Baroque music:
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
Farnham [u.a.]
Ashgate
2011
|
Schriftenreihe: | Library of essays on music performance practice
3 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | XXXIV, 553 S. Ill., graph. Darst., Notenbeisp. |
ISBN: | 0754628825 |
Internformat
MARC
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Datensatz im Suchindex
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adam_text | Contents
Acknowledgements
ix
Series Preface
xi
Introduction
xiii
PARTI PROLOGUE
1
Camille Saint-Saëns
(1915),
trans. Henry P. Bowie, On the Execution of Music,
and Principally of Ancient Music , San Francisco: The Blair-Murdock Company,
pp.
1-21. 3
PART
H
THE RIGHT INSTRUMENT
2
Frank Hubbard
(1984),
Reconstructing the Harpsichord , in Howard
Schott (ed.),
The Historical Harpsichord: Vol.
1,
New York: Pendragon Press, pp.
3-16. 27
3
John
Koster
(1999),
The Harpsichord Culture in Bach s Environs ,
Bach Perspectives,
4,
pp.
57-77. 41
4
Ardal Powell with David Lasocki
(1995),
Bach and the Flute: The Players,
the Instruments, the Music , Early Music,
23,
pp.
9-29. 63
5
Robert E. Seletsky
(2004),
New Light on the Old Bow: Part
1 ,
Early Music,
32,
pp.
286-301. 81
6
Robert E. Seletsky
(2004),
New Light on the Old Bow: Part
2 ,
Early Music,
32,
pp.
415-26. 95
7
Andrew Parrott
(2002),
Falsetto and the French:
Une toute autre
marche ,
Basler Jahrbuch für historische Musikpraxis, 26,
pp.
129-48. 107
PART III PITCH
TUNING AND TEMPERAMENT
8 John Barnes (1979),
Bach s Keyboard
Temperament:
Internal Evidence from
the Well-Tempered Clavier, Early Music,
7,
pp.
236-49 [129-46]. 129
9
Bruce Haynes
(1991),
Beyond Temperament: Non-Keyboard Intonation in the
17th and
1
8th Centuries , Early Music,
19,
pp.
357-81. 147
PART IV TECHNIQUE AND STYLE
10
Mark Lindley
(1996),
Handelian
Keyboard Fingerings ,
Göttinger
Händel-Beiträge, 6,
pp.
194-205. 173
11
Peter Walls
(1984),
Violin Fingering in the 18th Century , Early Music,
12,
pp.
300-15. 185
νζ·
Baroque
Music
12
Bruce Haynes
(1997),
Ги
ru
or Not
Tu ru:
Paired Syllables and Unequal
Tonguing Patterns on Woodwinds in the Seventeenth and Eighteenth
Centuries , Performance Practice Review,
10,
pp.
41-60. 201
13
Richard Wistreich
(1994),
La voce è
grata
assai, ma... :
Monteverdi on
Singing , Early Music,
22,
pp.
7-19. 221
PARTV VIBRATO
14
Frederick Neumann
(1991),
The Vibrato Controversy , Performance Practice
Review,
4,
pp.
14-27. 235
15
Roger Hickman
( 1983),
The Censored Publications of The Art of Playing on
the Violin, or Geminiani Unshaken , Early Music,
11,
pp.
73-76. 249
PART VI WHAT WORKS? (TEXT, SUBTEXT, SURTEXT)
16
Philip Brett
(1988),
Text, Context, and the Early Music Editor
,
in Nicholas
Kenyon
(ed.),
Authenticity and Early Music: A Symposium, Oxford: Oxford
University Press, pp.
83-114. 255
17
David Fuller
(1993),
Sous
les
doits
de Chambonniere ,
Early Music,
21,
pp.
191-202. 287
18
Peter Allsop
(1996),
Violinistic Virtuosity in the Seventeenth Century:
Italian Supremacy or Austro-German Hegemony? , II
Saggiatore musicale,
3,
pp.
