Classical and romantic music:
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Farnham [u.a.]
Ashgate Publ.
2011
|
| Schriftenreihe: | Library of essays on music performance practice
4 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Aufsatzsammlung |
| Beschreibung: | XXXII, 495 S. Ill., graph. Darst., Notenbeisp. |
| ISBN: | 9780754628590 |
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| 245 | 1 | 0 | |a Classical and romantic music |c ed. by David Milsom |
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| 490 | 1 | |a Library of essays on music performance practice |v 4 | |
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Datensatz im Suchindex
| _version_ | 1804148021868363776 |
|---|---|
| adam_text | Contents
Acknowledgements
vii
Series Preface
ix
Introduction
xi
PART I STYLE AND PURPOSE: APPRAISING EIGHTEENTH
AND NINETEENTH CENTURY AESTHETICS
1
Clive
Brown
(2006),
Performing Classical Repertoire: The Unbridgeable
Gulf between Contemporary Practice and Historical Reality ,
Basler Jahrbuch
für Historische
Musikpraxis,
30,
pp.
3
1-43.
З
2
Laurence Dreyfus
(1992),
Mozart as Early Music: A Romantic Antidote ,
Early Music,
20,
pp.
297-309. 17
3
Daniel Leech-Wilkinson
(2010),
Listening and Responding to the Evidence
of Early Twentieth-Century Performance , Journal of the Royal Musical
Association,
135,
pp.
45-62. 27
PART II STUDIES IN HISTORICAL SOURCES
4
Michael D. Green
(1994),
Mathis Lussy s
Traite
de l expressìone musicale
as a Window into Performance Practice , Music Theory Spectrum,
16,
pp.
196-216. 47
5
Claire A. Fontijn
(1995),
Quantz s unegal: Implications for the Performance
of
1
eth-Century
Music , Early Music,
23,
pp.
54-62. 87
6
Dorottya
Fabian
(2006),
The Recordings of Joachim, Ysaye and
Sarasate
in
Light of Their Reception by Nineteenth-Century British Critics , International
Review of the Aesthetics and Sociology of Music,
37,
pp.
189-210. 97
PART III INSTRUMENTS, ENSEMBLES AND CONDUCTING
7
Roger
Freitas
(2002),
Towards a Verdian Ideal of Singing: Emancipation
from Modern Orthodoxy , Journal of the Royal Musical Association,
127,
pp.
226-57. 121
8
Camilla
Cai
(1989),
Brahms s Pianos and the Performance of His Late Piano
Works , Performance Practice Review,
2,
pp.
58-72. 153
9
Clive
Brown
(1988),
The Orchestra in Beethoven s Vienna , Early Music,
16,
pp.
4-20. 169
10
Dexter Edge
(1992),
Mozart s Viennese Orchestras , Early Music,
20,
pp.
64-88. 185
vi
Classical and Romantic Music
11
Donna M.
Di Grazia
(1998),
Rejected Traditions: Ensemble Placement in
Nineteenth-Century Paris , Wth-Century Music,
22,
pp.
190-209. 209
12
David
Milšom
(2009),
Style and Sonority in Wagner String Performance ,
The Wagner Journal,
3,
pp.
4-11. 229
13
José
Antonio Bowen
(1993),
The Origins of the Ideology of Authenticity in
Interpretation: Mendelssohn, Berlioz and Wagner as Conductors
,
a revised
version of Mendelssohn, Berlioz, and Wagner as Conductors: The Origins of
the Ideal of Fidelity to the Composer , Performance Practice Review,
6,
pp.
77-88 [237-52]. 237
PART IV TEMPO AND RHYTHM
14
Clive
Brown
(1991),
Historical Performance, Metronome Marks and Tempo
in Beethoven s Symphonies , Early Music,
19,
pp.
247-58. 255
15
Sarah Martin
(2002),
The Case of Compensating
Rubato ,
Journal of the Royal
Musical Association,
127,
pp.
95-129. 265
16
Edward F. Kravitt
(1973),
Tempo as an Expressive Element in the Late
Romantic Lied , Musical Quarterly,
59,
pp.
497-518. 301
17
Emanuel
Rubin
(1989),
New Light on Late Eighteenth-Century Tempo: William
Crotch s Pendulum Markings , Performance Practice Review,
2,
pp.
34-57. 323
PART V ASPECTS OF NOTATION
18
Clive
Brown
(1993),
Dots and Strokes in Late 18th- and
19th-century
Music ,
Early Music,
21,
pp.
593-610. 349
19
Robert Toft
(1994),
The Expressive Pause: Punctuation, Rests and Breathing
in England
1770-1850 ,
Performance Practice Review,
7,
pp.
199-232. 367
20
John Potter
(2006),
Beggar at the Door: The Rise and Fall of Portamento in
Singing , Music
&
Letters,
87,
pp.
523-50. 401
21
Clive
Brown
(1988),
Bowing Styles, Vibrato and Portamento in
Nineteenth-Century Violin Playing , Journal of the Royal Musical Association,
113,
pp.
97-128. 429
22
Mark Katz
(2006),
Portamento and the Phonograph Effect , Journal of
Musicological Research,
25,
pp.
211-32. 461
Series Bibliography
483
Name Index
487
|
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| era_facet | Geschichte 1750-1900 |
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| isbn | 9780754628590 |
| language | English |
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| spelling | Classical and romantic music ed. by David Milsom Farnham [u.a.] Ashgate Publ. 2011 XXXII, 495 S. Ill., graph. Darst., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Library of essays on music performance practice 4 Aufsatzsammlung Geschichte 1750-1900 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Musikalische Aufführungspraxis (DE-588)4170800-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Musikalische Aufführungspraxis (DE-588)4170800-3 s Komposition Musik (DE-588)4133320-2 s Geschichte 1750-1900 z DE-604 Milsom, David Sonstige oth Library of essays on music performance practice 4 (DE-604)BV039666535 4 Digitalisierung BSB Muenchen 4 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024186448&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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