Expanded cinema: art, performance, film
In this book leading scholars from Europe and North-America trace expanded cinema from its origins in early abstract film to post-war happenings and live events in Europe and the US ; the first video and multi-media experiments of the 1960s ; the fusion of multi-screen art with sonic art and music f...
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
London
Tate
2011
|
Ausgabe: | 1. publ. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | In this book leading scholars from Europe and North-America trace expanded cinema from its origins in early abstract film to post-war happenings and live events in Europe and the US ; the first video and multi-media experiments of the 1960s ; the fusion of multi-screen art with sonic art and music from the 1970s onwards, right up to the digital age. It brings new perspectives to bear on the work of established American pioneers such as Carolee Schneemann and Stan Vanderbeek as well as exploring expanded cinema in Western and Central Europe, the influence of video art on new media technologies, and the role of British expanded cinema from the 1970s to the present day. It shows how artists challenged the conventions of spectatorship, the viewing space and the audience, to explore a new participatory and performative cinema beyond the single screen |
Beschreibung: | 312 S. Ill. 25 cm |
ISBN: | 9781854379740 |
Internformat
MARC
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245 | 1 | 0 | |a Expanded cinema |b art, performance, film |c ed. by A. L. Rees ; Duncan White ; Steven Ball and David Curtis |
250 | |a 1. publ. | ||
264 | 1 | |a London |b Tate |c 2011 | |
300 | |a 312 S. |b Ill. |c 25 cm | ||
336 | |b txt |2 rdacontent | ||
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520 | |a In this book leading scholars from Europe and North-America trace expanded cinema from its origins in early abstract film to post-war happenings and live events in Europe and the US ; the first video and multi-media experiments of the 1960s ; the fusion of multi-screen art with sonic art and music from the 1970s onwards, right up to the digital age. It brings new perspectives to bear on the work of established American pioneers such as Carolee Schneemann and Stan Vanderbeek as well as exploring expanded cinema in Western and Central Europe, the influence of video art on new media technologies, and the role of British expanded cinema from the 1970s to the present day. It shows how artists challenged the conventions of spectatorship, the viewing space and the audience, to explore a new participatory and performative cinema beyond the single screen | ||
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650 | 4 | |a Motion pictures / History | |
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Datensatz im Suchindex
_version_ | 1804148335502688256 |
---|---|
adam_text | Expanded
Cinema:
Art, Performance, Film
Edited by A.L.
Rees,
Duncan White, Steven Ball and David Curtis
Tate
Publishing
Contents
10
Preface
A.L.
Rees,
Duncan
White,
Steven
Ball and David Curtis
98
Reflexivity
and Expanded Cinema:
A Cinema of Transgression?
William
Raban
12
Expanded Cinema and Narrative:
A Troubled History
A.L.
Rees
1:
THE LIVE RECORD
2:
CINEMA EXPANDED
110
Degree Zero: Narrative and
the Contextual Image
Duncan White
24
39
50
62
72
80
Expanded Cinema: The Live Record
Duncan White
On Cinematic Invisibility: Expanded
Cinema Between Wagner and Television
NoamM.Elcott
Socialimagestics and the Visual
Acupuncture of Stan Vanderbeek s
Expanded Cinema
MarkBartlett
Expanded Cinema and the New Romantic
Film Movement of the
1980s
Michael O Pray
157
Expanded Cinema: Extracts from
Village Voice JHovie Journal
Jonas
Melcas
125
Video Installation in Europe and North
America: The Expansion and Exploration
of Electronic and Televisual Language
1969-89
Chris Meigh-Andrews
136
A Kick in the Eye: Video and
Expanded Cinema in Britain
Stephen Partridge
148
Magic Tricks? The Use of Shadowplay
in British Expanded Cinema
Lucy Reynolds
I was sitting with my back to them,
sewing, a beam of light coming at
me from the projector
Annabel Nicolson
Culture: Intercom
StanVanderbeek
160
Time and the Spectator in the
Experience of Expanded Cinema
Malcolm
Le Grice
85
On the Development of Snows and Other
Early Expanded Cinema Works
Carolee
Schneemann
171
KwieKulik s Open Form Film:
Polish Expanded Cinema?
