100 silent films:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Palgrave Macmillan, British Film Institute
2011
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | BFI screen guides
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | IX, 258 S. Ill. |
| ISBN: | 9781844573080 9781844573097 |
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Datensatz im Suchindex
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| adam_text | Contents
Acknowledgments
.........................................
χ
Introduction
..............................................1
The Adventures of
Dollié,
D.
W.
Griffith,
1908....................7
Alfred Butterworth
8
Sons, Leaving the Works, Glebe Mills,
Hollinford, Mitchell
&
Kenyon,
1901 .........................9
Alice in Wonderland, Percy Stow,
1903 ........................11
Ballet
mécanique,
Fernand
Léger,
Dudley Murphy,
1924............14
The Battle of the
Somme,
William F. Jury,
1916 ..................17
The Battles of
Coronel
and Falkland Islands,
Walter Summers,
1927..................................19
The Battleship Potemkin/Bronenosets Potyomkin,
Sergei M.
Eisenstein, 1925 ...............................21
Beggars of Life, William Wellman,
1928........................24
Berlin, Symphony of a City/Berlin, die
Sinfonie der Großstadt,
Walter Ruttmann,
1927..................................27
The Big Swallow, James Williamson,
1901 ......................29
The Birth of a Flower, F. Percy Smith,
1910......................32
The Birth of a Nation,
D. W.
Griffith,
1915......................34
Blackmail, Alfred Hitchcock,
1929 ............................36
Body and Soul, Oscar Micheaux,
1925.........................39
The Cabinet of Dr. Caligari/Das Cabinet
des
Dr.
Caligari,
Robert Wiene,
1920 ....................................41
Cabiria, Giovanni
Pastrone, 1914 .............................44
The Cameraman s Revenge/Mest
kinematografičeskogo operatora,
Ladislas Starewtcz,
1912 .................................46
vi
BFI
SCREEN GUIDES
Casanova,
Alexandre Volkoff, 1927 ...........................48
The Cheat, Cecil
В.
DeMille, 1915 ............................
5Ί
Un Chien
andalou,
Luis Buñuel,
1928..........................53
A Cottage
on Dartmoor, Anthony Asquith,
1929.................56
DaybreaklTianming, Sun Yu,
1933 ............................58
Les
Deux TimideslTwo Timid Souls,
Réne
Clair,
1928...............60
Douro,
faina
fluvial/Labour on the
Douro
River,
Manoel de Oliveira,
1931 ................................62
Drifters,
John Grierson,
1929 ................................
64
Earth/Zemlya,
Aleksandr
Dovzhenko,
1930......................
бб
£n
dirigeable sur les champs de bataille,
Lucien Le Sainte,
1918 ..................................69
The Fall of the House of Usher/La Chute
de la maison
Usher,
Jean Epstein,
1928 .....................................71
Finis terrae, Jean Epstein,
1929...............................73
Flesh and the Devil, Clarence Brown,
1926......................76
The General, Clyde Bruckman, Buster Keaton,
1926...............78
The Gold Rush, Charles Chaplin,
1925.........................81
Der
Golem,
wie er
in die
Welt kam/The
Golem: How He Came
into the World, Paul Wegener, Carl Boese,
1920...............83
Gösta
Beriings Saga, Mauritz Stiller,
1924.......................86
The Great Train Robbery, Edwin S. Porter,
1903..................89
The Great White Silence, Herbert Porting,
1924 .................91
Greed, Erich
von Stroheim, 1924 .............................93
The Heart of the World, Guy Maddin,
2000.....................95
Hell s Hinges, Charles Swickard,
1916 .........................97
Les Hôtes
de I air/Glimpses
of Bird Life, Oliver Pike,
1910...........99
How a Mosquito Operates, Winsor McCay,
1912................101
/
Was Born, But ...lOtona no
miru
ehon
-
umarete wa
mita
keredo, Yasujiro Ozu,
1932..............................104
L Inferno,
Giuseppe Beradi,
Arturo Busnego,
1911 ...............107
The Informer, Arthur
Robison,
1929..........................109
It, Clarence Badger,
1927..................................112
100
SILENT FILMS
vii
Japonaiseries,
Gaston
Velie,
1904............................115
The Kid, Charles Chaplin,
1921 .............................117
Lenin Kino-Pravda No. 2ULeninskaia Kino-Pravda,
Dziga Vertov,
1925 ....................................120
Liberty, Leo McCarey,
1929 ................................122
The Lodger: A Story of the London Fog,
Alfred Hitchcock,
1926.................................124
The Lure of Crooning Water, A. H. Rooke,
1920 ................126
Man with a Movie Camera/Chelovek
s
kinoapparatom,
Dziga Vertov,
1929 ....................................129
Manhatta, Charles Sheeler, Paul Strand,
1921 ..................131
La Mariée du château maudit, Albert
Capellaní,
1910 ............133
The Marriage Circle, Ernst Lubitsch,
1924......................135
Metropolis, Fritz Lang,
1927................................137
Monte
Cristo,
Henri Fescourt,
1929 ..........................140
Nanook of the North: A Story of Life and Love in the
Actual Arctic, Robert J. Flaherty,
1922......................142
Napoleon/Napoléon
vu
par Abel Gance, Abel Gance,
1927 ........144
The
Nibelungen Saga/Die Nibelungen
Saga, Fritz Lang,
1924.......147
Nosferatu: A Symphony of
Horrors/Nosferatu: Eine Symphonie des
Grauens, F.
