Drum studies: concepts, reading, phrasing, and technique
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Boston
Berklee Press
2011
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VI, 102 S. überw. Notenbeisp. |
Internformat
MARC
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| 100 | 1 | |a Vose, Dave |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Drum studies |b concepts, reading, phrasing, and technique |c Dave Vose ; ed. by Jonathan Feist |
| 264 | 1 | |a Boston |b Berklee Press |c 2011 | |
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Datensatz im Suchindex
| _version_ | 1804148000200589312 |
|---|---|
| adam_text | CONTENTS
ACKNOWLEDGMENTS
INTRODUCTION
CHAPTER
1
Set the Tone
Intermediate level rhythms, including four sixteenth-
note groupings in
4/4
with dynamics. Also, the accent.
CHAPTER
2
Dedication
Introducing eighth and two sixteenth-note patterns.
Also, the crescendo and
decrescendo.
CHAPTER
3
Three Times Is a Charm
3/4
time signature and the two sixteenths and eighth.
Also, stickings.
CHAPTER
4
Two for the Price of One
2/4
meter and unresolved four sixteenth-note grouping
CHAPTER
5
Transitions Count
The sixteenth-eighth-sixteenth syncopated pattern and the
sixteenth rest followed by three sixteenth-notes pattern.
Also, a pickup note.
CHAPTER
6
High and Low
Notating
the bass drum part in
4/4
and
3/4
CHAPTER
7
Come on Down
2/4
time signature with flams and accents
CHAPTER
8
Roll with It
Triplets and the double-stroke roll
CHAPTER
9
Another Thought
The
6/8
and
12/8
time signatures. Also, variation of phrase
lengths and flams and orchestral buzz rolls.
CHAPTER
10
Express It!
Diminution, phrasing over the bar line, and stickings
CHAPTER
11
Brush It Up!
Brush technique
CHAPTER
12
Real World Experience
Syncopated rhythms with the bass drum notated
VI
1
2
8
10
12
14
16
18
20
22
24
CHAPTER
13
CHAPTER
14
CHAPTERS
CHAPTER
16
CHAPTER
17
CHAPTER
18
CHAPTERS
CHAPTER
20
CHAPTER
21
CHAPTER
22
CHAPTER
23
CHAPTER
24
CHAPTER
25
CHAPTER
26
CHAPTER
27
CHAPTER
28
CHAPTER
29
CHAPTER
30
CHAPTER
31
CHAPTER
32
Connecting the Dots 26
Striking the rim. Further exploration of sixteenth rhythms.
A Walk in the Park
28
Changing tempos, mixed rhythms, with the bass drum and
hi-hat notated
Logical Illusions
30
12/8
and
9/8
with syncopation and accelerando
Double It Up
32
Double time, stickings, and a quick tempo
Connect to It
34
Mixed subdivisions and long buzz rolls
Four on the Floor
36
Notation for the floor torn. Varied meters and muffling.
Movin It
38
Fast tempo
P.T.C.: Play the Composition
40
2/2
and
3/2
time signatures
Dig Deeper
42
Four over three, swing interpretation, and striking the rim
Bridge the Gap
44
Mixed subdivision and various sixteenth syncopated patterns
Exploring the Region
46
Reading to recognize striking zones
Environment of the Drum
48
Dynamics and syncopated sixteenths
Drumscape
50
Various sixteenth-note patterns and notation with the bass drum
Once Upon a Rhythm
52
Extensive sixteenth syncopated patterns with embellishments
Scatter
54
Changing meters. Hi-hat and bass drum parts.
All Notes Count
56
Mixed meters with technical challenges
It s My Inspiration
58
Many split up rhythms, including with the bass drum
Articulate It!
60
Extensive sixteenth-note syncopation with embellishments,
and also
a ritardando
Syncopation Mania
62
Numerous sixteenth-note syncopations with embellishments
My Old Friend
Rudi
64
Rudimental
drumming the traditional way
CHAPTER
33
Another Opportunity to Drum
66
32nd notes and
rudimental
stickings
CHAPTER
34
Hold On a Minute
68
Slow tempos with a tempo change
CHAPTER
35
It s the Thought That Counts
70
Mixing the thought process: reading, improvisation,
and interpretation
CHAPTER
36
Pinpoint It
72
Sporadic rhythms with bass drum and hi-hat notated
CHAPTER
37
So Much More to Do
74
Rudimental
phrasing in
2/4
and
12/8
CHAPTER
38
On the Stage
76
Mixed rhythms and flowing patterns
CHAPTER
39
Hit the Spot
78
The snare drum and bass drum working together
CHAPTER
40
Focus!
80
Odd groupings, paradiddles, and extended phrases
CHAPTER
41
Not So Random
82
A quick
12/8
with quadruplets
CHAPTER
42
Cracker Jacks and Daffodils
84
Changing meters and varied rhythms in
3/4, 4/4,
and
12/8
CHAPTER
43
A Great Time for All
86
Snare drum, hi-hats, and the bass drum: a collaboration
CHAPTER
44
Make It Groove
88
Syncopated rhythms with changing time signatures
CHAPTER
45
Emotional Connection
90
Moving pulsations with an emphasis on the
5/8
time signature
CHAPTER
46
A Different Angle
92
Numerous meter changes
CHAPTER
47
Drumming Is Bliss
94
Tempo modulations
CHAPTER
48
Provide the Elements
96
Meter changes
CHAPTER
49
Abrupt at Any Moment
98
Mood changes through dynamics and rhythm
CHAPTER
50 7-9
Pump
100
Playing off the hi-hat with an emphasis on
7/8
and
9/8.
The bass drum is included.
ABOUT THE AUTHOR
102
|
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