Маха
Zoller
91
Free Form Recollections
of New York
Carolee
Schneemann
180
Some Notes on Some
Expanded Films
Werner Nekes
185
On Performance: Expanded
Cinema Work in the
1970s
Birgit Hein
190
On the Origins of Expanded Cinema
Peter
Weibel
258
On Expanded Cinema
Karen
Mirza
and Brad Butler
262
Expanded Cinema:
Proto-,
Photo and Post-Photo Cinema
Jackie Hatfield
194
Conceptual Synchronicity:
267
Intermedial
Encounters Between
Film, Video and Computer
Yvonne
Spielmann
202
The Domestic Spaces of Video
276
Catherine Elwes
212
Mutable Screens: The Expanded
Films of Guy Sherwin,
Lis
Rhodes,
Steve Farrer and Nicky Hamlyn
288
Nicky Hamlyn
221
Unfolding a Tale: On the Impossibility of
299
Recovering the Original Meanings
305
Lis
Rhodes
307
Conditions of Music:
Contemporary Audio-Visual Spatial
Performance Practice
Steven Ball
Cybernetics, Expanded Cinema and
New Media: From Representation to
Performative Practice
Chris Welsby
Expanded Cinema: Expanded Reality
VALIE EXPORT
Contributors Biographies
Bibliography
Index
3:
THE CONTEMPORARY
226
Expanded Cinema Up To and Including
its Limits: Perception, Participation
and Technology
Duncan White
241
Not an Image of the Death of Film :
Contemporary Expanded Cinema
and Experimental Film
Jonathan Walley
252
Live Cinema
Guy Sherwin and Lynn Loo
|
any_adam_object | 1 |
author_GND | (DE-588)131902695 (DE-588)1015412858 |
building | Verbundindex |
bvnumber | BV039525550 |
ctrlnum | (OCoLC)740986246 (DE-599)BVBBV039525550 |
dewey-full | 791.4309 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4309 |
dewey-search | 791.4309 |
dewey-sort | 3791.4309 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
edition | 1. publ. |
era | Geschichte gnd |
era_facet | Geschichte |
format | Book |
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id | DE-604.BV039525550 |
illustrated | Illustrated |
indexdate | 2024-07-10T00:05:30Z |
institution | BVB |
isbn | 9781854379740 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024377938 |
oclc_num | 740986246 |
open_access_boolean | |
owner | DE-255 DE-M472 DE-B170 DE-525 DE-188 |
owner_facet | DE-255 DE-M472 DE-B170 DE-525 DE-188 |
physical | 312 S. Ill. 25 cm |
publishDate | 2011 |
publishDateSearch | 2011 |
publishDateSort | 2011 |
publisher | Tate |
record_format | marc |
spelling | Expanded cinema art, performance, film ed. by A. L. Rees ; Duncan White ; Steven Ball and David Curtis 1. publ. London Tate 2011 312 S. Ill. 25 cm txt rdacontent n rdamedia nc rdacarrier In this book leading scholars from Europe and North-America trace expanded cinema from its origins in early abstract film to post-war happenings and live events in Europe and the US ; the first video and multi-media experiments of the 1960s ; the fusion of multi-screen art with sonic art and music from the 1970s onwards, right up to the digital age. It brings new perspectives to bear on the work of established American pioneers such as Carolee Schneemann and Stan Vanderbeek as well as exploring expanded cinema in Western and Central Europe, the influence of video art on new media technologies, and the role of British expanded cinema from the 1970s to the present day. It shows how artists challenged the conventions of spectatorship, the viewing space and the audience, to explore a new participatory and performative cinema beyond the single screen Geschichte gnd rswk-swf Motion pictures / History Performance art / History Projection art / History Film Geschichte Performance Künste (DE-588)4173750-7 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Film (DE-588)4017102-4 s Performance Künste (DE-588)4173750-7 s Geschichte z DE-604 Rees, Alan L. 1949- Sonstige (DE-588)131902695 oth White, Duncan Sonstige oth Ball, Steven Sonstige oth Curtis, David 1942- Sonstige (DE-588)1015412858 oth KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024377938&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Expanded cinema art, performance, film Motion pictures / History Performance art / History Projection art / History Film Geschichte Performance Künste (DE-588)4173750-7 gnd Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)4173750-7 (DE-588)4017102-4 |
title | Expanded cinema art, performance, film |
title_auth | Expanded cinema art, performance, film |
title_exact_search | Expanded cinema art, performance, film |
title_full | Expanded cinema art, performance, film ed. by A. L. Rees ; Duncan White ; Steven Ball and David Curtis |
title_fullStr | Expanded cinema art, performance, film ed. by A. L. Rees ; Duncan White ; Steven Ball and David Curtis |
title_full_unstemmed | Expanded cinema art, performance, film ed. by A. L. Rees ; Duncan White ; Steven Ball and David Curtis |
title_short | Expanded cinema |
title_sort | expanded cinema art performance film |
title_sub | art, performance, film |
topic | Motion pictures / History Performance art / History Projection art / History Film Geschichte Performance Künste (DE-588)4173750-7 gnd Film (DE-588)4017102-4 gnd |
topic_facet | Motion pictures / History Performance art / History Projection art / History Film Geschichte Performance Künste |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024377938&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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