Reception of classical art, an introduction:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford
Archaeopress
2004
|
| Schriftenreihe: | Studies in classical archaeology
3 British archaeological reports International series 1295 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 89 S., [38] Bl. zahlr. Ill. |
| ISBN: | 1841716456 |
| ISSN: | 0143-3067 |
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Datensatz im Suchindex
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| adam_text | Studies
in Classical Archaeology III
Reception of Classical Art,
an Introduction
Edited by
Donna Kurtz
BAR International Series
1295
2004
Reception of Classical Art, an Introduction
Editorial Preface
1.
The study of art at Oxford before
1955 3
Slade
Professors of Fine Art
Lincoln Professors of Classical Archaeology and Art
Professors of European Archaeology
Professors of the Archaeology of the Roman Empire
Professors of the History of Art
2.
An introduction to the reception of classical art
31
Donna Kurtz, Beazley Archivist and Professor of Classical Art
Figures
1-37
3.
Nudity in art
47
John
Boardman,
Lincoln Professor of Classical
Archaeology and Art, Emeritus
Figures
38-63
4.
Medals and the reception of antiquity
55
Henry Kim, Curator of Greek and Modern Medals,
Heberden
Coin Room, Ashmolean Museum
Figures
64-114
5.
Renaissance
istoriato maiolica
65
Kate Nichols, Beazley Archive
Figures
115-122
6.
The reception of classical art
-
neoclassical gems
73
Gertrud Seidmann,
Institute of Archaeology
Figures
123-145
7.
The Sackler Library: ancient and modem
85
Robert Adam, Architect of the Sackler Library
Figures
146 -159
|
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