Much ado about nothing:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Basingstoke [u.a.]
Palgrave Macmillan
2011
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | The Shakespeare handbooks
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | IX, 171 S. |
| ISBN: | 9780230222618 9780230222601 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
General Editor s Preface
viii
Acknowledgements
ix
ι
The Text and Early Performances
ι
2
Commentary
9
3
Intellectual and Cultural Contexts
75
4
Key Productions
104
5
The Play on Screen
121
6
Critical Assessment
145
Further Reading
159
Index
167
vii
Much Ado About Nothing shows the violence of desire as well as its drive
towards creative plotting or matchmaking. In this Handbook, Alison Findlay
examines the plays comic and tragic potential in the theatre
-
its attempts
to harmonise love and war, attraction and repulsion. The volume:
■
explores the play s resonance in early performances with reference to the
crisis over fast-changing fashions, gendered notions of honour and the
changing personnel of Shakespeare s company
■
analyses the play from a performance point of view scene by scene,
considering the interactions between spectators and actors
■
surveys key productions and films, including Barry Jackson s radical
modernist production of
1919,
the recently rediscovered television film
of Zeffirelli s
1965
National Theatre Production, and Kenneth Branagh s
film version
■
outlines the play s critical history from the eighteenth century to the
present day, with a focus on contemporary concerns such as genre
hybridity,
sources and intertexts and the instability of signs and appearances.
|
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