The Routledge film music sourcebook:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY [u.a.]
Routledge
2012
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XV, 389 S. Ill. |
| ISBN: | 9780415888738 9780415888745 |
Internformat
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Datensatz im Suchindex
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| adam_text | THE ROUTLEDGE FILM
MUSIC SOURCEBOOK
EDITED BY
JAMES WIERZBICKI,
NATHAN PLATTE,
AND COLIN ROUST
Routledge
Taylor amp; Francis Croup
NEW YORK AND LONDON
CONTENTS
Preface xi
Acknowledgments xv
PART 1
Silent Film 1
1 Early Approaches to Film Accompaniment 3
1 1 Clarence E Sinn: Music for the Picture (1910)
1 2 Clyde Martin: Playing the Pictures (1910)
1 3 Louis Reeves Harrison: Jackass Music (1911)
2 Dreams of the Future 17
2 1 Carl Van Vechten: Music for the Movies (1916)
2 2 The Surveys of he Film: Music and the Cinema (1919)
3 Practical Advice in the Heyday of the Silent Film 39
3 1 Erno Rapee: Musical Accompaniment to the Feature Picture
(1925)
3 2 Victor Wagner: Scoring a Motion Picture (1926)
3 3 Hans Erdmann: The Artistic Feature Film and Music: Its Genres
(1927)
PART 2
Early Sound Film 53
4 Transitional Concerns 55
4 1 Edwin Evans: Music and the Cinema (1929)
4 2 Dmitry Shostakovich: About the Music to New Babylon (1929)
4 3 Darius Milhaud: Experimenting with Sound Films (1930)
5 Accounts of the Sound Film s Early Years 68
5 1 Philip K Scheurer: Musical Picture Quietly Undergoes Renaissance
(1931)
5 2 Helen Louise Walker: Musical Pictures Are Here Again (1931)
vn
CONTENTS
5 3 Edwin Schallert: Film Music Experiences Its Sanest Development
(1932)
6 Debates on the Future of Music in Sound Films 79
6 1 Virgil Thomson: A Little About Movie Music (1933)
6 2 Clarence Raybould: Music and the Synchronized Film (1933)
6 3 Azary Azarin: Musical Surprises (1935)
6 4 Nikolai Kryukov: The Experience of the Composer (1936)
PART 3
Music in the Classical-Style Film 89
7 Practical Advice as Film Music s Classical Style Takes Shape 91
7 1 Arthur Benjamin: Film Music (1937)
7 2 George Antheil: On the Hollywood Front (1938)
7 3 Franz Waxman: History of Motion Picture Music (1940)
7 4 David O Selznick: Memoranda (1937, 1941)
8 Aesthetic Squabbles 107
8 1 Gianandrea Gavazzeni: Music and Cinema: An Impossible Marriage
(1943)
8 2 Fedele d Amico: Music and Cinema: A Difficult Marriage (1943)
8 3 Erich Leinsdorf: Music and the Screen (1945)
8 4 Bernard Herrmann: Music in Films—A Rebuttal (1945)
8 5 Bosley Crowther: Heard Melodies (1945)
PART 4
The Postwar Years 125
9 European vs American Attitudes 127
9 1 Antony Hopkins: Music: Congress at Florence (1950)
9 2 Lawrence Morton: Film Music of the Quarter (1951)
9 3 Hans Keller: Hollywood Orchestrators: The Dragon Shows His
Teeth (1951)
9 4 Georges Auric: How Film Music Was Born and How It Is Made
Today (1952)
10 Foreign Ideas 147
10 1 John Cage: A Few Ideas about Music and Film (1951)
10 2 Pierre Schaeffer: Concrete Music (1954)
10 3 Wang Yunjie: On Using Musical Instruments in Film Music (1957)
11 Stylistic Novelties 157
11 1 Philip K Sheurer: Scorers Skip Classics, Seek New Approach
(1954)
vm
CONTENTS
11 2 John S Wilson: Three Movie Scores Issued on LP Disks (1959)
11 3 Thomas P Ronan: British Rattled by Rock n Roll (1956)
11 4a Mae Tinee: Real Crazy Mansfield in Raucous Film (1957)
11 4b Mae Tinee: Films Appeal is Based on Rock n Roll (1957)
11 5 Jane Brockman: The First Electronic Filmscore—Forbidden Planet
(1992)
11 6 Martin Bernheimer: Electronic Strains Reinforce Andromeda
Film Score (1971)
PART 5
Changing Times 175
12 Gloom and Doom 177
12 1 Elmer Bernstein: What Ever Happened to Great Movie Music?
