The political theatre of David Edgar: negotiation and retrieval
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2011
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Cambridge studies in modern theatre
|
| Schlagworte: | |
| Online-Zugang: | Cover image Inhaltsverzeichnis Klappentext |
| Beschreibung: | "David Edgar's writings address the most basic questions of how humans organize and govern themselves in modern societies. This study brings together the disciplines of political philosophy and theatre studies to approach the leading British playwright as a political writer and a public social critic. Edgar uses theatre as a powerful tool of public discourse, an aesthetic modality for engaging with and thinking/feeling through the most pressing social issues of the day. In this he is a supreme rationalist: he deploys character, plot and language to explore ideas, to make certain kinds of discursive cases and model hypothetical alternatives. Reinelt and Hewitt analyze twelve of Edgar's most important plays, including Maydays and Pentecost and also provide detailed discussions of key performances and critical reception to illustrate the playwright's artistic achievement in relation to his contributions as a public figure in British cultural life"-- Provided by publisher. -- "Political Commitment and Performative Practice 'Anybody who used to call themselves a Marxist now has fairly intense self-definitional problems'.- David Edgar (1994) 'He is an optimist who has been around'. - John Peters (1994BIB-174) Of the distinctive voices in the contemporary British theatre, David Edgar's provides the most comprehensive articulation of major political questions. His career spans more than four eventful and politically complex decades, and encompasses every variety of writing for performance including agitprop and touring pieces; community plays; radio, film and television plays; and large-scale plays produced in the major national venues such as the Royal Shakespeare Company and the National Theatre. In addition, Edgar has maintained a high profile as a public intellectual, engaging in depth with a wide variety of political issues through newspaper opinion pages, journal es |
| Beschreibung: | X, 313 S. Ill. |
| ISBN: | 9780521509688 |
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Datensatz im Suchindex
| _version_ | 1804148336007053312 |
|---|---|
| adam_text | THE POLITICAL THEATRE OF DAVID EDGAR
/ REINELT, JANELLE G.
: 2011
TABLE OF CONTENTS / INHALTSVERZEICHNIS
1. INTRODUCTION: POLITICAL COMMITMENT AND PERFORMATIVE PRACTICE; 2.
INTERVENING IN PUBLIC DISCOURSE: EDGAR AS DISCURSIVE ARBITER; 3. THINGS
FALL APART: AFTER IDEOLOGY IN CONTINENTAL DIVIDE AND MAYDAYS; 4.
GOVERNING MEMBERSHIPS: DESTINY, PLAYING WITH FIRE AND TESTING THE ECHO;
5. A LEGEND IN YOUR OWN TIME: THE JAIL DIARY OF ALBIE SACHS, MARY BARNES
AND ALBERT SPEER; 6. SOCIALISM S AFTERMATH: THE SHAPE OF THE TABLE,
PENTECOST AND THE PRISONER S DILEMMA; 7. CONCLUSION: NEGOTIATING
RETRIEVAL.
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
David
Edgar s writings address the most basic
questions of how humans organise and govern
themselves in modern societies. This study
brings together the disciplines of political
philosophy and theatre studies to approach the
leading British playwright as a political writer
and a public social critic. Edgar uses theatre as
a powerful tool of public discourse, an aesthetic
modality for engaging with and thinking/
feeling through the most pressing social issues
of the day. In this he is a supreme rationalist: he
deploys character, plot and language to explore
ideas, to make certain kinds of discursive
cases and model hypothetical alternatives.
Reinelt and Hewitt analyse twelve of Edgar s
most important plays, including Maydays
and Pentecost, and also provide detailed
discussions of key performances and critical
reception to illustrate the playwright s artistic
achievement in relation to his contributions
as a public figure in British cultural life.
