As you like it: authoritative text ; sources and contexts ; criticism
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Norton
2012
|
| Ausgabe: | 1. ed. |
| Schriftenreihe: | A Norton critical edition
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XI, 467 S. Ill. |
| ISBN: | 9780393927627 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
List of Illustrations
vii
Preface
ix
The Text of As You Like It
ι
A Note on the Text
87
Sources and Contexts
93
Thomas Lodge
·
Rosalynde
95
Richard Pace
·
[The Benefit of a Liberal Education]
196
Keith Thomas
·
[Boundaries between Animal and Human]
197
Michel
de
Montaigne
·
[Humans versus Animals]
201
Sir Thomas More
·
[How Sheep Devour the English]
202
William C. Carroll
·
Enclosure, Vagrancy, and Sedition in
the Tudor-Stuart Period
203
Thomas Bastard
·
[Proto-ecological Epigrams]
209
George Gascoygne
·
The Woeful Words of the Hart to
the Hunter
210
William Prynne
·
[The Dangers of Theatrical
Cross-Dressing]
214
Erica Fudge
·
Dressing Up as a Human
217
Joseph W. Meeker
·
The Comic Mode
220
Walter Benjamin
·
Gloves
234
Criticism
235
William Hazlitt
·
As You Like It
237
Mrs. Anna Jameson
·
Rosalind
240
Edward Dowden
·
[As You Like It as Escape]
243
Anne Barton
·
As You Like It: Shakespeare s Sense
of an Ending
246
Rosalie
Colie
·
Perspectives on Pastoral
254
Linda
Woodbridge ·
Country Matters: As You Like It and
the Pastoral-Bashing Impulse
269
Clara Claiborne Park
·
As We Like It: How a Girl Can Be
Smart and Still Popular
277
vi
Contents
Louis Adrian Montrose
·
The Place of a Brother
in
As You Like It
281
Richard Wilson
·
Like the Old Robin Hood :
As You Like It and the Enclosure Riots
314
Jean E. Howard
·
Crossdressing, the Theatre, and
Gender Struggle in Early Modern England
337
Marjorie Garber
·
Rosalind the Yeshiva Boy
355
James Shapiro
·
[The Play in
1 599] 361
Juliet Dusinberre
·
Pancakes and a Date for As You Like It
370
Laurie Shannon
·
[Friendship in As You Like It]
377
Valerie Traub
·
[The Homoerotics of As You Like It]
380
Cynthia Marshall
·
Constructions of Negation in
As You Like It
387
Jeffrey
Masten ·
Ganymede s Hand in As You Like It
395
Robert
N.
Watson
·
[Likenesses:
Jaques
and the Deer]
404
Gabriel Egan
·
Food and Biological Nature [in]
As You Like It
409
Michael Jamieson
·
As You Like It: Performance and
Reception
423
Robert Smallwood
·
[Royal Shakespeare Company
Stagings of the Final Scene]
440
Selected Bibliography
463
As You Like It
All the world s a stage
in Shakespeare s tour-de¬
force pastoral comedy, now available in a Norton
Critical Edition.
Since its return to the London stage in 1
740,
Лѕ
You Lihe It has delighted theatergoers, readers, and
critics. Its heroine, Rosalind, is one of Shakespeare s
greatest characters. The play s Forest of
Arden
setting and
its focus on the relationship between natural occurrences and
things created by humans (Shakespeare collectively termed these
art ) provide us with access to debates in Renaissance England
that relate to the ecological issues of our own time. This Norton
Critical Edition is based on the
1623
First Folio text. It is accompa¬
nied by a textual note, eight illustrations, six photographs, and
explanatory annotations.
Sources and Contexts includes, in its entirety, Shakespeare s
primary source for the play
—
Thomas Lodge s popular prose
romance Rosalynde
(1590).
Reading Shakespeare s play with (and
against) Lodges romance reveals striking similarities and fascinat¬
ing differences, both large and small. An array of other readings
focuses on the
centrai
areas of gender and ecology and includes
works by Michel
de
Montaigne, Sir Thomas More, Thomas Bas¬
tard, George Gascoygne, and William Prynne.
Criticism includes twenty-one commentaries on As You Lihe It
spanning four centuries. Contributors include Mrs. Anna Jameson,
Ciara
Claibome Park, Jean E. Howard. Marjorie Garber, James Sha¬
piro, Valerie Traub, Jeffrey
Masten,
and Robert Smallwood, among
others.
A Selected Bibliography is also included.
about the series: Each Norton Critical Edition includes an authoritative
text, contextual and source materials, and a wide range of interpretations
—
from contemporary perspectives to the most current critical theory
—
as well
as a bibliography and, in many cases, a chronology of the author s life and
work
cover illustration: The Forest,
1912,
Emmanuel Gondouin
(1883—
1934) /
Private Collection
/
Photo
©
Crane
Kalman,
London
/
The Bridge-
man Art Library.
author s portrait: William Shakespeare, attributed to John Taylor, ca.
1610-
С
National Portrait Gallerv, London.
ISBN 978-O-393-92762-7
W. W. NORTON
NEW YORK LONDON
9
780393 927627
90000 >
www.wwaortancom
|
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