I mix what I like!: a mixtape manifesto
In a moment of increasing corporate control in the music industry, where three major labels call the shots on which artists are heard and seen, Jared Ball analyzes the colonization and control of popular music and posits the homemade hip-hop mixtape as an emancipatory tool for community resistance....
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Oakland, Calif. [u.a.]
AK Press
2011
|
Schlagworte: | |
Zusammenfassung: | In a moment of increasing corporate control in the music industry, where three major labels call the shots on which artists are heard and seen, Jared Ball analyzes the colonization and control of popular music and posits the homemade hip-hop mixtape as an emancipatory tool for community resistance. I mix what I like! is a revolutionary investigation of the cultural dimension of antiracist organizing in the Black community. Blending together elements from internal colonialism theory, cultural studies, apolitical science, and his own experience on the mic, Jared positions the so-called "hip-hop nation" as an extension of the internal colony that is modern African America, and suggests that the low-tech hip-hop mixtape may be one of the best weapons we have against Empire. -- p. 4 of cover |
Beschreibung: | Includes bibliographical references The colonized rhythm nation -- Media as ideology, culture, and colonialism -- Education and conceptual boundaries -- Journalism and conceptual boundaries -- Revisiting the corporation and cultural industry -- The politics of popular culture -- Intellectual property, copyright, and the ownership of thought -- Payola and playlists -- Washington, D.C. : a case study in the colonizing function of radio -- National Public Radio as Fanon's Radio-Alger -- Managed outcomes -- The mixtapes and emancipatory journalism -- FreeMix Radio : the original mixtape radio show -- White liberalism and "progressive" journalism |
Beschreibung: | 226 S. Ill., graph. Darst. |
ISBN: | 9781849350570 1849350574 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV039169191 | ||
003 | DE-604 | ||
005 | 20130725 | ||
007 | t | ||
008 | 110801s2011 ad|| |||| 00||| eng d | ||
020 | |a 9781849350570 |9 978-1-84935-057-0 | ||
020 | |a 1849350574 |9 1-84935-057-4 | ||
035 | |a (OCoLC)669754828 | ||
035 | |a (DE-599)BVBBV039169191 | ||
040 | |a DE-604 |b ger |e rakwb | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-M382 |a DE-11 | ||
082 | 0 | |a 346.0482 |2 23 | |
084 | |a LS 48015 |0 (DE-625)110539: |2 rvk | ||
084 | |a 9,2 |2 ssgn | ||
100 | 1 | |a Ball, Jared A. |e Verfasser |0 (DE-588)1015384935 |4 aut | |
245 | 1 | 0 | |a I mix what I like! |b a mixtape manifesto |c by Jared A. Ball |
264 | 1 | |a Oakland, Calif. [u.a.] |b AK Press |c 2011 | |
300 | |a 226 S. |b Ill., graph. Darst. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
500 | |a Includes bibliographical references | ||
500 | |a The colonized rhythm nation -- Media as ideology, culture, and colonialism -- Education and conceptual boundaries -- Journalism and conceptual boundaries -- Revisiting the corporation and cultural industry -- The politics of popular culture -- Intellectual property, copyright, and the ownership of thought -- Payola and playlists -- Washington, D.C. : a case study in the colonizing function of radio -- National Public Radio as Fanon's Radio-Alger -- Managed outcomes -- The mixtapes and emancipatory journalism -- FreeMix Radio : the original mixtape radio show -- White liberalism and "progressive" journalism | ||
520 | |a In a moment of increasing corporate control in the music industry, where three major labels call the shots on which artists are heard and seen, Jared Ball analyzes the colonization and control of popular music and posits the homemade hip-hop mixtape as an emancipatory tool for community resistance. I mix what I like! is a revolutionary investigation of the cultural dimension of antiracist organizing in the Black community. Blending together elements from internal colonialism theory, cultural studies, apolitical science, and his own experience on the mic, Jared positions the so-called "hip-hop nation" as an extension of the internal colony that is modern African America, and suggests that the low-tech hip-hop mixtape may be one of the best weapons we have against Empire. -- p. 4 of cover | ||
650 | 4 | |a Remixes | |
650 | 4 | |a Hip-hop | |
650 | 4 | |a Copyright / Music / United States | |
650 | 4 | |a Sound recording industry | |
650 | 4 | |a Musik | |
