The Italian Renaissance and cultural memory:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2012
|
Ausgabe: | 1. publ. |
Schlagworte: | |
Beschreibung: | "Why did Renaissance art come to matter so much, so widely, and for so long? Patricia Emison's answer depends on a recalibrated view of the long Renaissance from 1300 to 1600 synthesizing the considerable evolution in our understanding of the epoch since the foundational 19th-century studies of Burckhardt and Wölfflin. Demonstrating that the imitation of nature and of antiquity must no longer define its limits, she exposes Renaissance style self-consciously modern aspect. She sets the art against the literary and political interests of the time, and analyzes works both of very familiar artists Leonardo, Michelangelo, and Raphael and of lesser-known figures, including Cima and Barocci. An understanding emerges of both the period's long-standing fame and its various historical debts. Moving beyond the Renaissance, Emison unfolds the varying and layered significance it has held from the Old Master era through Impressionism, Modernism, and Post-Modernism"-- Provided by publisher. Includes bibliographical references and index |
Beschreibung: | XIII, 238 S., [4] Bl. Ill. |
ISBN: | 9781107005266 |
Internformat
MARC
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264 | 1 | |a Cambridge [u.a.] |b Cambridge Univ. Press |c 2012 | |
300 | |a XIII, 238 S., [4] Bl. |b Ill. | ||
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500 | |a "Why did Renaissance art come to matter so much, so widely, and for so long? Patricia Emison's answer depends on a recalibrated view of the long Renaissance from 1300 to 1600 synthesizing the considerable evolution in our understanding of the epoch since the foundational 19th-century studies of Burckhardt and Wölfflin. Demonstrating that the imitation of nature and of antiquity must no longer define its limits, she exposes Renaissance style self-consciously modern aspect. She sets the art against the literary and political interests of the time, and analyzes works both of very familiar artists Leonardo, Michelangelo, and Raphael and of lesser-known figures, including Cima and Barocci. An understanding emerges of both the period's long-standing fame and its various historical debts. Moving beyond the Renaissance, Emison unfolds the varying and layered significance it has held from the Old Master era through Impressionism, Modernism, and Post-Modernism"-- Provided by publisher. | ||
500 | |a Includes bibliographical references and index | ||
648 | 7 | |a Geschichte 1300-1600 |2 gnd |9 rswk-swf | |
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Datensatz im Suchindex
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adam_text | |
any_adam_object | |
author | Emison, Patricia A. 1956- |
author_GND | (DE-588)135973678 |
author_facet | Emison, Patricia A. 1956- |
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author_variant | p a e pa pae |
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bvnumber | BV039106607 |
callnumber-first | N - Fine Arts |
callnumber-label | N6915 |
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callnumber-search | N6915 |
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callnumber-subject | N - Visual Arts |
ctrlnum | (OCoLC)734097619 (DE-599)BVBBV039106607 |
dewey-full | 709.45/09024 |
dewey-hundreds | 700 - The arts |
dewey-ones | 709 - History, geographic treatment, biography |
dewey-raw | 709.45/09024 |
dewey-search | 709.45/09024 |
dewey-sort | 3709.45 49024 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
edition | 1. publ. |
era | Geschichte 1300-1600 gnd |
era_facet | Geschichte 1300-1600 |
format | Book |
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geographic | Italien Italien (DE-588)4027833-5 gnd |
geographic_facet | Italien |
id | DE-604.BV039106607 |
illustrated | Illustrated |
indexdate | 2025-01-02T17:18:14Z |
institution | BVB |
isbn | 9781107005266 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-022650420 |
oclc_num | 734097619 |
open_access_boolean | |
owner | DE-473 DE-BY-UBG DE-83 DE-29 DE-12 DE-Y3 DE-Y2 DE-255 |
owner_facet | DE-473 DE-BY-UBG DE-83 DE-29 DE-12 DE-Y3 DE-Y2 DE-255 |
physical | XIII, 238 S., [4] Bl. Ill. |
publishDate | 2012 |
publishDateSearch | 2012 |
publishDateSort | 2012 |
publisher | Cambridge Univ. Press |
record_format | marc |
spelling | Emison, Patricia A. 1956- Verfasser (DE-588)135973678 aut The Italian Renaissance and cultural memory Patricia Emison 1. publ. Cambridge [u.a.] Cambridge Univ. Press 2012 XIII, 238 S., [4] Bl. Ill. txt rdacontent n rdamedia nc rdacarrier "Why did Renaissance art come to matter so much, so widely, and for so long? Patricia Emison's answer depends on a recalibrated view of the long Renaissance from 1300 to 1600 synthesizing the considerable evolution in our understanding of the epoch since the foundational 19th-century studies of Burckhardt and Wölfflin. Demonstrating that the imitation of nature and of antiquity must no longer define its limits, she exposes Renaissance style self-consciously modern aspect. She sets the art against the literary and political interests of the time, and analyzes works both of very familiar artists Leonardo, Michelangelo, and Raphael and of lesser-known figures, including Cima and Barocci. An understanding emerges of both the period's long-standing fame and its various historical debts. Moving beyond the Renaissance, Emison unfolds the varying and layered significance it has held from the Old Master era through Impressionism, Modernism, and Post-Modernism"-- Provided by publisher. Includes bibliographical references and index Geschichte 1300-1600 gnd rswk-swf Art, Renaissance Italy Art, Renaissance Italy Influence Kunst (DE-588)4114333-4 gnd rswk-swf Italien Italien (DE-588)4027833-5 gnd rswk-swf Italien (DE-588)4027833-5 g Kunst (DE-588)4114333-4 s Geschichte 1300-1600 z DE-604 |
spellingShingle | Emison, Patricia A. 1956- The Italian Renaissance and cultural memory Art, Renaissance Italy Art, Renaissance Italy Influence Kunst (DE-588)4114333-4 gnd |
subject_GND | (DE-588)4114333-4 (DE-588)4027833-5 |
title | The Italian Renaissance and cultural memory |
title_auth | The Italian Renaissance and cultural memory |
title_exact_search | The Italian Renaissance and cultural memory |
title_full | The Italian Renaissance and cultural memory Patricia Emison |
title_fullStr | The Italian Renaissance and cultural memory Patricia Emison |
title_full_unstemmed | The Italian Renaissance and cultural memory Patricia Emison |
title_short | The Italian Renaissance and cultural memory |
title_sort | the italian renaissance and cultural memory |
topic | Art, Renaissance Italy Art, Renaissance Italy Influence Kunst (DE-588)4114333-4 gnd |
topic_facet | Art, Renaissance Italy Art, Renaissance Italy Influence Kunst Italien |
work_keys_str_mv | AT emisonpatriciaa theitalianrenaissanceandculturalmemory |