Onprint: from the screen to paper and vice versa
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Barcelona
Index Book
2011
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Erscheint: 01. Juni 2010 |
| Beschreibung: | 251 S. zahlr. Ill. 24 cm 3 Folien |
| ISBN: | 9788492643295 8492643293 |
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Datensatz im Suchindex
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| adam_text | IMAGE 1
INDEX
1.1. INTRODUCTION: PRINTING YESTERDAY AND TODAY 10
1.1. FROM THE SCREEN TO PAPER AND VICE VERSA 12
1.1.1. CHAPTERS OF THIS BOOK 13
1.2. A BRIEF HISTORY OF PRINT MEDIA 14
1.2.1. THE FIRST MEDIA: PAINTING AND CALLIGRAPHY 14
1.2.2. CHINESE WOODBLOCK PRINTING 14
1.2.3. ENGRAVING IN EUROPE 15
1.2.4. GUTENBERG AND THE PRINTING PRESS 16
1.2.5. LITHOGRAPHY AND PHOTOENGRAVING 16
1.2.6. ADVANCES IN LETTERPRESS PRINTING: LINOTYPE AND MONOTYPE 18
1.2.7. FROM GRAPHIC ARTS TO GRAPHIC INDUSTRIES 19
1.2.8. PHOTOTYPESETTING AND THE OFFSET PRINTING BOOM 20
1.2.9. THE DEVELOPMENT OF COMPUTERS AND DIGITAL TECHNOLOGY 21
1.3. CURRENT SITUATION 24
1.3.1. TECHNOLOGY AND PROCESS 24
1.3.2. STANDARDISATION 24
1.3.3. ENVIRONMENTAL CONCERNS 25
1.3.4. NEW MEDIA 26
1.4. SUMMARY DIAGRAM 1:THE HISTORY OF PRINTING 28
2. THE GRAPHIC PRODUCTION PROCESS 30
2.1. FROM PLAN TO PRODUCT 32
2.2. PHASES, TASKS AND PROFESSIONALS 34
2.2.1. THE GRAPHIC DESIGNER 37
2.2.2. THE PREPRESS TECHNICIAN 37
2.3. INTERACTION AND COMMUNICATION FLOW 38
2.4. BUDGET CONSIDERATIONS 42
2.4.1. EXAMPLE OF A BUDGET REGUESTFORM 45
2.5.TOOLS: THE COMPUTER AND ITS DEVICES 46
2.5.1. COMPUTERS 46
2.5.2. SOFTWARE 46
2.5.3. HARDWARE 48
2.5.4. COMPUTER SPEED 50
2.5.5. PERIPHERAL INPUT DEVICES 50
2.5.6. OUTPUT DEVICES 52
2.5.7. STORAGE DEVICES 54
2.6. WORKFLOW 56
2.6.1. JOB DEFINITION FORMAT (JDF) 57
2.7. SUMMARY DIAGRAM 2: THE GRAPHIC PRODUCTION 58
0PREPRESS 60
FLIABOUT PREPRESS 62
3.2.THE WORKING ENVIRONMENT 64
3.2.1. CALIBRATION OF THE MONITOR 64
3.2.2. AMBIENT LIGHT 64
3.2.3. GRAPHIC DESIGN APPLICATIONS 65
3.3. WORD PROCESSING 68
3.3.1. EDITING AND PROOFREADING 68
3.3.1.1. EDITING AND PROOFREADING MARKS 69
IMAGE 2
3.3.2. TYPOGRAPHY 70
3.3.2.1. ANATOMY OF TYPE 70
3.3.2.2. CHARACTERISTICS OF CHARACTERS AND PARAGRAPHS 71
3.3.3. DIGITAL FONTS 74
3.3.3.1. TYPE 1 POSTSCRIPT 74
3.3.3.2. TRUETYPE 74
3.3.3.3. OPENTYPE 74
3.3.3.4. FONT MANAGEMENT 75
^ PI MAGES 76
3.4.1. DESCRIPTION OF DIGITAL IMAGES 76
3.4.1.1. VECTOR GRAPHICS 77
3.4.1.2. BITMAP IMAGES 77
3.4.2. RESOLUTION 78
3.4.2.1. OPTIMAL RESOLUTION 79
3.4.2.2. REPRODUCTION RATIO 80
3.4.2.3. IMAGE SCANNING 82
3.4.2.4. RESAMPLING AND INTERPOLATION 83
3.4.3. COLOUR DEPTH (BITMAPS) 86
3.4.4. DIGITAL IMAGE FORMATS 90
3.4.4.1. THE MOST COMMON FORMATS 90
3.4.5. THE SIZE OF THE DIGITAL IMAGE FILE 92
3.4.6. COPYRIGHT OF IMAGES 92
3.5. COLOUR THEORY 94
3.5.1. PERCEPTION OF COLOUR 94
3.5.2. COLOUR MEASUREMENT 96
3.5.2.1. COLOUR MEASUREMENT INSTRUMENTS 96
3.5.3. COLOUR MIXING 97
3.5.4. COLOUR MODELS 98
3.5.4.1. RGB MODEL (RED, GREEN, BLUE) 98
3.5.4.2. CMYK MODEL (CYAN, MAGENTA, YELLOW, BLACK/KEY) 98
