Studying American independent cinema:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Leighton Buzzard
Auteur
2011
|
Ausgabe: | 1. publ. |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | 327 S. zahlr. Ill. |
ISBN: | 9781906733179 9781906733186 |
Internformat
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Datensatz im Suchindex
_version_ | 1804147949512425472 |
---|---|
adam_text | American Independent Cinema: An Overview
..........................................................................5
Adopting An ApproachiTools for Reading a Film
...................................................................
1
7
Keeping the Hair in the Gate : Authenticity and Shadows
.................................................25
Making Independence into Cult: Romero and Night of the Living Dead
....................43
Staying Radical: Sayles Social Realism in Return of the Secaucus Seven
.......................57
It s All Downhill from Here : How Soderbergh, Sundance and Miramax Broke
Through
..........................................................................................................................................................71
Doing the OnlyThing:The Politics and Aesthetics of Race for Spike Lee
................87
How Come the Bad Guys Always Win? Polemical Faction
from the Margins vs. Corporate America
................................................................................107
Gangsters and Ghost Dogs: Stardom and Purity in
ndependent Cinema
...........................................................................................................................121
Everyone Knows I m Not a Folksinger : Haynes, Dylan and the
Remastering of Modern Identity
...................................................................................................
1
47
Someplace Beautiful : Alternative Realities in Smalltown America
............................165
Mulholland Dr.: Hollywood, Hollywood, Fabulous Hollywood
......................................
1
8
Doors of Perception: GusVan Sant s Last Days
....................................................................197
Minnesota Nice:The Coens and the Comedy of Menace
.............................................2
1
5
Stupid Americans : Why Happiness Could Only be an
independent Film
...................................................................................................................................225
The American Wilderness and Ecstatic Truth: Adapting
Independent Voices
...............................................................................................................................237
Marketing Originality and Indiewood: Eternal Sunshine
of the Spotless Mind
...............................................................................................................................251
Making an Epic and Staying Independent: There Will be Blood
......................................267
Future DirectionsiTime to Press the Panic Button?
...........................................................283
Appendix
....................................................................................................................................................293
Annotated Bibliography
.....................................................................................................................305
Glossary
......................................................................................................................................................323
Index
.............................................................................................................................................................325
In this student-focused guide,
Rona
Murray explores modern US independent cinema in
depth and places it in context of its more general history. Starting with John Cassavetes
and Shadows, she focuses on case studies of key films, skillfully blending detailed textual
analysis with an exploration of each text s wider theoretical and historical contexts. In
particular, the author explores the defining period from 1989, when the creative talent
met the moneymen and the commercial potential of American independent cinema was
fully recognised and exploited.
Discussions of institutions such as Miramax and the Sundance Film Festival are paired
with case studies of the work of Steven Soderbergh (sex, lies and videotape],
Quentin
Tarantino
[Pulp Fiction], Todd Haynes [I m Not There], Gus Van
Sant
[Last Days], David
Lynch [Mulholland Dr.], John Sayles [Return of the Secaucus Seven), Kimberly Peirce
[Boys Don t Cry], Spike Lee [Do the Right Thing] and PT Anderson (There Will Be Blood].
The auteur-director remains at the heart of American independent film-making, and
each case study considers the significance and contribution of iconic
auteurs
and
their diverse inspirations, such as European cinema aesthetics, previous independent
film-makers and wider film history. Overall, Studying American Independent Cinema
examines and celebrates the fluidity and endless difference of the varied, creative
practices that constitute current American independent film-making.
|
any_adam_object | 1 |
author | Murray, Rona |
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classification_rvk | AP 44983 |
ctrlnum | (OCoLC)756283497 (DE-599)BVBBV039119463 |
discipline | Allgemeines |
edition | 1. publ. |
format | Book |
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title | Studying American independent cinema |
title_auth | Studying American independent cinema |
title_exact_search | Studying American independent cinema |
title_full | Studying American independent cinema by Rona Murray |
title_fullStr | Studying American independent cinema by Rona Murray |
title_full_unstemmed | Studying American independent cinema by Rona Murray |
title_short | Studying American independent cinema |
title_sort | studying american independent cinema |
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topic_facet | Unabhängiger Film USA |
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