DE-588)4116435-0 s Landleben Motiv (DE-588)4166610-0 s Entfremdung Motiv (DE-588)4152349-0 s Geschichte 1945-1960 z DE-604 |
| spellingShingle | Smith, Imogen Sara In lonely places film noir beyond the city Film noir / United States / History and criticism Alienation (Social psychology) in motion pictures Film noir (DE-588)4116435-0 gnd Entfremdung Motiv (DE-588)4152349-0 gnd Landleben Motiv (DE-588)4166610-0 gnd |
| subject_GND | (DE-588)4116435-0 (DE-588)4152349-0 (DE-588)4166610-0 (DE-588)4078704-7 |
| title | In lonely places film noir beyond the city |
| title_auth | In lonely places film noir beyond the city |
| title_exact_search | In lonely places film noir beyond the city |
| title_full | In lonely places film noir beyond the city Imogen Sara Smith |
| title_fullStr | In lonely places film noir beyond the city Imogen Sara Smith |
| title_full_unstemmed | In lonely places film noir beyond the city Imogen Sara Smith |
| title_short | In lonely places |
| title_sort | in lonely places film noir beyond the city |
| title_sub | film noir beyond the city |
| topic | Film noir / United States / History and criticism Alienation (Social psychology) in motion pictures Film noir (DE-588)4116435-0 gnd Entfremdung Motiv (DE-588)4152349-0 gnd Landleben Motiv (DE-588)4166610-0 gnd |
| topic_facet | Film noir / United States / History and criticism Alienation (Social psychology) in motion pictures Film noir Entfremdung Motiv Landleben Motiv USA |
| work_keys_str_mv | AT smithimogensara inlonelyplacesfilmnoirbeyondthecity |