3.5.4.3. HSV MODEL (HUE, SATURATION, VALUE) 98
3.5.4.4. CIE MODELS 99
J^COLOURORTONE IN PRINTING 100
3.6.1. SCREENING 100
3.6.1 .1 . CONVENTIONAL, PERIODIC OR AMPLITUDE MODULATION (AM) SCREENING
100 3.6.1.2. STOCHASTIC, OR FREQUENCY MODULATION (FM), SCREENING 102
3.6.1.3. HYBRID SCREENING 102
3.6.2. TONAL REPRODUCTION 102
3.6.2.1. TOTAL INK LIMIT 102
3.6.2.2. DOT GAIN 103
3.6.2.3. PRINTABLE PERCENTAGES 103
3.6.3. SEPARATIONS 103
3.6.4. FOUR-COLOUR OR CMYK PRINTING 104
3.6.5. SIX-COLOUR PRINTING 105
3.6.6. SPOT COLOUR, DIRECT COLOUR OR FLAT INK 105
3.6.7. COLOUR MANAGEMENT 107
3.6.7.1. COLOUR STANDARDISATION 107
3.6.7.2. ICC PROFILES 108
3.6.7.3. PROFILE CONVERSIONS AND ASSIGNMENTS 108
3.6.7.4. COLOUR MANAGEMENT IN THE WORKFLOW 110
IMAGE 3
P REGISTRATION
3.7.1. OVERPRINT
3.7.2. TRAPPING
3.7.3. BLEEDS AND SAFETY MARGINS
(REVISION AND EXPORT TO PDF
3.8.1. PREFLIGHT
3.8.2. PDF/X
3.8.3. CERTIFIED PDFS
(IMPOSITION
3.9.1. PRINT RUN 3.9.2. PLATE IMPOSITIONS
3.9.3. BOUND IMPOSITIONS
3.9.3.1. STAPLING (NO SPINE)
3.9.3.2. PERFECT BINDING AND STITCHING (WITH A SPINE)
3.9.4. CONTROL ELEMENTS
B PROOFS
3.10.1. DESIGN PROOFS 3.10.2. PRINT PROOFS
3.10.2.1. COLOUR PROOFS
3.10.2.2. LOW-QUALITY PROOFS
3.10.2.3. MACHINE PROOFS
B MAKING THE PRINTING FORM
B SUMMARY DIAGRAM 3: THE PREPRESS PROCESS
NTING SYSTEMS AND MEDIA
(PRINTING
(SUBSTRATES
4.2.1. PAPER
4.2.1.1. A LITTLE HISTORY
4.2.1.2. PAPERMAKING
4.2.1.3. FORMAT
4.2.2. NON-PAPER MEDIA
4.2.2.1. PLASTIC
4.2.2.2. FABRIC
4.2.2.3. METAL
4.2.2.4. GLASS
4.2.2.5. OTHER CHARACTERISTICS
(PRINTING INKS
4.3.1. COMPOSITION OF AN INK
4.3.2. CHARACTERISTICS OF THE INKS
4.3.3. TYPES OF INKS
4.3.4. SPECIAL INKS
(PRINTING SYSTEMS
4.4.1. OFFSET PRINTING
4.4.2. SCREEN PRINTING
4.4.3. ROTOGRAVURE
4.4.4. FLEXOGRAPHY
4.4.5. DIGITAL LASER PRINTING / ELECTROPHOTOGRAPHY / MAGNETOGRAPHY
4.4.6. DIGITAL INKJET PLOTTERS
112 112 113 113 114 114
116 118 120 120 122 122
1 23 124
124 126 126
126 126 127 127 128 130
132 134 136 137
137 138 140 146
146 147 148 148
149
150 151 152 153
153 156 158 161 163
165 167 168
IMAGE 4
4.4.7. OTHER SYSTEMS 170
4.4.7.1. PAD PRINTING 170
4.4.7.2. LETTERPRESS PRINTING 170
4.4.7.3. ENGRAVING TECHNIQUES (CHALCOGRAPHY, WOODBLOCK PRINTING, ETC.)
170 4.4.7.4. LASER ENGRAVING 170
4.4.7.5. LENTICULAR PRINTING 171
4.4.7.6. TRANSFER 171
4.4.7.7. HYBRID PRINTING 171
^PSUMMARY DIAGRAM 4: PRESS 172
PRINT FINISHING 174
D A B O UT PRINT FINISHING 176
J^FINISHES WITH EFFECTS 178
5.2.1. VARNISH 178
5.2.1.1. PRINTVARNISH 178
5.2.1.2. UV VARNISH 178
5.2.2. LAMINATION 179
5.2.2.1. LAMINATING FILM 179
5.2.2.2. LAMINATING POUCHES 179
5.2.3. RELIEF EFFECTS 179
5.2.3.1. BLIND EMBOSSING 180
5.2.3.2. THERMOGRAPHY 180
5.2.4. FOIL STAMPING 181
5.2.5. PASTING 181
^ F O L D I NG 182
5.3.1. THE MOST COMMON TYPES OF FOLD 182
5.3.2. FOLDING MACHINES 183
5.3.3. FOLD-OUT PRODUCTS 184
5.3.4. ALIGNMENT 185
5.3.5. CREEP 186
5.3.6. SCORING 186
JPCUTTING 188
5.4.1. GUILLOTINE CUTTER 188
5.4.2. DIE-CUTTING 189
5.4.3. PERFORATION 190
5.4.4. DRILLING 191
5.4.5. INCISIONS 191
