Shakespeare reloaded: the Shakespeare Renaissance ; 1989 - 2004
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Abschlussarbeit Buch |
Sprache: | English |
Veröffentlicht: |
Trier
WVT Wiss. Verl.
2011
|
Schriftenreihe: | Studien zur anglistischen Literatur- und Sprachwissenschaft (SALS)
36 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | 223 S. Ill. |
ISBN: | 9783868212419 |
Internformat
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Datensatz im Suchindex
_version_ | 1805071931969372160 |
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adam_text |
IMAGE 1
TABLE OF CONTENTS
1. PROLOGUE 1
2. SHIFT OF MEDIA 5
2.1 TEXT OR PLAY? 5
2.2 LITERATURE AND FILM 9
2.3 DRAMA AND FILM 13
2.4 GENERAL REMARKS ON ADAPTATIONS 16
2.5 SHAKESPEARE ADAPTATIONS 20
2.6 CONCLUSION 25
3. THE ADAPTATIONS 26
3.1 DRAMATIC DOCUMENTARY 29
3.1.1 PACINO'S SEARCH FOR RICHARD 30
3.1.2 CONCLUSION 36
3.2 TRANSPARENT ADAPTATION 37
3.2.1 A MEDIEVAL MACBETH 37
3.2.2 TWINS IN TROUBLE OR TWELFTH NIGHT 43
3.2.3 SHYLOCK OF VENICE 50
3.2.4 CONCLUSION 56
3.3 COMMENTING ADAPTATION 57
3.3.1 NOBLE'S DREAM 57
3.3.2 HOFFMAN'S SENSUAL DREAM 62
3.3.3 PARKER'S THRILLING OTHELLO 68
3.3.4 ZEFFIRELLI'S ACTION HERO 75
3.3.5 GREENAWAY'S BOOKS 80
3.3.6 CONCLUSION 85
3.4 PERIOD-SHIFT ADAPTATION 86
3.4.1 MICHAEL ALMEREYDA'S/FA/W/EI IN NEW YORK 86
3.4.2 TITUS - OR: HANNIBAL LECTER IN ANCIENT ROME 92
3.4.3 SHAKESPEARE IN THE 1930S 97
3.4.4 CONCLUSION 104
3.5 MODERNISED ADAPTATION 105
3.5.1 HAMLET IN THE CITY OF ANGELS 105
3.5.2 A RAVING MACBETH 112
3.5.3 A DEEP-FRIED MACBETH 119
3.5.4 CONCLUSION 125
BIBLIOGRAFISCHE INFORMATIONEN HTTP://D-NB.INFO/1013221486
DIGITALISIERT DURCH
IMAGE 2
3.6 TEEN FLICK SHAKESPEARE 126
3.6.1 THE MOST VALUABLE PLAYER: OTHELLO 127
3.6.2 A SHREW FOR THE NEXT MILLENNIUM 130
3.6.3 LUHRMANN'S COLOURFUL ROMEO + JULIET 133
3.6.4 CONCLUSION 138
3.7 FREE VARIATION 139
3.7.1 A TROMA TRAGEDY 140
3.7.2 ROSENCRANTZ AND GUILDENSTERN - THE LOST BOYS 144 3.7.3 HOME SWEET
HOME IN IDAHO? 148
3.7.4 SHAKESPEARE'S LOVE-LIFE AT A LOSS 154
3.7.5 CONCLUSION 159
3.8 MULTICULTURAL SHAKESPEARE 159
3.8.1 MACBETH IN MUMBAI 160
3.8.2 CONCLUSION 165
4. KENNETH BRANAGH - RIGHTFUL HEIR TO ORSON WELLES AND LAURENCE OLIVIER
166
4.1 A NEW HENRY V 167
4.2 A TUSCAN SUMMER: MUCH ADO ABOUT NOTHING 174
4.3 REHEARSING FOR HAMLET 181
4.4 BRANAGH'S VISUAL HAMLET 187
4.5 DANCING CHEEK TO CHEEK WITH SHAKESPEARE 195
4.6 CONCLUSION 201
5. REASONS FOR THE RENAISSANCE 203
6. EPILOGUE 211
7. APPENDICES 214
7.1 BIBLIOGRAPHY 214
7.2 LIST OF ILLUSTRATIONS 222
Ever since the first Shakespeare film was shown in
1899,
the Bard has been a continuous source for
adaptors. This highly productive relationship of
Shakespeare and film reached its climax in the
1990s.
