Deleuze and cinema: the film concepts
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Berg
2011
|
| Ausgabe: | Engl. ed., 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | "Gilles Deleuze published two radical books on film: Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Engaging with a wide range of film styles, histories and theories, Deleuze's writings treat film as a new form of philosophy. This ciné-philosophy offers a startling new way of understanding the complexities of the moving image, its technical concerns and constraints as well as its psychological and political outcomes. Deleuze and Cinema presents a step-by-step guide to the key concepts behind Deleuze's revolutionary theory of the cinema. Exploring ideas through key directors and genres, Deleuze's method is illustrated with examples drawn from American, British, continental European, Russian and Asian cinema. Deleuze and Cinema provides the first introductory guide to Deleuze's radical methodology for screen analysis. It will be invaluable for students and teachers of film theory, film history and film forms"-- Provided by publisher. Includes bibliographical references and index |
| Beschreibung: | VI, 280 S. Ill. |
| ISBN: | 9781847880376 9781847880536 |
Internformat
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| 500 | |a "Gilles Deleuze published two radical books on film: Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Engaging with a wide range of film styles, histories and theories, Deleuze's writings treat film as a new form of philosophy. This ciné-philosophy offers a startling new way of understanding the complexities of the moving image, its technical concerns and constraints as well as its psychological and political outcomes. Deleuze and Cinema presents a step-by-step guide to the key concepts behind Deleuze's revolutionary theory of the cinema. Exploring ideas through key directors and genres, Deleuze's method is illustrated with examples drawn from American, British, continental European, Russian and Asian cinema. Deleuze and Cinema provides the first introductory guide to Deleuze's radical methodology for screen analysis. It will be invaluable for students and teachers of film theory, film history and film forms"-- Provided by publisher. | ||
| 500 | |a Includes bibliographical references and index | ||
| 600 | 1 | 4 | |a Deleuze, Gilles |d 1925-1995 |x Criticism and interpretation |
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| 650 | 4 | |a Film | |
| 650 | 4 | |a Philosophie | |
| 650 | 4 | |a Ästhetik | |
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| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / General |2 bisacsh | |
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Datensatz im Suchindex
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|---|---|
| adam_text | DELEUZE AND CINEMA
/ COLMAN, FELICITY
: 2011
TABLE OF CONTENTS / INHALTSVERZEICHNIS
INTRODUCTION : DELEUZE S CINEMATOGRAPHIC CONSCIOUSNESS
CINE-SYSTEM
MOVEMENT : THE MOVEMENT-IMAGE
FRAME, SHOT AND CUT
MONTAGE
PERCEPTION
AFFECT
ACTION
TRANSSEMIOTICS
SIGNS (VECTOR)
TIME
POLITICS
TOPOLOGY
THOUGHT
CONCLUSION : CINEMATOGRAPHIC ETHICS.
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| any_adam_object | 1 |
| author | Colman, Felicity |
| author_facet | Colman, Felicity |
| author_role | aut |
| author_sort | Colman, Felicity |
| author_variant | f c fc |
| building | Verbundindex |
| bvnumber | BV039167165 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995 |
| callnumber-search | PN1995 |
| callnumber-sort | PN 41995 |
| callnumber-subject | PN - General Literature |
| classification_rvk | CI 5599 |
| ctrlnum | (OCoLC)745533046 (DE-599)BVBBV039167165 |
| dewey-full | 791.4301 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4301 |
| dewey-search | 791.4301 |
| dewey-sort | 3791.4301 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Philosophie |
| edition | Engl. ed., 1. publ. |
| format | Book |
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| isbn | 9781847880376 9781847880536 |
| language | English |
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| spelling | Colman, Felicity Verfasser aut Deleuze and cinema the film concepts Felicity Colman Engl. ed., 1. publ. Oxford Berg 2011 VI, 280 S. Ill. txt rdacontent n rdamedia nc rdacarrier "Gilles Deleuze published two radical books on film: Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Engaging with a wide range of film styles, histories and theories, Deleuze's writings treat film as a new form of philosophy. This ciné-philosophy offers a startling new way of understanding the complexities of the moving image, its technical concerns and constraints as well as its psychological and political outcomes. Deleuze and Cinema presents a step-by-step guide to the key concepts behind Deleuze's revolutionary theory of the cinema. Exploring ideas through key directors and genres, Deleuze's method is illustrated with examples drawn from American, British, continental European, Russian and Asian cinema. Deleuze and Cinema provides the first introductory guide to Deleuze's radical methodology for screen analysis. It will be invaluable for students and teachers of film theory, film history and film forms"-- Provided by publisher. Includes bibliographical references and index Deleuze, Gilles 1925-1995 Criticism and interpretation Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd rswk-swf Film Philosophie Ästhetik Motion pictures Philosophy PERFORMING ARTS / Film & Video / History & Criticism bisacsh PERFORMING ARTS / Film & Video / General bisacsh PHILOSOPHY / Aesthetics bisacsh Film (DE-588)4017102-4 gnd rswk-swf Deleuze, Gilles 1925-1995 (DE-588)118524534 p Film (DE-588)4017102-4 s DE-604 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024184492&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Colman, Felicity Deleuze and cinema the film concepts Deleuze, Gilles 1925-1995 Criticism and interpretation Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd Film Philosophie Ästhetik Motion pictures Philosophy PERFORMING ARTS / Film & Video / History & Criticism bisacsh PERFORMING ARTS / Film & Video / General bisacsh PHILOSOPHY / Aesthetics bisacsh Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)118524534 (DE-588)4017102-4 |
| title | Deleuze and cinema the film concepts |
| title_auth | Deleuze and cinema the film concepts |
| title_exact_search | Deleuze and cinema the film concepts |
| title_full | Deleuze and cinema the film concepts Felicity Colman |
| title_fullStr | Deleuze and cinema the film concepts Felicity Colman |
| title_full_unstemmed | Deleuze and cinema the film concepts Felicity Colman |
| title_short | Deleuze and cinema |
| title_sort | deleuze and cinema the film concepts |
| title_sub | the film concepts |
| topic | Deleuze, Gilles 1925-1995 Criticism and interpretation Deleuze, Gilles 1925-1995 (DE-588)118524534 gnd Film Philosophie Ästhetik Motion pictures Philosophy PERFORMING ARTS / Film & Video / History & Criticism bisacsh PERFORMING ARTS / Film & Video / General bisacsh PHILOSOPHY / Aesthetics bisacsh Film (DE-588)4017102-4 gnd |
| topic_facet | Deleuze, Gilles 1925-1995 Criticism and interpretation Deleuze, Gilles 1925-1995 Film Philosophie Ästhetik Motion pictures Philosophy PERFORMING ARTS / Film & Video / History & Criticism PERFORMING ARTS / Film & Video / General PHILOSOPHY / Aesthetics |
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