(1972)
12 2 David Raksin: Whatever Became of Movie Music? (1974)
13 Plenty of Optimism 188
13 1 Charles Champlin: Sound and Fury over Film Music (1967)
13 2 Leonard Rosenman: Notes from a Sub-Culture (1968)
13 3 Charles Higham: You May Not Leave the Movie House Singing
Their Songs, But (1975)
PART 6
The Business of Film Music 201
14 Labor Pains 203
14 1a Howard Kennedy: Musicians to Picket Two Films in 20 U S
Cities (1958)
14 1b Thomas M Pryor: Musicians Guild Wins Coast Vote (1958)
14 1c Anon: Musicians Guild Wins 14% Hike in Studio Pay (1958)
14 2a Eric Malnic: Musicians Could Be Left Out When Actors Settle
(1980)
14 2b Anon: Tentative Pact Reached in Musician Strike (1981)
14 3a Anon: AFM, Film Producers Reach New Three-Year Pact (1990)
14 3b Florence Nelson: Keeping Film Scoring on Our Shores (2005)
14 3c Jon Burlingame: Union Drumbeat s Growing (2010)
15 Soundtrack Albums 218
15 1 Vincent Canby: Music Is Now Profit to the Ears of Filmmakers
(1966)
15 2 Tom Shales: The Sound of (Movie) Music: Re-releases of
Soundtracks Past (1976)
15 3 Steven Smith: Movie Music: Is It Becoming Hit or Miss?
(1986)
IX
CONTENTS
PART 7
A Whole New World 229
16 New Instruments 231
16 1 Jeff Burger: Synthesizer Upstarts Conquer Hollywood (1987)
16 2 Lachlan Westfall: Computers in the Movies: How Desktop PCs
Help Create Hollywood s Amazing Music and Sound Effects (1998)
16 3 Michael Prager: The Unreal Orchestra, Part 1: The Virtual Film
Score (2004)
16 4 Matt Hurwitz: Sound for Picture: Hans Zimmer s Scoring
Collective—Composer Collaboration at Remote Control Productions
(2007)
17 New Methods 258
17 1a Jeff Rona: Making Soundtracks, Part 1: Those Pesky Songs that
Show up in between Your Cues—Who Puts Em There,
Anyway? (2000)
17 1b Jeff Rona: Making Soundtracks, Part 2: More on the Differences
between the Score and the Soundtrack (2000)
17 2 Nick Krewen: Music in Movies and TV: Filling the Bill (2005)
17 3 Mike Levine: Music Business Insider: Q amp;A: Jack Rudy (2007)
PART 8
Today, Tomorrow 273
18 Findesiecle 275
18 1 Donal Henahan: Film Music Has Two Masters (1987)
18 2 David Mermelstein: In Hollywood, Discord on What Makes
Music (1997)
18 3 James Hunter: Keeping Scores: Good Old-Fashioned Movie
Music Is as Healthy as It Ever Was (1998)
18 4 Catherine Applefeld Olson: Many Ways to Score (1999)
19 Onward and Upward? 287
19 1 David Schiff: Taking Movie Music Seriously, Like It Or Not (2001)
19 2 Dylan Callaghan: The Soundtrack Game Is Attracting Fresh and
Edgy Artists (2002)
19 3 Jed Distler: When Is Film Music Classical? (2007)
19 4 Kevin Cassidy: Hollywood Composers Tune In for Rare Gathering
(2008)
19 5 Todd Martens: 127 Hours and Other Films Take Experimental
Turns in Music (2010)
Notes 307
Contributors 352
Filmography 354
Permission Acknowledgments 373
Index 376
|
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| spelling | The Routledge film music sourcebook ed. by James Wierzbicki, Nathan Platte and Colin Roust Film music sourcebook 1. publ. New York, NY [u.a.] Routledge 2012 XV, 389 S. Ill. txt rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Motion picture music History and criticism Filmmusik (DE-588)4017129-2 gnd rswk-swf (DE-588)4135952-5 Quelle gnd-content Filmmusik (DE-588)4017129-2 s Geschichte z DE-604 Wierzbicki, James Eugene 1948- (DE-588)136442757 edt HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024383697&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| subject_GND | (DE-588)4017129-2 (DE-588)4135952-5 |
| title | The Routledge film music sourcebook |
| title_alt | Film music sourcebook |
| title_auth | The Routledge film music sourcebook |
| title_exact_search | The Routledge film music sourcebook |
| title_full | The Routledge film music sourcebook ed. by James Wierzbicki, Nathan Platte and Colin Roust |
| title_fullStr | The Routledge film music sourcebook ed. by James Wierzbicki, Nathan Platte and Colin Roust |
| title_full_unstemmed | The Routledge film music sourcebook ed. by James Wierzbicki, Nathan Platte and Colin Roust |
| title_short | The Routledge film music sourcebook |
| title_sort | the routledge film music sourcebook |
| topic | Motion picture music History and criticism Filmmusik (DE-588)4017129-2 gnd |
| topic_facet | Motion picture music History and criticism Filmmusik Quelle |
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