Multimodal film analysis: how films mean
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY [u.a.]
Routledge
2012
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Routledge studies in multimodality
5 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Literaturverz. S. 301 - 318 |
| Beschreibung: | VIII, 330 S. Ill., graph. Darst. |
| ISBN: | 9780415883511 0415883512 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Multimodal Film Analysis
How Films Mean
John A Bateman and
Karl-Heinrich Schmidt
Routledge
Taylor amp; Francis Group
NEW YORK LONDON
Contents
1 Analysing film 1
1 1 Distinguishing the filmic contribution to meaning 4
1 2 Examples of filmic textual organisation 7
1 3 Redrawing boundaries 20
1 4 Organisation of the book 25
2 Semiotics and documents 27
2 1 Semiotics and its relations to film 28
2 2 The nature of discourse semantics 41
2 3 The film as cinematographic document 48
24A combined view: filmic documents for filmic discourse 58
2 5 Summary and Conclusions 72
3 Constructing the semiotic mode of film 75
3 1 Semiotic multimodality 77
3 2 The internal organisation of semiotic strata 82
3 3 Composing and combining semiotic modes 90
3 4 Materiality and epistemological commitment 93
3 5 Summary and Conclusions 97
4 Christian Metz and the grande syntagmatique of the image track 99
4 1 The original model 100
4 2 Two examples of analysis with the grande syntagmatique 109
4 3 Revisions and rebuttals 115
4 4 Summary and Conclusions 127
5 Foundations for analysis: filmic units 129
5 1 The basic units of film: preliminaries 130
5 2 Audiovisual iconic representations 137
5 3 Perception, perceptual realism and reliable measurement 144
5 4 Multiplicity: from perception to discourse 149
5 5 Filmic units revisited: discourse-motivated definitions 154
5 6 Summary and Conclusions 161
6 The paradigmatic organisation of film 165
6 1 Beyond Metz: towards a grande paradigmatique 165
6 2 Capturing discourse dependency structures in film 170
6 3 The paradigmatic dimensions of PROJECTION, TAXIS and
PLANE 176
6 4 Two examples of paradigmatic analysis 182
6 5 Summary and Conclusions 194
vii
viii Contents
7 The syntagmatic organisation of film 197
7 1 Basic properties of the cinematographic document 198
7 2 Monochronicity 202
7 3 Monospatial monochronicity 205
7 4 Narrative hierarchalisation 213
7 5 Alternating dramaturgy and the alternating syntagma 222
7 6 Beyond narration 237
7 7 Summary and Conclusions 243
8 Combining syntagmatic and paradigmatic analysis: a detailed
example 245
8 1 Setting up the story 249
8 2 The message 256
8 3 Catching sight of the money 260
8 4 Casing the joint 266
8 5 Grace alone 269
8 6 Spying on Grace 271
8 7 Grace calls for help 273
8 8 Summary and Conclusions 281
9 Conclusions and outlook 287
9 1 Towards empirical investigations of theories of film 288
9 2 Textual logic for multimodal documents 290
A Formal definitions used in the book 295
Filmography 299
Bibliography 301
Index of Works Cited 319
Subject and Name Index 324
|
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| dewey-ones | 791 - Public performances |
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| dewey-tens | 790 - Recreational and performing arts |
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| illustrated | Illustrated |
| indexdate | 2024-07-09T23:59:40Z |
| institution | BVB |
| isbn | 9780415883511 0415883512 |
| language | English |
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| physical | VIII, 330 S. Ill., graph. Darst. |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Routledge |
| record_format | marc |
| series | Routledge studies in multimodality |
| series2 | Routledge studies in multimodality |
| spelling | Bateman, John A. 1957- Verfasser (DE-588)1020027002 aut Multimodal film analysis how films mean John A. Bateman and Karl-Heinrich Schmidt 1. publ. New York, NY [u.a.] Routledge 2012 VIII, 330 S. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier Routledge studies in multimodality 5 Literaturverz. S. 301 - 318 Filmanalyse (DE-588)4140882-2 gnd rswk-swf Multimodalität (DE-588)7859426-1 gnd rswk-swf Filmanalyse (DE-588)4140882-2 s Multimodalität (DE-588)7859426-1 s DE-604 Schmidt, Karl-Heinrich 1958- Verfasser (DE-588)1020026804 aut Routledge studies in multimodality 5 (DE-604)BV035752678 5 HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024150669&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bateman, John A. 1957- Schmidt, Karl-Heinrich 1958- Multimodal film analysis how films mean Routledge studies in multimodality Filmanalyse (DE-588)4140882-2 gnd Multimodalität (DE-588)7859426-1 gnd |
| subject_GND | (DE-588)4140882-2 (DE-588)7859426-1 |
| title | Multimodal film analysis how films mean |
| title_auth | Multimodal film analysis how films mean |
| title_exact_search | Multimodal film analysis how films mean |
| title_full | Multimodal film analysis how films mean John A. Bateman and Karl-Heinrich Schmidt |
| title_fullStr | Multimodal film analysis how films mean John A. Bateman and Karl-Heinrich Schmidt |
| title_full_unstemmed | Multimodal film analysis how films mean John A. Bateman and Karl-Heinrich Schmidt |
| title_short | Multimodal film analysis |
| title_sort | multimodal film analysis how films mean |
| title_sub | how films mean |
| topic | Filmanalyse (DE-588)4140882-2 gnd Multimodalität (DE-588)7859426-1 gnd |
| topic_facet | Filmanalyse Multimodalität |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024150669&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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