O| BIND ING 192
5.5.1. BEFORE BINDING 193
5.5.1.1. FOLDING 193
5.5.1.2. NESTING AND COLLATION 193
5.5.2. FASTENING LOOSE PAGES 194
5.5.2.1. WIRE, SPIRAL AND COMB BINDING 194
5.5.2.2. GLUING OR USING ADHESIVE TAPE 194
5.5.2.3. SIDE STAPLING 194
5.5.3. STAPLING THROUGH THE SPINE OR SADDLE-STITCHING 195
5.5.4. PERFECT BINDING 195
5.5.5. SEWN PAPERBACK BINDING 196
5.5.6. SEWN HARDBACK BINDING 196
5.5.7. MANUAL BINDING 197
IMAGE 5
5.6. FINAL OPERATIONS 198
5.6.1. ASSEMBLY 198
5.6.2. SEALING, WRAPPING AND ENVELOPING 198
5.6.3. ON-SITE SET-UP 198
5.6.4. PACKAGING 199
5.6.5. DISTRIBUTION AND DELIVERY 199
5.7. SUMMARY DIAGRAM 5: PRINT FINISHING 200
^OUTSOURCING AND QUALITY CONTROL 202
6.1. QUOTE, FILE SENDING AND THE NECESSARY QUALITY 204
6.2. POSSIBLE PROBLEMS 206
6.2.1. PREPRESS 206
6.2.2. PRINTING 207
6.2.3. FINISHING 208
6.3. CHOOSING THE RIGHT PRINT SHOP 210
6.3.1. CERTIFIED PRINT SHOPS 210
6.3.1.1. STANDARDS FOLLOWED BY SOME PRINT SHOPS 211
6.3.1.2. ISO 9001/ISO 14001/ISO 12647 211
6.3.2. UNCERTIFIED PRINT SHOPS 212
6.3.2.1. CUSTOMER RELATIONS AND SERVICE 213
6.3.2.2. MANAGEMENT 213
6.3.2.3. ENVIRONMENT 213
6.3.2.4. PROCESS CONTROL 213
6.3.2.5. EQUIPMENT MAINTENANCE 213
6.3.2.6. LIGHTING CONDITIONS 213
6.3.2.7. PREFLIGHT PROCESS 214
6.3.2.8. TOLERANCES 214
6.3.2.9. VARIABLE INSPECTION 214
6.3.2.10. RELIABILITY OF COLOUR PROOFS 215
6.3.2.11. VALIDATION OF PRINT FINISHING SERVICES 215
6.4. SUMMARY DIAGRAM 6: QUOTE AND QUALITY 216
7. PRINTED VS. DIGITAL PUBLICATION 218
7.1. ANOTHER FORM OF PUBLISHING 220
7.1.1. NEW FORMS OF COMMUNICATION 220
7.1.1.1. MULTIDIRECTIONAL^ 221
7.1.1.2. IMMEDIATE ACCESS TO INFORMATION 221
7.1.1.3. CHANGING THE CONCEPT OF DISTANCE: HOW FAR IS FAR? 222
7.1.1.4. SINGULARITY 222
7.1.2. CHANGING THE CONCEPT OF PUBLISHING 223
7.1.2.1. VARIABLE, CHANGEABLE 223
7.1.2.2. METAMEDIA- MULTIMEDIA 223
7.1.2.3. CHANGING THE PUBLIC MEDIA SPACE 224
7.1.3. FROM READER/VIEWER TO USER 225
7.1.3.1. CUSTOMISATION 225
7.1.3.2. DILUTED PRIVACY 226
7.1.3.3. MULTITASKING 227
7.1.3.4. CONNECTIVITY 227
IMAGE 6
7.2. PUBLISHING FOR USERS 228
7.2.1. USER-CENTRED AND USABILITY-CENTRED DESIGN 229
7.2.2. ACCESSIBILITY 229
7.2.3. INTERACTIVITY 230
7.2.4. USER INTERFACE 232
7.3. ENABLING DIGITAL AND PRINT PUBLISHING TO COEXIST 234
7.3.1. PRINT PUBLICATION 234
7.3.1.1. PRINTED OBJECTS 235
7.3.1.2. PRINT-ON-DEMAND AND WEB-TO-PRINT 236
7.3.1.3. LARGE-FORMAT PRINTING 237
7.3.1.4. BOOK OBJECT 237
7.3.1.5. PACKAGING 238
7.3.1.6. PRINTED ELECTRONICS 238
7.3.2. DIGITAL PUBLISHING 239
7.3.2.1. CROSS-MEDIA APPLICATIONS 239
7.3.2.2. WEBSITES, FORUMS AND SOCIAL NETWORKS 239
7.3.2.3. BLOGS 240
7.3.2.4. E-BOOKS 240
7.3.2.5. INTERACTIVE PUBLISHING 240
7.4. WHAT IF I M A GRAPHIC DESIGNER? 242
7.5. SUMMARY DIAGRAM 7: PRINTED VS. DIGITAL PUBLICATION 244
BIBLIOGRAPHY 246
BOOKS 248
OTHER SOURCES 250
9. ACKNOWLEDGEMENTS 252
|
| any_adam_object | 1 |
| author | Blasco Soplon, Laia |
| author_facet | Blasco Soplon, Laia |
| author_role | aut |
| author_sort | Blasco Soplon, Laia |
| author_variant | s l b sl slb |
