Genezis i adekvatnostni charakteristiki na dirigentskija žest:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Bulgarian |
| Veröffentlicht: |
Sofija
"Mars 09"
2010
|
| Ausgabe: | 1. izd. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | In kyrill. Schr., bulg. - Zsfassung in dt. und engl. Sprache |
| Beschreibung: | 255 S. zahlr. Notenbeisp. |
| ISBN: | 9789542925019 |
Internformat
MARC
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|---|---|---|---|
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| 003 | DE-604 | ||
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| 007 | t | ||
| 008 | 110722s2010 gl|| |||| 00||| bul d | ||
| 020 | |a 9789542925019 |9 978-954-2925-01-9 | ||
| 035 | |a (OCoLC)745519558 | ||
| 035 | |a (DE-599)BVBBV039153913 | ||
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| 041 | 0 | |a bul | |
| 049 | |a DE-12 | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Bakalov, Ivan |d 1928- |e Verfasser |0 (DE-588)1013764668 |4 aut | |
| 245 | 1 | 0 | |a Genezis i adekvatnostni charakteristiki na dirigentskija žest |c Ivan Bakalov |
| 250 | |a 1. izd. | ||
| 264 | 1 | |a Sofija |b "Mars 09" |c 2010 | |
| 300 | |a 255 S. |b zahlr. Notenbeisp. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a In kyrill. Schr., bulg. - Zsfassung in dt. und engl. Sprache | ||
| 650 | 0 | 7 | |a Gestik |0 (DE-588)4157167-8 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Dirigieren |0 (DE-588)4012435-6 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Dirigieren |0 (DE-588)4012435-6 |D s |
| 689 | 0 | 1 | |a Gestik |0 (DE-588)4157167-8 |D s |
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| 856 | 4 | 2 | |m Digitalisierung BSB Muenchen 2 |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024171620&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Abstract |
| 940 | 1 | |n oe | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-024171620 | ||
Datensatz im Suchindex
| _version_ | 1804147999060787200 |
|---|---|
| adam_text | СЪДЪРЖАНИЕ
Curriculum
vitae
..................................................................................5
Отзив
за труда на проф. Иван
Бакалов
„Генезис
и адекватностни характеристики на
диригентския
жест
.....7
Вместо
предговор
.............................................................................13
ГЛАВА
I
ТЕМПОВА АДЕКВАТНОСТ
Мануални
съответствия
на
темповите процеси
при
дирижирането
.............................................................................15
1.
Видове
встъпления и внушаване
на
желаното темпо
Начално темпо
............................................................................. 17
Поддържане на основно темпо
.................................................27
2.
Темпова мутация
..........................................................................31
Внезапни темпови промени
....................................................32
Постепенни темпови преходи
................................................39
Забавяне
......................................................................................40
Забързване
..................................................................................43
Темпо
rubato
...............................................................................46
3.
Темпови проблеми при дирижиране
на речитативи
.............52
4.
Специфика на тематичната проблематика при алеаторните
разновидности
..............................................................................55
5.
Темпова матрица (Глобална темпова пулсация)
..................60
6.
Изводи
.............................................................................................66
ГЛАВА
II
ДИНАМИКО-фАКТУРНА АДЕКВАТНОСТ
Въвеждане на основна динамика
..............................................69
Силна динамика
........................................................................71
Средна динамика
......................................................................77
Тиха динамика
...........................................................................80
2.
Динамична
промяна (естествена и изкуствена)
................... 86
Внезапна динамична промяна
...............................................86
Постепенна динамична промяна
...........................................90
Лъжливо динамично разрешение
..........................................92
Акценти и видове според степен на напрежение,
реализация (естествени или изкуствени), метрико-
ритмично разположение
...........................................................94
3.
Полидинамика
............................................................................ 105
4.
Изводи
........................................................................................... 114
ГЛАВА
III
МЕТРУМ, РИТЪМ И МАНУАЛНИТЕ ИМ СЪОТВЕТСТВИЯ
ПРИ ДИРИЖИРАНЕ
1.
Метрична адекватност
.............................................................. 116
Полиметрия и
видове
............................................................. 118
Хоризонтална
полиметрия
-
принципна основа
за екзактно отмерване
............................................................ 119
1.
При стандартна бройна единица
.................................. 119
2.
При нестандартна бройна единица
.............................. 120
Безмензурни построения
(ab libitum).................................. 121
Вертикална
-
видове и анализ
............................................ 122
Метричен акцент
.................................................................... 125
2.
Ритмична адекватност
.............................................................. 126
Лежащи трайности
................................................................. 126
Едностойностни ритмични движения
................................. 127
Сродни ритмични фигури
...................................................... 129
Двучленно неравностойни ритмични фигури
............... 129
Тричленно неравностойни ритмични фигури
............... 133
Полиметрия и
нейните проблеми
....................................... 137
3.
Метрико-ритмични зависимости
............................................ 141
4.
Изводи
........................................................................................... 146
ГЛАВА
IV
ЩРИХОВА АДЕКВАТНОСТ
1.
