Film moments: Criticism, history, theory
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Basingstoke [u.a.]
Palgrave MacMillan [u.a.]
2010
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XII, 178 S. Ill. |
| ISBN: | 9781844573356 9781844573363 |
Internformat
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| 245 | 1 | 0 | |a Film moments |b Criticism, history, theory |c ed. by Tom Brown ... |
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| 300 | |a XII, 178 S. |b Ill. | ||
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Datensatz im Suchindex
| _version_ | 1804148021911355392 |
|---|---|
| adam_text | Contents
Notes
on Contributors
....................................................................................
vii
Preface
..................................................................................................xi
Acknowledgments
.......................................................................................xiii
PART ONE: Criticism
Shadow Play and DrippingTeat: The Night of the Hunter
(1955) ...................................................5
TOM GUNNING
Between Melodrama and Realism: Under the Skin of the City
(2001)................................................8
LAURA MULVEY
Internalising the Musical: The Band Wagon
(1953)..............................................................11
ANDREW KLEVAN
The Visitor s Discarded Clothes in Theorem
(1968) .............................................................15
STELLA BRUZ7I
Style and Sincerity in
Quentin Tarantino s
Kill Bill Vol.
2 (2004) ..................................................19
JAMES WALTERS
The Moves: Blood
(1989) ...................................................................................23
ADRIAN MARTIN
The Properties of Images: Lust for life
(1956)..................................................................27
STEVE NEALE
Two Views over Water: Action and Absorption in
Ingmar
Bergman s Wild Strawberries
(1957)........................30
EDWARD GALLAFENT
Making an Entrance:
Bette
Davis s First Appearance in Jezebel
(1938).............................................34
MARTIN SHINGLER
A Narrative Parenthesis in Life Is Beautiful
(1997)..............................................................38
DEBORAH THOMAS
The End of Summer:
Conte d été
(1996).......................................................................41
JACOB LEIGH
Enter Lisa: Rear Window
(1954)..............................................................................45
DOUGLAS PYE
Opening up The Secret Garden
(1993).........................................................................49
SUSAN SMITH
A Magnified Meeting in Written on the Wind
(1956).............................................................53
STEVEN PEACOCK
Everything is connected, and everything matters : Relationships in I
»
Hucfeabees
(2004)...........................57
JOHN GIBBS
The Ending of
8% (1963)...................................................................................61
RICHARD DYER
PART TWO: History
Haptic
Vision and Consumerism: A Moment from Fritz Lang s
Steg/Hed
(1924).....................................70
THOMAS ELSAESSER
VI
FILM MOMENTS
Visions of Sound in City Lights
(1931)........................................................................
74
CHARLES
BARR
Entertainment and dystopia : Maurice Chevalier Performs
Avec le sourire
(1936)...................................78
TOM BROWN
Music, Crime and the Gaze:
Lo
Bête humaine
(1938) ............................................................85
GINETTE VINCENDEAU
Thunder and Lightning: Gone uiith the Wind
(1939)
and the Logic of Synchronisation
...............................90
RICK
ALTMAN
Hearing, Fearing: The Sonic Design of Suspense in Cat People
(1942) .............................................94
HELEN HANSON
I ve seen him take his knife
... :
The Searchers
(1956) ..........................................................98
R. J. ELLIS
Another Story: Myth and History in Bonnie and Clyde
(1967)....................................................102
РАМ
COOK
A Sculptural Moment: The Epilogue to
Les Deux Anglaises et le
Continent
(1971) ...................................106
MARK BROUGHTON
Star Wars
(1977):
Back and Forth in Time and Space
..........................................................
Ш
JONATHAN BIGNELL
Between Freedom and Confinement: Music in The World
(2004) ................................................116
CLAUDIA GORBMAN
PART THREE: Theory
Performance, with Strings Attached: Team America s
(2004)
Snub to the Actor
....................................127
ALEX CLAYTON
Éloge de l Amour
(2001):
Moments in Time
...................................................................
I30
ALISON BUTLER
Contested Endings: Interpreting The Piano s
(1993)
Final Scenes
................................................135
BARBARA KLINGER
Mourning, Loss and Trauma, and the Ambiguities of Proper and Improper Desire in Exotica
(1994)..................140
ELIZABETH COWIE
Stepping out of Blockbuster Mode: The Lighting of the Beacons in The Lord of the Rings: The Return of
the King
(2003)........................................................................................144
KRISTIN THOMPSON
Dorothy s Dream: Mindscreen in The Wizard of
От.
(1939) ......................................................149
BRUCE F. KAWIN
Looking On and Looking the Other Way: Hotel Rwanda
(2004)
and the Racialised Ethics of Spectatorship
............
I52
MICHELE
AARON
Working through the Body: Textual-Corporeal Strategies in United
93 (2006) .....................................
I57
LISA PURSE
I wasn t expecting that! : Cognition and Shock in Alien s
(1979)
Chestburster Scene
..............................
i62
JONATHAN FROME
The Inflection of a Dream in Scarlet Street
(1945) .............................................................
i66
GEORGE M. WILSON
Judy s Plan: A Reading of the Flashback Sequence in Vertigo
(1958) ............................................
17°
WILLIAM ROTHMAN
Index
..................................................................................................173
|
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| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
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| dewey-search | 791.4375 |
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| discipline | Allgemeines |
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| illustrated | Illustrated |
| indexdate | 2024-07-10T00:00:31Z |
| institution | BVB |
| isbn | 9781844573356 9781844573363 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024186474 |
| oclc_num | 731756033 |
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| owner | DE-355 DE-BY-UBR DE-M472 |
| owner_facet | DE-355 DE-BY-UBR DE-M472 |
| physical | XII, 178 S. Ill. |
| publishDate | 2010 |
| publishDateSearch | 2010 |
| publishDateSort | 2010 |
| publisher | Palgrave MacMillan [u.a.] |
| record_format | marc |
| spelling | Film moments Criticism, history, theory ed. by Tom Brown ... 1. publ. Basingstoke [u.a.] Palgrave MacMillan [u.a.] 2010 XII, 178 S. Ill. txt rdacontent n rdamedia nc rdacarrier Film (DE-588)4017102-4 gnd rswk-swf Drehbuch (DE-588)4127976-1 gnd rswk-swf Film (DE-588)4017102-4 s Drehbuch (DE-588)4127976-1 s DE-604 Brown, Tom Sonstige oth Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024186474&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Film moments Criticism, history, theory Film (DE-588)4017102-4 gnd Drehbuch (DE-588)4127976-1 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4127976-1 |
| title | Film moments Criticism, history, theory |
| title_auth | Film moments Criticism, history, theory |
| title_exact_search | Film moments Criticism, history, theory |
| title_full | Film moments Criticism, history, theory ed. by Tom Brown ... |
| title_fullStr | Film moments Criticism, history, theory ed. by Tom Brown ... |
| title_full_unstemmed | Film moments Criticism, history, theory ed. by Tom Brown ... |
| title_short | Film moments |
| title_sort | film moments criticism history theory |
| title_sub | Criticism, history, theory |
| topic | Film (DE-588)4017102-4 gnd Drehbuch (DE-588)4127976-1 gnd |
| topic_facet | Film Drehbuch |
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