|
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| author | Reinelt, Janelle G. 1947- Hewitt, Gerald |
| author_GND | (DE-588)124372880 |
| author_facet | Reinelt, Janelle G. 1947- Hewitt, Gerald |
| author_role | aut aut |
| author_sort | Reinelt, Janelle G. 1947- |
| author_variant | j g r jg jgr g h gh |
| building | Verbundindex |
| bvnumber | BV039525897 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR6055 |
| callnumber-raw | PR6055.D44 |
| callnumber-search | PR6055.D44 |
| callnumber-sort | PR 46055 D44 |
| callnumber-subject | PR - English Literature |
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| dewey-full | 822/.914 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
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| dewey-raw | 822/.914 |
| dewey-search | 822/.914 |
| dewey-sort | 3822 3914 |
| dewey-tens | 820 - English & Old English literatures |
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| edition | 1. publ. |
| era | Geschichte 1900-2000 |
| era_facet | Geschichte 1900-2000 |
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| spelling | Reinelt, Janelle G. 1947- Verfasser (DE-588)124372880 aut The political theatre of David Edgar negotiation and retrieval Janelle Reinelt ; Gerald Hewitt 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2011 X, 313 S. Ill. txt rdacontent n rdamedia nc rdacarrier Cambridge studies in modern theatre "David Edgar's writings address the most basic questions of how humans organize and govern themselves in modern societies. This study brings together the disciplines of political philosophy and theatre studies to approach the leading British playwright as a political writer and a public social critic. Edgar uses theatre as a powerful tool of public discourse, an aesthetic modality for engaging with and thinking/feeling through the most pressing social issues of the day. In this he is a supreme rationalist: he deploys character, plot and language to explore ideas, to make certain kinds of discursive cases and model hypothetical alternatives. Reinelt and Hewitt analyze twelve of Edgar's most important plays, including Maydays and Pentecost and also provide detailed discussions of key performances and critical reception to illustrate the playwright's artistic achievement in relation to his contributions as a public figure in British cultural life"-- Provided by publisher. -- "Political Commitment and Performative Practice 'Anybody who used to call themselves a Marxist now has fairly intense self-definitional problems'.- David Edgar (1994) 'He is an optimist who has been around'. - John Peters (1994BIB-174) Of the distinctive voices in the contemporary British theatre, David Edgar's provides the most comprehensive articulation of major political questions. His career spans more than four eventful and politically complex decades, and encompasses every variety of writing for performance including agitprop and touring pieces; community plays; radio, film and television plays; and large-scale plays produced in the major national venues such as the Royal Shakespeare Company and the National Theatre. In addition, Edgar has maintained a high profile as a public intellectual, engaging in depth with a wide variety of political issues through newspaper opinion pages, journal es Edgar, David 1948- Criticism and interpretation Edgar, David 1948- (DE-588)118630997 gnd rswk-swf Geschichte 1900-2000 Geschichte Political plays, English History and criticism Politics and literature Great Britain History 20th century DRAMA / English, Irish, Scottish, Welsh bisacsh Drama (DE-588)4012899-4 gnd rswk-swf Politisches Theater (DE-588)4046587-1 gnd rswk-swf Großbritannien Edgar, David 1948- (DE-588)118630997 p Drama (DE-588)4012899-4 s Politisches Theater (DE-588)4046587-1 s DE-604 Hewitt, Gerald Verfasser aut http://assets.cambridge.org/97805215/09688/cover/9780521509688.jpg Cover image LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024378277&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024378277&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Reinelt, Janelle G. 1947- Hewitt, Gerald The political theatre of David Edgar negotiation and retrieval Edgar, David 1948- Criticism and interpretation Edgar, David 1948- (DE-588)118630997 gnd Geschichte Political plays, English History and criticism Politics and literature Great Britain History 20th century DRAMA / English, Irish, Scottish, Welsh bisacsh Drama (DE-588)4012899-4 gnd Politisches Theater (DE-588)4046587-1 gnd |
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| title | The political theatre of David Edgar negotiation and retrieval |
| title_auth | The political theatre of David Edgar negotiation and retrieval |
| title_exact_search | The political theatre of David Edgar negotiation and retrieval |
| title_full | The political theatre of David Edgar negotiation and retrieval Janelle Reinelt ; Gerald Hewitt |
| title_fullStr | The political theatre of David Edgar negotiation and retrieval Janelle Reinelt ; Gerald Hewitt |
| title_full_unstemmed | The political theatre of David Edgar negotiation and retrieval Janelle Reinelt ; Gerald Hewitt |
| title_short | The political theatre of David Edgar |
| title_sort | the political theatre of david edgar negotiation and retrieval |
| title_sub | negotiation and retrieval |
| topic | Edgar, David 1948- Criticism and interpretation Edgar, David 1948- (DE-588)118630997 gnd Geschichte Political plays, English History and criticism Politics and literature Great Britain History 20th century DRAMA / English, Irish, Scottish, Welsh bisacsh Drama (DE-588)4012899-4 gnd Politisches Theater (DE-588)4046587-1 gnd |
| topic_facet | Edgar, David 1948- Criticism and interpretation Edgar, David 1948- Geschichte Political plays, English History and criticism Politics and literature Great Britain History 20th century DRAMA / English, Irish, Scottish, Welsh Drama Politisches Theater Großbritannien |
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