650 | 0 | 7 | |a Hip-Hop |0 (DE-588)4303517-6 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Medienfreiheit |0 (DE-588)4114543-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Antikolonialismus |0 (DE-588)4142680-0 |2 gnd |9 rswk-swf |
651 | 4 | |a USA | |
689 | 0 | 0 | |a Hip-Hop |0 (DE-588)4303517-6 |D s |
689 | 0 | 1 | |a Medienfreiheit |0 (DE-588)4114543-4 |D s |
689 | 0 | 2 | |a Antikolonialismus |0 (DE-588)4142680-0 |D s |
689 | 0 | |5 DE-604 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-024186470 | ||
942 | 1 | 1 | |c 780.2 |e 22/bsb |f 090511 |g 73 |
942 | 1 | 1 | |c 781.66 |e 22/bsb |f 090511 |g 73 |
Datensatz im Suchindex
_version_ | 1804148021907161088 |
---|---|
any_adam_object | |
author | Ball, Jared A. |
author_GND | (DE-588)1015384935 |
author_facet | Ball, Jared A. |
author_role | aut |
author_sort | Ball, Jared A. |
author_variant | j a b ja jab |
building | Verbundindex |
bvnumber | BV039169191 |
classification_rvk | LS 48015 |
ctrlnum | (OCoLC)669754828 (DE-599)BVBBV039169191 |
dewey-full | 346.0482 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 346 - Private law |
dewey-raw | 346.0482 |
dewey-search | 346.0482 |
dewey-sort | 3346.0482 |
dewey-tens | 340 - Law |
discipline | Rechtswissenschaft Musikwissenschaft |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03038nam a2200517 c 4500</leader><controlfield tag="001">BV039169191</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20130725 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">110801s2011 ad|| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781849350570</subfield><subfield code="9">978-1-84935-057-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">1849350574</subfield><subfield code="9">1-84935-057-4</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)669754828</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV039169191</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-M382</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">346.0482</subfield><subfield code="2">23</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LS 48015</subfield><subfield code="0">(DE-625)110539:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Ball, Jared A.</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1015384935</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">I mix what I like!</subfield><subfield code="b">a mixtape manifesto</subfield><subfield code="c">by Jared A. Ball</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oakland, Calif. [u.a.]</subfield><subfield code="b">AK Press</subfield><subfield code="c">2011</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">226 S.</subfield><subfield code="b">Ill., graph. Darst.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">The colonized rhythm nation -- Media as ideology, culture, and colonialism -- Education and conceptual boundaries -- Journalism and conceptual boundaries -- Revisiting the corporation and cultural industry -- The politics of popular culture -- Intellectual property, copyright, and the ownership of thought -- Payola and playlists -- Washington, D.C. : a case study in the colonizing function of radio -- National Public Radio as Fanon's Radio-Alger -- Managed outcomes -- The mixtapes and emancipatory journalism -- FreeMix Radio : the original mixtape radio show -- White liberalism and "progressive" journalism</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In a moment of increasing corporate control in the music industry, where three major labels call the shots on which artists are heard and seen, Jared Ball analyzes the colonization and control of popular music and posits the homemade hip-hop mixtape as an emancipatory tool for community resistance. I mix what I like! is a revolutionary investigation of the cultural dimension of antiracist organizing in the Black community. Blending together elements from internal colonialism theory, cultural studies, apolitical science, and his own experience on the mic, Jared positions the so-called "hip-hop nation" as an extension of the internal colony that is modern African America, and suggests that the low-tech hip-hop mixtape may be one of the best weapons we have against Empire. -- p. 4 of cover</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Remixes</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Hip-hop</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Copyright / Music / United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Sound recording industry</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Musik</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Hip-Hop</subfield><subfield code="0">(DE-588)4303517-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Medienfreiheit</subfield><subfield