American poetry in performance: from Walt Whitman to Hip Hop
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Ann Arbor
Univ. of Michigan Press
2011
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 271 S. |
| ISBN: | 9780472117819 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Introduction
ι
chapter
ι.
Walt Whitman Live :
Performing the Public Sphere
16
chapter
2.
The Ordeal of Vachel Lindsay, or
The Cultural Politics of the Spoken Word
55
chapter
3.
The Black Man Speaks :
Langston
Hughes, the New Negro, and the
Sounds of Citizenship
88
chapter
4.
Beat Acoustics, Presence, and Resistance
124
chapter
5.
Rappin and Readin :
The Frequencies of the Black Arts
162
chapter
6.
Slam Nation:
Immediacy, Mediatization, and the
Counterpublic Sphere
199
Afterword
230
Notes
235
Index
263
ґ~~71
menean
Poetry in Performance:
/Ą
From Walt Whitman to Hip Hop
^f -A. is the first book to trace a com¬
prehensive history of performance poetry
in America, covering
150
years of literary
evolution from Walt Whitman through
the rap-meets-poetry scene. It reveals
how the performance of poetry is bound
up with the performance of identity and
nationality in the modern period and
carries its own shifting cultural politics.
This book stands at the crossroads of the
humanities and the social sciences; it is
a book of literary and cultural criticism
that deals squarely with issues of perfor¬
mance, a concept that has attained great
importance in the disciplines of anthro¬
pology and sociology and has generated its
own distinct field of performance studies.
American Poetry in Performance will be a
meaningful contribution both to the field
of American poetry studies and to the
fields of cultural and performance stud¬
ies, as it focuses on poetry that refuses
the status of fixed aesthetic object and, in
its variability, performs versions of race,
class, gender, and sexuality both on and
off the page.
Relating the performance of poetry to
shifting political and cultural ideologies
in the United States, Hoffman argues
that the vocal aspect of public poetry
possesses (or has been imagined to pos¬
sess) the ability to help construct both
national and subaltern communities.
American Poetry in Performance explores
public poets confrontations with emer¬
gent sound recording and communica¬
tions technologies as those confrontations
shape their mythologies of the spoken
word and their corresponding notions
about America and Americanness.
|
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
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| discipline | Anglistik / Amerikanistik Musikwissenschaft |
| era | Geschichte 1850-2011 gnd |
| era_facet | Geschichte 1850-2011 |
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| spelling | Hoffman, Tyler 1966- Verfasser (DE-588)1203918003 aut American poetry in performance from Walt Whitman to Hip Hop Tyler Hoffman Ann Arbor Univ. of Michigan Press 2011 271 S. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Geschichte 1850-2011 gnd rswk-swf Geschichte Performance poetry United States History and criticism Oral interpretation of poetry American poetry History and criticism American poetry African American authors History and criticism Poetry slams United States History Performance Künste (DE-588)4173750-7 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Literatur (DE-588)4035964-5 s Performance Künste (DE-588)4173750-7 s Geschichte 1850-2011 z DE-604 Erscheint auch als Online-Ausgabe 978-0-472-02963-1 Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024374966&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024374966&sequence=000006&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Hoffman, Tyler 1966- American poetry in performance from Walt Whitman to Hip Hop Geschichte Performance poetry United States History and criticism Oral interpretation of poetry American poetry History and criticism American poetry African American authors History and criticism Poetry slams United States History Performance Künste (DE-588)4173750-7 gnd Literatur (DE-588)4035964-5 gnd |
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| title | American poetry in performance from Walt Whitman to Hip Hop |
| title_auth | American poetry in performance from Walt Whitman to Hip Hop |
| title_exact_search | American poetry in performance from Walt Whitman to Hip Hop |
| title_full | American poetry in performance from Walt Whitman to Hip Hop Tyler Hoffman |
| title_fullStr | American poetry in performance from Walt Whitman to Hip Hop Tyler Hoffman |
| title_full_unstemmed | American poetry in performance from Walt Whitman to Hip Hop Tyler Hoffman |
| title_short | American poetry in performance |
| title_sort | american poetry in performance from walt whitman to hip hop |
| title_sub | from Walt Whitman to Hip Hop |
| topic | Geschichte Performance poetry United States History and criticism Oral interpretation of poetry American poetry History and criticism American poetry African American authors History and criticism Poetry slams United States History Performance Künste (DE-588)4173750-7 gnd Literatur (DE-588)4035964-5 gnd |
| topic_facet | Geschichte Performance poetry United States History and criticism Oral interpretation of poetry American poetry History and criticism American poetry African American authors History and criticism Poetry slams United States History Performance Künste Literatur USA |
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