Starting with Kenneth Branagh's Henry
Vin
1989,
a
new wave of Shakespeare films flooded the big screen
thus renewing the interest in this genre and reloading
Shakespeare's texts with new images. During the
fifteen years following Branagh's film, the face of
Shakespeare films was changed profoundly due to
the increased use of cinematic techniques to visualise
the essence of the plays. Shakespeare became a part
of modern popular culture and thus the plays were
used as a basis for rather unusual films which were
more parody than reverence to the Bard.
This study examines the mechanisms at work dur¬
ing this period and analyses both the films and the
relationship between the media involved. The ad¬
aptations are analysed with regard to their function
within this 'Renaissance' and their additions to the
myth of Shakespeare on film. In order to structure
the adaptations, a system of categories is introduced
which highlights the meaning of each film for the
'Renaissance'. Linda Hutcheon's pluralistic approach
to adaptation theory provides the theoretical basis for
this analysis. Special emphasis is placed on Kenneth
Branagh's films as they constitute a major influence
on filmmakers during this long decade. Amongst
others, films by
Baz
Luhrmann, Richard Loncraine
and Julie Taymor are discussed. |
any_adam_object | 1 |
author | Gerhards, Vanessa |
author_facet | Gerhards, Vanessa |
author_role | aut |
author_sort | Gerhards, Vanessa |
author_variant | v g vg |
building | Verbundindex |
bvnumber | BV039521119 |
classification_rvk | HI 3330 |
ctrlnum | (OCoLC)750785845 (DE-599)DNB1013221486 |
dewey-full | 791.43657 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.43657 |
dewey-search | 791.43657 |
dewey-sort | 3791.43657 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines Anglistik / Amerikanistik |
era | Geschichte 1989-2004 gnd |
era_facet | Geschichte 1989-2004 |
format | Thesis Book |
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spellingShingle | Gerhards, Vanessa Shakespeare reloaded the Shakespeare Renaissance ; 1989 - 2004 Studien zur anglistischen Literatur- und Sprachwissenschaft (SALS) Shakespeare, William 1564-1616 (DE-588)118613723 gnd Drama (DE-588)4012899-4 gnd Verfilmung (DE-588)4062809-7 gnd |
subject_GND | (DE-588)118613723 (DE-588)4012899-4 (DE-588)4062809-7 (DE-588)4113937-9 |
title | Shakespeare reloaded the Shakespeare Renaissance ; 1989 - 2004 |
title_auth | Shakespeare reloaded the Shakespeare Renaissance ; 1989 - 2004 |
title_exact_search | Shakespeare reloaded the Shakespeare Renaissance ; 1989 - 2004 |
title_full | Shakespeare reloaded the Shakespeare Renaissance ; 1989 - 2004 Vanessa Gerhards |
title_fullStr | Shakespeare reloaded the Shakespeare Renaissance ; 1989 - 2004 Vanessa Gerhards |
title_full_unstemmed | Shakespeare reloaded the Shakespeare Renaissance ; 1989 - 2004 Vanessa Gerhards |
title_short | Shakespeare reloaded |
title_sort | shakespeare reloaded the shakespeare renaissance 1989 2004 |
title_sub | the Shakespeare Renaissance ; 1989 - 2004 |
topic | Shakespeare, William 1564-1616 (DE-588)118613723 gnd Drama (DE-588)4012899-4 gnd Verfilmung (DE-588)4062809-7 gnd |
topic_facet | Shakespeare, William 1564-1616 Drama Verfilmung Hochschulschrift |
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