| building | Verbundindex |
| bvnumber | BV039163375 |
| classification_rvk | AN 28000 |
| ctrlnum | (OCoLC)745531206 (DE-599)BSZ347453201 |
| dewey-full | 686.2 |
| dewey-hundreds | 600 - Technology (Applied sciences) |
| dewey-ones | 686 - Printing and related activities |
| dewey-raw | 686.2 |
| dewey-search | 686.2 |
| dewey-sort | 3686.2 |
| dewey-tens | 680 - Manufacture of products for specific uses |
| discipline | Allgemeines Handwerk und Gewerbe / Verschiedene Technologien |
| format | Book |
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| id | DE-604.BV039163375 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:00:23Z |
| institution | BVB |
| isbn | 9788492643295 8492643293 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024180809 |
| oclc_num | 745531206 |
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| owner_facet | DE-1051 DE-M347 |
| physical | 251 S. zahlr. Ill. 24 cm 3 Folien |
| publishDate | 2011 |
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| publishDateSort | 2011 |
| publisher | Index Book |
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| spelling | Blasco Soplon, Laia Verfasser aut Onprint from the screen to paper and vice versa Laia Blasco Soplon Barcelona Index Book 2011 251 S. zahlr. Ill. 24 cm 3 Folien txt rdacontent n rdamedia nc rdacarrier Erscheint: 01. Juni 2010 Datenverarbeitung Grafik (DE-588)4021845-4 gnd rswk-swf Drucktechnik (DE-588)4124801-6 gnd rswk-swf Digitalisierung (DE-588)4123065-6 gnd rswk-swf Printing Printing / Data processing Graphic arts Desktop publishing Grafik (DE-588)4021845-4 s Drucktechnik (DE-588)4124801-6 s Digitalisierung (DE-588)4123065-6 s DE-604 SWB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024180809&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Blasco Soplon, Laia Onprint from the screen to paper and vice versa Datenverarbeitung Grafik (DE-588)4021845-4 gnd Drucktechnik (DE-588)4124801-6 gnd Digitalisierung (DE-588)4123065-6 gnd |
| subject_GND | (DE-588)4021845-4 (DE-588)4124801-6 (DE-588)4123065-6 |
| title | Onprint from the screen to paper and vice versa |
| title_auth | Onprint from the screen to paper and vice versa |
| title_exact_search | Onprint from the screen to paper and vice versa |
| title_full | Onprint from the screen to paper and vice versa Laia Blasco Soplon |
| title_fullStr | Onprint from the screen to paper and vice versa Laia Blasco Soplon |
| title_full_unstemmed | Onprint from the screen to paper and vice versa Laia Blasco Soplon |
| title_short | Onprint |
| title_sort | onprint from the screen to paper and vice versa |
| title_sub | from the screen to paper and vice versa |
| topic | Datenverarbeitung Grafik (DE-588)4021845-4 gnd Drucktechnik (DE-588)4124801-6 gnd Digitalisierung (DE-588)4123065-6 gnd |
| topic_facet | Datenverarbeitung Grafik Drucktechnik Digitalisierung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024180809&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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