Легатови артикулации
............................................................... 152
2.
Нелегатови артикулации
.......................................................... 160
Портото
..................................................................................... 160
Тенуто и
нон
легато
................................................................ 162
Стакато
..................................................................................... 164
3.
Щрихови комбинации
................................................................ 177
10
4.
Изводи
........................................................................................... 180
Обусловеност на
щриха
......................................................... 181
Обусловеност на жеста
.......................................................... 185
ГЛАВА
V
АГОГИКО-ЕКСПРЕСИВНА
АДЕКВАТНОСТ
Мануално
съответствие
на агогико-експресивните
процеси в музиката
........................................................................188
1.
Агогични
акценти
....................................................................... 189
2.
фраза и
дихание
.......................................................................... 191
Верижност
................................................................................ 194
Асиметрични
фрази................................................................
200
Корини и формалнапунктуация
...........................................203
Луфт пауза
................................................................................207
3.
фразиране в макроструктурата
-
архитектоника
..............211
4.
Изводи
...........................................................................................230
ГЛАВА
VI
ГЛОБАЛНИ
МУЗИКАЛНО-ПЕДАГОГИЧЕСКИ
ИЗВОДИ
1.
Темпо
.........................................................................................233
Динамика
..................................................................................234
фактура
.....................................................................................235
Метрум
......................................................................................236
Ритъм
.........................................................................................238
Щрих..........................................................................................
239
Агогика
.....................................................................................240
2.
Диаграма
на
корелацията........................................................
242
3.
За
естетиката
на жеста
.............................................................244
4.
Към
физиологията на жеста
..........:.........................................244
5.
По
някои аспекти
на
методологията.....................................
245
Заключение
......................................................................................248
Библиография
..................................................................................250
Резюме на английски
език
............................................................251
Резюме на
немски език.................................................................
253
11
The book brought to your attention is written by one of the doyens of
orchestra conducting and especially of teaching musical direction in Bulgaria,
Prof.
Dr,
Ivan Bakalov. He has dedicated more than fifty years of his life to the
advancement of the National Symphony Culture as a conductor of a string of
Bulgarian professional orchestras and as a Professor of Musical Direction at the
Pancho Vladigerov
National Academy of Music in Sofia.
His long years of creative work have resulted in a comprehensive scholarly study
dedicated to the Genesis and Adequacy Characteristics of the Conducting Gesture.
The main notion of this work is to elucidate as much as possible the sophisticated
processes accompanying the metamorphosis of the original composer s idea,
starting with the symbolism of score-writing and going to the adequate gesture
symbolism able to transform it into a full-blooded and precise sound equivalent
in the musical performance directed by the conductor.
All major elements of the musical syntax and their transformation by gesture into
sounds are analysed within the framework of six chapters, illustrated by over
140
score examples, diagrams and tables. For each musical concept (tempo, dynamics,
texture, metre, rhythm, phrasing and agogic accents) the author names a main
manual agent, as well as auxiliary gesture categories to carry it through.
A comprehensive analysis of the score examples selected from a possibly broadest
range of style and genre on a nation-wide scale shall help the reader fathom in
detail each individual example. The conclusions at the end of each chapter
dedicated to a single musical concept provide an overview of the global problem
matter. Thus structured, the work makes an attempt at making out and elucidating
the complex correlations between the musical idea, visual expression and
implementation of sound, or more precisely, to explain the genesis and actual
purpose of the manual conducting technique.
Addressing the professional conductors audience, the work has also a noble intent
of arousing the interest of enlightened music listeners, who may benefit from
getting familiar with the criteria of professional conductors so as to enhance their
requirements to them.
251
An overview of the specialised European and other international literature
dedicated to the issues of conducting has not offered any analogical multi-profile
research into the analysed problems yet.
The work also entertains a noble ambition of provoking other opinions and studies
on the subject. Undoubtedly, the International Conductors College can offer ample
information on it, as well as on many other subjects pending to be brought to the
attention of the narrow specialists and the broad audiences.
252
Das Buch, das wir Ihnen anbieten, ist das Werk eines der namhaftesten
Dirigenten und Persönlichkeiten der Kunst des Dirigierens bzw. des
Dirigentenberufes in Bulgarien, Professor Dr. Ivan Bakalov. Er widmet sich seit
über einem halben Jahrhundert der Gestaltung der Nationalen Sinfoniekultur als
Stabführer zahlreicher bulgarischer Berufsorcherster wie auch seiner Betätigung
als Professor für Dirigieren an der Nationalen Musikakademie „Pantscho
Vladigerov in Sofia.
Das Ergebnis seiner langjährigen künstlerischen Tätigkeit ist seine umfassende
wissenschaftliche Studie zum Thema Die Genesis und die Adäquatheitsmerkmale
der Dirigentengestik.