W.
Murnau, 1922............................150
The Oyster Princess/Die
Austernprinzessin, Ernst Lubitsch, 1919.....153
Page of Madness/
Kurutta ippeiji, Teinosuke Kinugasa, 1926........155
Pandora s
Box/Die Büchse der
Pandora,
G.
W. Pabst,
1928.........157
Panorama du Grand
Canal vu d un bateau, Auguste and
Louis Lumière,
1896 ...................................160
Paris qui dort/The
Crazy
Ray, René Clair,
1925 ..................162
Гће
Passion
of
Joan ofArcíLa
Passion de Jeanne d Arc,
Caň Theodor Dreyer,
1928 ..............................164
People
on Sunday/Menschen
am Sonntag,
Robert Siodmak,
Edgar Uimer,
Rochus Gleise, 1930.........................166
The Perils of Pauline, Louis Gasnier, Donald Mackenzie,
1914.......168
The Phantom
CamagelKörkaríen,
Victor
Sjöström,
1921 ..........170
viii
BFI
SCREEN
GUIDES
Policeman/Keisatsukan,
Tomu Uchida,
1933....................173
Poor Little Rich Girl, Maurice
Tourneur,
1917 ...................175
Premier
prix de violoncelle, Pathé Frères,
1907..................177
The Queen of
Spades/Pikovaya dama, Yakov Protazanov,
1916 .....179
Regen/Rain, Joris
Ivens, M. H. K.
Franken, 1929.................181
Revolutionshochzeit/The
Last Night,
A.
W.
Sandberg,
1928 ........183
Safety Last!, Fred Newmeyer, Sam Taylor,
1923 .................185
The Scarecrow, Buster Keaton, Edward F.
Cline,
1920 ............188
Sex in Chains/Geschlecht in
Fesseln, Wilhelm Dieterle, 1928........190
The Smiling Madame
Beudet/La Souriante
Madame Beudet,
Germaine Dulac,
1923 .................................192
The Son of the Sheik, George Fitzmaurice,
1926 ................195
The Spirit of His Forefathers, British Mutoscope and
Biograph
Company, c.1900
.....................................198
Stachka/Strike, Sergei M.
Eisenstein, 1925 .....................200
Stage Struck, Allan Dwan,
1925.............................202
The Student of Prague/Der Student
von Prag, Stellan
Rye,
1913.....205
Sunrise: A Song of Two Humans,
F. W.
Murnau,
1927 ............207
Suspense, Lois Weber, Phillips Smalley,
1913 ...................209
The
Talisman/Pied de mouton,
Albert Capellani,
1907 ............212
The Thief of Bagdad,
Raoul
Walsh,
1924 ......................214
The Three-Must-Get-Theres, Max Under,
1922..................216
Tol able David, Henry King,
1921 ............................218
Topical Budget
93-1
The Derby
1913,
Topical Film Company,
1913.............................220
Underworld, Josef
von
Sternberg,
1927.......................222
The Unknown, Todd Browning,
1927.........................224
¿es
Vampires, Louis Feuillade,
1915 ..........................226
Voyage
à travers
ľimpossible/The
Impossible Voyage,
Georges
Méliès,
1904..................................229
Way Down East,
D. W.
Griffith,
1920.........................232
The White Slave Trade/Den hvide
slavehandel,
August
Blom,
1910....................................235
100
SILENT FILMS
The Wind, Victor
Sjöström,
1928 ............................237
Witchcraft through the
Ages/Häxan,
Benjamin Christensen,
1922 . . .239
Notes
.................................................242
Bibliography
............................................244
Index
.................................................246
100
Si f ent
Films provides an authoritative and accessible history of silent
cinema through one hundred of its most interesting and significant films. As
Bryony Dixon contends, silent cinema is not a genre; it is the first
35
years
of film history, a complex negotiation between art and commerce and a
union of creativity and technology. At its most grand
—
on the big screen with
a full orchestral accompaniment
—
it is magnificent, permitting a depth of
emotional engagement rarely found in other fields of cinema. Silent film was
hugely popular in its day, and its success enabled the development of large-
scale film production in the United States and Europe. It was the start of our
fascination with the moving image as a disseminator of information and as
mass entertainment with its consequent celebrity culture.
The digital revolution in the last few years and the restoration and reissue
of archival treasures have contributed to a huge resurgence of interest in
silent cinema. Bryony Dixon s illuminating guide introduces a wide range
of films of the silent period
(1895-1930),
including classics such as The
Birth of a Nation
(1915),
The General
(1926),
Metropolis
(1927),
Sunrise
(1927)
and Pandora s Box
(1928),
alongside more unexpected choices,
and represents major genres and directors of the period
—
Griffith, Keaton,
Chaplin, Murnau,
Sjöström, Dovzhenko
and
Eisenstein -
together with an
introductory overview and useful
filmographie
and bibliographic information.
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