The Post-2003 Iraqi novel: between representing identities and reconstructing the past
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
2011
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VI, 181 S. Ill. |
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Datensatz im Suchindex
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Titel: The post-2003 Iraqi novel
Autor: Mahmoud, Amel A.
Jahr: 2011
Table of Contents
Transliteration of Arabic Letters ii
Acknowledgements iii
Table of Contents iv
Chapter I: Introduction.1
1-1 Introductory Remarks.2
1-2 The Purpose of the Study.2
1-3 Criteria forNovel Selection.5
1-4 The Methodological ApproachofthePresent Study.8
1-4-1 The Critical Practice of New Historicism.8
1-4-2 New Historicism: Forming an Analytical Approach.13
1-5 State of Research.15
1-6 Brief Historical Background.24
1-6-1 Iraqunder the Ba'th Regime (1963-2003).25
1-6-2 The Kurdish National Movement in Iraq: Beginning,
Development and Collapse.30
1-7 Brief Literary Background.35
1-7-1 The Iraqi Arabic Novel: Beginning, Growth and Maturity.36
1-7-2 The Iraqi Kurdish Novel: Beginning, Growth and Maturity.41
Chapter II: Delineating Idcntities and Reshaping the Past.49
II-l The National Identity and the Inversion of the 1975 Setback in Mazra 'at al-Farashat
al-Jamila.50
II-1-1 Anwar Mustafa Barwärl: A Biographical Summary.51
11-1-2 The Plot.53
11-1-3 The Main Aspects, Divisions and Aims of the Analysis.55
11-1-4 Definitions of 'Nation' and 'National Identity'.56
II-1-5 The Other: A Building Block in the National Identity.57
II-1-5-1 The Stranger's Ordeal and the Call for MirüvTyati.58
II-1-5-2 The Ba'th's Discourse and the Politics of Difference.62
II-1-5-3 The Image of the Guerrilla Fighter through the Lenses of the Oppressor.66
II-1-6 The Vital Past: Reminiscences of a Passionate Love Affair and Recollections
of WarCrisis.66
II-1-7 Literary Devices to Invertthe Defeat in the War.69
II-1-7-1 Relying on the 'civil Imaginary' to Signal a Forthcoming Triumph.69
11-1-7-2 Soothing the Calamities of War through Dainty Natuve Images.72
II-1-8 Concluding Remarks.78
11-2 The Shl'i Identity in Zä 'iyyat al-Wajd and a New Vision of the lran-lraq War
(1980-1988).80
11-2-1 'Abd 'On al-Rawdän: A Biographical Summary.81
11-2-2 The Plot.84
11-2-3 The Main Aspects, Divisions and Aims of the Analysis.85
11-2-4 The Protagonist's ShT'T Identity through 'Äshürä' and the Story
of Jacob.86
11-2-4-1 'Äshürä' within the Protagonist's Personal Calamities.86
11-2-4-2 The Novel in an Intensive Reliance on theQuränic Süra 'Yüsuf.89
11-2-4-3 In Defense ofa Mourning Ritual: Significant ShT'T Religious and
Cultural Factors.92
11-2-4-4 Two Interlocking Cords in Weaving the Protagonist's Woe.96
II-2-5 The Discourse of the War through Sarcasm and Reiteration.97
11-2-5-1 Zealous War Expressions and the Public's Defiance.97
11-2-5-2 Martyrdom: The Quränic Notion and the Political Coinage in
Resemblance. 106
11-2-6 Concluding Remarks.112
H-3 The Patriarchal Perspective on the Female Identity and the Revival of the Islamic
Heritage in Sifr al-Sarmadiyya .114
11-3-1 'Abdalkhäliq al-Rikäb! : A Biographical Summary.115
11-3-2 The Structure and Division of the Novel.117
11-3-3 The Plot.119
II-3-4 The Main Aspects, Divisions and Aims of the Analysis.122
II-3-5 Asserting a Patriarchal Society and Acutely Undermining It.122
II-3-5-1 Delineating Male Dominance through Narrative Devices.123
II-3-5-2 The Image of Woman: Gender Differences and Physical Disparity.128
11-3-5-3 The Presence of the Novel in the Social World: Retaliating against
the Discourse of Virginity and Honour.131
11-3-6 The Revival ofal-Turäth and the Sufi Tradition in Sifr al-Sarmadiyya.132
II-3-6-1 Sufi Notions in the Novel: Time Extensions and the Denial
of the Seif.133
11-3-6-2 The Cultural Heritage of Islam: Innovations in Art and the
Regime's Poiicy in Coordination.135
11-3-6-3 Sifr al-Sarmadiyya: Mediating Tendencies to Resurrect the
Cultural Heritage of Islam.139
II-3-7 Concluding Remarks.140
II-4 The Religious Female Identity and the Reconstruction of Wars in
Nubü'at Fir'uwn.141
II-4-1 Maysalün Hädi: A Biographical Summary.142
11-4-2 The Plot.144
11-4-3 The Main Aspects, Divisions and Aims of the Analysis.146
H-4-4 The Approach of the War and a Fervent Quest for Protection.147
11-4-5 The Veil: Conforming to Conservative Social Demands.150
II-4-6 The Ceremony of Zakariyyä: A Profound Faith in Its Miraculous
Outcomes.152
II-4-7 The Rhetoric of Islam: War Propaganda Gimmick.155
H-4-7-1 The Elephants' Riders: A Religious Expression as a Metaphor.155
II-4-7-2 The War through Visions offne Doomsday.157
II-4-8 The Story of Moses, Children Tales and Folkloric Fables to Communicate a Political
Message.161
II-4-9 Concluding Remarks.164
III Conclusion.165
Bibliography.170
Primary Sources.170
Secondary Sources.170
Electronic Sources.177 |
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| title | The Post-2003 Iraqi novel between representing identities and reconstructing the past |
| title_auth | The Post-2003 Iraqi novel between representing identities and reconstructing the past |
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| title_full | The Post-2003 Iraqi novel between representing identities and reconstructing the past vorgelegt von Amel A. Mahmoud |
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