code="0">(DE-588)4114543-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Antikolonialismus</subfield><subfield code="0">(DE-588)4142680-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">USA</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Hip-Hop</subfield><subfield code="0">(DE-588)4303517-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Medienfreiheit</subfield><subfield code="0">(DE-588)4114543-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Antikolonialismus</subfield><subfield code="0">(DE-588)4142680-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-024186470</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780.2</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090511</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">090511</subfield><subfield code="g">73</subfield></datafield></record></collection> |
geographic | USA |
geographic_facet | USA |
id | DE-604.BV039169191 |
illustrated | Illustrated |
indexdate | 2024-07-10T00:00:31Z |
institution | BVB |
isbn | 9781849350570 1849350574 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024186470 |
oclc_num | 669754828 |
open_access_boolean | |
owner | DE-12 DE-M382 DE-11 |
owner_facet | DE-12 DE-M382 DE-11 |
physical | 226 S. Ill., graph. Darst. |
publishDate | 2011 |
publishDateSearch | 2011 |
publishDateSort | 2011 |
publisher | AK Press |
record_format | marc |
spelling | Ball, Jared A. Verfasser (DE-588)1015384935 aut I mix what I like! a mixtape manifesto by Jared A. Ball Oakland, Calif. [u.a.] AK Press 2011 226 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references The colonized rhythm nation -- Media as ideology, culture, and colonialism -- Education and conceptual boundaries -- Journalism and conceptual boundaries -- Revisiting the corporation and cultural industry -- The politics of popular culture -- Intellectual property, copyright, and the ownership of thought -- Payola and playlists -- Washington, D.C. : a case study in the colonizing function of radio -- National Public Radio as Fanon's Radio-Alger -- Managed outcomes -- The mixtapes and emancipatory journalism -- FreeMix Radio : the original mixtape radio show -- White liberalism and "progressive" journalism In a moment of increasing corporate control in the music industry, where three major labels call the shots on which artists are heard and seen, Jared Ball analyzes the colonization and control of popular music and posits the homemade hip-hop mixtape as an emancipatory tool for community resistance. I mix what I like! is a revolutionary investigation of the cultural dimension of antiracist organizing in the Black community. Blending together elements from internal colonialism theory, cultural studies, apolitical science, and his own experience on the mic, Jared positions the so-called "hip-hop nation" as an extension of the internal colony that is modern African America, and suggests that the low-tech hip-hop mixtape may be one of the best weapons we have against Empire. -- p. 4 of cover Remixes Hip-hop Copyright / Music / United States Sound recording industry Musik Hip-Hop (DE-588)4303517-6 gnd rswk-swf Medienfreiheit (DE-588)4114543-4 gnd rswk-swf Antikolonialismus (DE-588)4142680-0 gnd rswk-swf USA Hip-Hop (DE-588)4303517-6 s Medienfreiheit (DE-588)4114543-4 s Antikolonialismus (DE-588)4142680-0 s DE-604 |
spellingShingle | Ball, Jared A. I mix what I like! a mixtape manifesto Remixes Hip-hop Copyright / Music / United States Sound recording industry Musik Hip-Hop (DE-588)4303517-6 gnd Medienfreiheit (DE-588)4114543-4 gnd Antikolonialismus (DE-588)4142680-0 gnd |
subject_GND | (DE-588)4303517-6 (DE-588)4114543-4 (DE-588)4142680-0 |
title | I mix what I like! a mixtape manifesto |
title_auth | I mix what I like! a mixtape manifesto |
title_exact_search | I mix what I like! a mixtape manifesto |
title_full | I mix what I like! a mixtape manifesto by Jared A. Ball |
title_fullStr | I mix what I like! a mixtape manifesto by Jared A. Ball |
title_full_unstemmed | I mix what I like! a mixtape manifesto by Jared A. Ball |
title_short | I mix what I like! |
title_sort | i mix what i like a mixtape manifesto |
title_sub | a mixtape manifesto |
topic | Remixes Hip-hop Copyright / Music / United States Sound recording industry Musik Hip-Hop (DE-588)4303517-6 gnd Medienfreiheit (DE-588)4114543-4 gnd Antikolonialismus (DE-588)4142680-0 gnd |
topic_facet | Remixes Hip-hop Copyright / Music / United States Sound recording industry Musik Hip-Hop Medienfreiheit Antikolonialismus USA |
work_keys_str_mv | AT balljareda imixwhatilikeamixtapemanifesto |