Popular italian cinema: culture and politics in a postwar society
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York, NY [u.a.]
Tauris
2011
|
| Schriftenreihe: | International library of visual culture
5 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XII, 283 S. Ill. |
| ISBN: | 1848855729 9781848855724 |
Internformat
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Datensatz im Suchindex
| _version_ | 1820158376249655296 |
|---|---|
| adam_text |
CONTENTS
List of Photographs
viii
Notes on Contributors
x
Acknowledgements
xi
Introduction
Ffavia Brizio-Skov
1
1.
The Italian Sword-and-Sandal Film From FabioL·
(1949)
to
Hercules and The Captive Women
(1961):
Texts and Contexts
Frank Burke
17
2.
Horror Cinema: The Emancipation of Women and
Urban Anxiety
Andrea Bint
53
3.
Dollars, Bullets and Success: The Spaghetti Western
Phenomenon
Fkvia Brizio-Skov
83
4.
The Birth of Comedy Italian Style
Andrea Bint
107
5.
Tarantula Myths and Music: Popular Culture and
Ancient Rituals in Italian Cinema
Flavia Laviosa
153
Contents
vii
6.
Popular Cinema and Violence: The Western Genre
Fhvia Brizio-Skov
189
7.
Women's Drama, Men's Business: Sexual Violence
Against Women in Italian Cinema and Media
Flavia Laviosa
229
Bibliography
257
Index
271
With its monsters, vampires and cowboys,
Italian popular culture in the postwar period
has generally been dismissed as a form of
evasion or escapism. Here, four international
scholars re-examine and reinterpret the era
to show that popular
¡talian
cinema was not
only in tune with contemporary political and
social trends, it also presaged the turmoil
and rebellion of the
1960s
and
1970s.
Through a perceptive analysis of the
cultural and political atmosphere of the
times, we come to see how the changes
wrought by modernization, urbanization.
the rise of consumerism and the sexual
revolution were reflected in popular cinema.
The 'sword and sandal' film, based on
Greco-Roman mythology and starring
body-butlders, was linked to the increasing
conservatism and growing poMictzatton of
italian
film and society. Anxieties unleashed
by the sexual revolution found expression
m
horror films and
m
the spaghetti western,
particularly
m
violence against women, as
a result of growing maie anxiety towards
female emancipation and a crisis
m
the
prevailing patriarchal order. Comedy Italian-
style re-worked the impact of the economic
boom and a consumerist lifestyle, as a new
middle-class recognized itself at the cinema.
Together, this array of cinematic visions
conveyed a plurality of messages that
ranged from the more conservative and
pro-establishment to the more rebellious
and pro-revolutionary, at the same time
that they responded to the emotional needs
of an emerging mass audience and offered
ways of binding together an increasingly
distressed social order. With striking
insights into the links between popular
culture and politics. Popular Italian Cinema
will be indispensable for specialists in film
and media studies. Italian and cultural
studies, as well as social history. |
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| language | English |
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| title | Popular italian cinema culture and politics in a postwar society |
| title_auth | Popular italian cinema culture and politics in a postwar society |
| title_exact_search | Popular italian cinema culture and politics in a postwar society |
| title_full | Popular italian cinema culture and politics in a postwar society ed. by Flavia Brizio-Skov |
| title_fullStr | Popular italian cinema culture and politics in a postwar society ed. by Flavia Brizio-Skov |
| title_full_unstemmed | Popular italian cinema culture and politics in a postwar society ed. by Flavia Brizio-Skov |
| title_short | Popular italian cinema |
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