Melodramatic voices: understanding music drama
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Farnham [u.a.]
Ashgate
2011
|
| Schriftenreihe: | Ashgate interdisciplinary studies in opera
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XX, 291 S. Ill., graph. Darst., Notenbeisp. |
| ISBN: | 9781409400820 9781409433989 |
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Datensatz im Suchindex
| _version_ | 1804145823929335808 |
|---|---|
| adam_text | Contents
List of Figures
vii
List of Tables
ix
List of Music Examples
xi
Notes on Contributors
xiii
Series Editor s Preface
xvii
Acknowledgements
xix
List of Abbreviations
xxi
Introduction
1
Sarah Hibberd
PART I MELODRAMA AS GENRE
1
Music in
Pixérécourt s
Early Melodramas
15
Katherine
Astbury
2
Operatic or Theatrical? Orchestral Framings of the Voice in
the Melodrama
Sept heures
( 1829) 27
Jens Hesselager
3
Reconstructing Greek Drama:
Saint-Saëns
and the
Melodramatic Ideal
45
Elinor Olin
4
In a Woman s Voice: Musical Recitation and the Feminization of
American Melodrama
61
Marian Wilson Kimber
PART II MELODRAMA ON THE OPERATIC STAGE
5
Si L Orchestre seul chantait :
Melodramatic Voices in Chelard s
Macbeth
(1827) 85
Sarah Hibberd
6
Melodramatic Spectacle on the English Operatic Stage
103
Philip
Carli
vi Melodramatic
Voices: Understanding Music Drama
7
Janáček
and Melodrama
121
John Tyrrell
8
Dismembering Expectations : The Modernization of
Monodrama
in
Fin-de-siècle
Theatrical Arts
13 7
Jessica Payette
9
Opera for the People: Melodrama in Hugo Herrmann s
Vasantasena
(1930) 159
Nanette Nielsen
PART HI MELODRAMATIC TRANSFORMATIONS
10
Berlioz s
Roméo au tombeau :
Melodrama of the Mind
185
Violaine
Anger
11
Be it [N]ever so Humble? The Narrating Voice in the Underscore
to The Wizard ofOz (MGM,
1939) 197
Fiona Ford
12
The Voice-Over as Melodramatic Voice
215
Jacqueline Waeber
13
Dismembering the Musical Voice: Mahler, Melodrama and
Dracula
from Stage to Screen
237
Jeremy Barham
Bibliography
263
Index
283
ASHGATE
INTERDISCIPLINARY
STUDIES IN
OPERA
This wide-ranging and exciting collection of essays is exactly the kind of interdisciplinary
work that we have long hoped would emerge from the new histories of performing arts.
Its contributors are at home in musicology and media history, in theatre and in performance
studies, and the result is a new conceptualization of a long-despised genre, which is at last
beginning to be understood.
Jacky Bratton, Royal Holloway, University of London, UK
The genre of
mélodrame à
grand spectacle that emerged in the boulevard theatres of
Paris in the
1
790s
-
and which was quickly exported abroad
-
expressed the moral
struggle between good and evil through a drama of heightened emotions. Physical
gesture,
mise en
scène
and music were as important in communicating meaning and
passion as spoken dialogue.
The premise of this volume is the idea that the melodramatic aesthetic is central to
our understanding of nineteenth-century music drama, broadly defined as spoken
plays with music, operas and other hybrid genres that combine music with text
and/or image. This relationship is examined closely, and its evolution in the
twentieth century in selected operas, musicals and films is understood as an
extension of this nineteenth-century aesthetic. The book therefore develops our
understanding of opera in the context of melodrama s broader influence on
musical culture during the nineteenth and twentieth centuries.
This book will appeal to those interested in film studies, drama, theatre and
modern languages as well as music and opera.
Sarah Hibberd is Associate Professor in the
Department of Music at the University of
Nottingham. Her research interests focus
primarily on nineteenth-century French
opera, and other forms of music theatre
including melodrama, pantomime and ballet,
and she has published widely on these topics,
including French Grand Opera and the Historical
Imagination
(2009).
Current projects include
an examination of the cataclysmic
denouements of works produced in Paris
1789-1859,
and the exchanges and tensions
between art, theatre and opera in nineteenth-
century France.
Cover image: Pygmalion Act II, Scene
4,
FOL
-О
ICO-3.
Bibliothèque Nationale de Franct
ISBN
978-1-4094-0082-0
ASHGATE
Ashgate Publishing Limited
Wey Court East. Union Road.
Farnham. Surrey,
GU9 7PT. England
www.ashgate.com
|
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| title | Melodramatic voices understanding music drama |
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