Diesem Werk liegt die Hauptidee zugrunde, die komplizierten Prozesse maximal
aufzudecken, die die Metamorphosen der primären Kompositionsidee des Autors
begleiten — angefangen bei der Symbolik der Notenzeichen bis hin zur
entsprechend angemessenen Gestiksymbolik, die imstande ist, sie zu ihrem
vollwertigen und genauen Klangäquivalent werden zu lassen, das durch die
Darbietung des vom Dirigenten geleiteten Musikensembles zustande kommt.
In 6 mit mehr als 140 Notenbeispielen, Diagrammen und Tabellen illustrierten
Kapiteln werden alle Hauptelemente der Musiksyntax und ihre Verwandlung
durch die Gestik in Musikmaterie beleuchtet und analysiert.
Beijedem
Musikmerkmal (Tempo, Dynamik, künstlerische Technik, musikalisches
Zeitmaß, Rhythmus, Strich und Agogik) wird auf seinen grundlegenden
Manualagenten sowie auf die Hilfsgestikkategorien verwiesen, die es zustande
kommen lassen.
Die ausführliche Auswertung eines jeden der Notenbeispiele, die aus der möglichst
breitesten Stil-, Genre- und Nationalpalette ausgewählt worden sind, erlaubt das
detaillierte Eindringen in jeden Sonderfall. Die Schlussfolgerungen am Ende
253
jedes Kapitels, das einem separaten Musikmerkmal gewidmet ist, geben Aufschluß
über dessen Globalproblematik.
Auf diese Weise konstruiert, wird im Buch der Versuch angestellt, die
komplizierten Korrelationen zwischen Musikidee, visueller Darbietung und
Klangverwirklichung zu deuten und zu beleuchten, d.h. die Genesis und die reelle
Bestimmung der Manualtechnik beim Dirigieren zu definieren.
Das Werk ist für die Zielgruppe der Berufsdirigenten bestimmt mit der edlen
Absicht, auch das Interesse des kundigen Musikhörers zu wecken, dem es darum
geht, die Kriterien des Dirigierkönnens kennenzulernen und dadurch seine
Anforderungen höher zu setzen..
Die Übersicht der europäischen und internationalen Fachliteratur zur Frage der
Kunst des Dirigierens bietet zumindest vorläufig keine analoge Mehrprofilstudie
zu dieser Thematik.
Das gegenwärtige Werk stellt sich den edlen Ehrgeiz andere Meinungen und
Betrachtungen zu dem darin verankerten Thema zu provozieren. Das internationale
Dirigentenkollegium verfügt zweifelsohne über reichhaltige Kenntnisse zu diesem
und anderen Themen, die für den engen Spezialisten wie auch für den breiten
Zuhörererkreis zugänglich gemach werden sollen.
254
|
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| id | DE-604.BV039153913 |
| illustrated | Illustrated |
| indexdate | 2024-07-10T00:00:09Z |
| institution | BVB |
| isbn | 9789542925019 |
| language | Bulgarian |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-024171620 |
| oclc_num | 745519558 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 255 S. zahlr. Notenbeisp. |
| publishDate | 2010 |
| publishDateSearch | 2010 |
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| publisher | "Mars 09" |
| record_format | marc |
| spelling | Bakalov, Ivan 1928- Verfasser (DE-588)1013764668 aut Genezis i adekvatnostni charakteristiki na dirigentskija žest Ivan Bakalov 1. izd. Sofija "Mars 09" 2010 255 S. zahlr. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier In kyrill. Schr., bulg. - Zsfassung in dt. und engl. Sprache Gestik (DE-588)4157167-8 gnd rswk-swf Dirigieren (DE-588)4012435-6 gnd rswk-swf Dirigieren (DE-588)4012435-6 s Gestik (DE-588)4157167-8 s DE-604 Digitalisierung BSB Muenchen 2 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024171620&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen 2 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024171620&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Bakalov, Ivan 1928- Genezis i adekvatnostni charakteristiki na dirigentskija žest Gestik (DE-588)4157167-8 gnd Dirigieren (DE-588)4012435-6 gnd |
| subject_GND | (DE-588)4157167-8 (DE-588)4012435-6 |
| title | Genezis i adekvatnostni charakteristiki na dirigentskija žest |
| title_auth | Genezis i adekvatnostni charakteristiki na dirigentskija žest |
| title_exact_search | Genezis i adekvatnostni charakteristiki na dirigentskija žest |
| title_full | Genezis i adekvatnostni charakteristiki na dirigentskija žest Ivan Bakalov |
| title_fullStr | Genezis i adekvatnostni charakteristiki na dirigentskija žest Ivan Bakalov |
| title_full_unstemmed | Genezis i adekvatnostni charakteristiki na dirigentskija žest Ivan Bakalov |
| title_short | Genezis i adekvatnostni charakteristiki na dirigentskija žest |
| title_sort | genezis i adekvatnostni charakteristiki na dirigentskija zest |
| topic | Gestik (DE-588)4157167-8 gnd Dirigieren (DE-588)4012435-6 gnd |
| topic_facet | Gestik Dirigieren |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024171620&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024171620&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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