233-58. 299
19
Neal Zaslaw
(1996),
Ornaments for Corelli s Violin Sonatas, Op.
5 ,
Early
Music,
24,
pp.
95-116. 325
PART
VII
TEMPO AND RHYTHMIC ALTERATION
20
Stephen E. Hefling
(1994),
Déjà Vu
All Over Again? Rhythmic Alteration
vs. Neumann s Musical Protectionism , Historical Performance,
7,
pp.
85-94. 349
21
John Byrt
(2001),
Alteration in Handel: A Fresh Approach , Musical Quarterly,
85,
pp.
194-219. 365
22
Matthew Dirst
(1997),
Bach s French Overtures and the Politics of Overdotting ,
Early Music,
25,
pp.
3 5-44. 3 91
PART
VIII
SCORING
23
Peter
Holman
(1993),
Col nobilissimo esercitio della vivuola :
Monteverdi s
String Writing , Early Music,
21,
pp.
577-90. 403
24
Samantha Owens
(2001),
Professional Women Musicians in Early
Eighteenth-Century
Württemberg ,
Music and Letters,
82,
pp.
32-50. 417
25
Anne Schnoebelen
(1969),
Performance Practices at San Petronio in the Baroque ,
Acta
Musicologica,
41,
pp.
37-55. 437
Baroque
Music
vii
26 Niels
Martin
Jensen
(2007),
When Is a Solo Sonata Not a Solo Sonata? Corelli s
Op. V Considered in the Light of the Genre s Tradition , in Antonella D Ovidio,
Gregory Barnett and
Stefano
La Via
(eds),
Arcangelo
Cor
etti: fra mito et realta
storica,
I, Florence:
Leo S.
Olschki, pp.
211-30. 457
27
Joshua
Rifkin
(1982),
Bach s Chorus: A Preliminary Report , Musical Times,
123,
pp.
747-54. 477
PART IX CHALLENGING HIP
28 Theodor W. Adorno (1967),
trans. Samuel and Shierry Weber, Bach Defended
Against His Devotees , Prisims, Cambridge, Massachusetts: MIT Press,
pp.
135-46. 487
29
Laurence Dreyfus
(1983),
Early Music Defended Against Its Devotees:
A Theory of Historical Performance in the Twentieth Century , Musical
Quarterly,
49,
pp.
297-322. 499
PARTX EPILOGUE
30
Sigiswald Kuijken
(2010),
A Bach Odyssey , Early Music,
38,
pp.
263-72. 529
Series Bibliography
539
Name Index
543
|
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indexdate | 2024-07-10T00:00:38Z |
institution | BVB |
isbn | 0754628825 |
language | English |
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series | Library of essays on music performance practice |
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spelling | Baroque music ed. by Peter Walls Farnham [u.a.] Ashgate 2011 XXXIV, 553 S. Ill., graph. Darst., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Library of essays on music performance practice 3 Geschichte 1600-1800 gnd rswk-swf Musikalische Aufführungspraxis (DE-588)4170800-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Musikalische Aufführungspraxis (DE-588)4170800-3 s Geschichte 1600-1800 z DE-604 Walls, Peter 1947- Sonstige (DE-588)143555782 oth Library of essays on music performance practice 3 (DE-604)BV039666535 3 Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024193803&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Baroque music Library of essays on music performance practice Musikalische Aufführungspraxis (DE-588)4170800-3 gnd |
subject_GND | (DE-588)4170800-3 (DE-588)4143413-4 |
title | Baroque music |
title_auth | Baroque music |
title_exact_search | Baroque music |
title_full | Baroque music ed. by Peter Walls |
title_fullStr | Baroque music ed. by Peter Walls |
title_full_unstemmed | Baroque music ed. by Peter Walls |
title_short | Baroque music |
title_sort | baroque music |
topic | Musikalische Aufführungspraxis (DE-588)4170800-3 gnd |
topic_facet | Musikalische Aufführungspraxis Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024193803&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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