Romanticism and the gothic: genre, reception, and canon formation

"Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recog...

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Bibliographische Detailangaben
1. Verfasser: Gamer, Michael 1964- (VerfasserIn)
Format: Elektronisch E-Book
Sprache:English
Veröffentlicht: Cambridge [u.a.] Cambridge Univ. Press 2000
Ausgabe:1. publ.
Schriftenreihe:Cambridge studies in romanticism 40
Schlagworte:
Online-Zugang:DE-12
DE-473
DE-20
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Zusammenfassung:"Michael Gamer offers a sharply focused analysis of how and why romantic writers drew on gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of gothic writing, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of romanticism as an ideology. In doing so he examines the early history of the romantic movement and its assumptions about literary value, and the politics of reading, writing, and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing, and audience on its formation."--BOOK JACKET.
Beschreibung:1 Online-Ressource (XIII, 255 S.)
ISBN:0521773288
9780511484216
9780521026932
9780521773287
DOI:10.1017/CBO9780511484216

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