Manifestation och avancemang: Eugen: konstnär, konstsamlare, mecenat och prins
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Abschlussarbeit Buch |
Sprache: | Swedish |
Veröffentlicht: |
Göteborg
Acta Universitatis Gothoburgensis
2008
|
Schriftenreihe: | Gothenburg studies in art and architecture
26 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Zsfassung in engl. Sprache |
Beschreibung: | 387, 31 S. Ill. |
ISBN: | 9789173466080 |
ISSN: | ZDB784458-X |
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Datensatz im Suchindex
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adam_text | Manifestation
och avancemang
eugen:
konstnär, konstsamlare,
mecenat och prins
*
Christina G. Wistman
GÖTEBORGS UNIVERSITET
ACTA
UNIVERSITATIS GOTHOBURGENSIS
2OO8
Abstract
Wistman, Christina
G.,
2008.
Manifestation
och avancemang. Eugen: konstnär, konstsamlare, mece¬
nat och prins (Manifestation and promotion. Eugen: artist, art
collector,
patron
of the arts
and
royal prince).
With an English summary.
Acta Universitatis
Gothoburgensis, Gothenburg Stu¬
dies in Art and Architecture, nr
26, 388 + 32
sidor
(pp.),
81 + 31
ill.,
GÖTEBORG
ISBN
978-91-
7346-608-0.
ISSN
0348-4114.
The Swedish Prince
Eugen (1865-1947)
was not only a royal prince and a culturally involved
artist and patron of the arts but also an art collector. His art collecting has mostly been consi¬
dered a matter of course and has not yet been discussed thoroughly. Stereotypes of the Prince as
an art collector have flourished and disseminated.
Eugen
has been looked upon as a patron of
the arts who mainly supported his artist friends and less fortunate younger artists in need of
financial support. The abundant art collection at the museum
Prins Eugens Waldemarsudde,
left by bequest to the Swedish government and today State-owned, supports the theory of a
different force behind the Prince s art acquisitions. In this study art collecting is examined in
terms of social promotion. The main focus is put on Prince
Eugen
and some of his roles on the
domestic art scene and in particular
Eugen
the art collector. The Prince s personality was full of
nuances and questions are posed regarding autonomity and heteronomity, legitimacy and
approval in the Swedish art life of the time.
Prince
Eugen
collected art for
60
years. The Prince s art collection is described and interpreted
as well as its growth. What
Eugen
bought and how and where he purchased art are of importan¬
ce in this study. This starting point illustrates the Prince s social radius of action as an art col¬
lector and highlights his relations to artists and the art world. Also the opening of the museum
Prins Eugens Waldemarsudde
after Eugen s death has been considered a matter of course and
this study illustrates how the museum developed.
Eugen was
financially independent and did
not have to worry about the state of the market or having to dispose of his art collection. The
collection being privately owned made it possible for
Eugen
to sell it if he wanted to, but he
made a conscious choice to keep his collection.
Prince Eugen s royal position in combination with his chosen career as an artist invites to
further discussions. Prince Eugen s favorable position as a member of the Swedish royal family
did not always work in his favor. Through the collecting process, the dissertation discusses how
one can become an active participant of the Swedish art scene and how a seemingly fulfilled
person still needs to work hard to earn a position. The theoretical basis has been the French
sociologist Pierre Bourdieu s conception of habitus and capital and parts of his extensive field
theory. Prince Eugen s position on the Swedish art scene did improve without a doubt and this
dissertation will illustrate how and in what way the Prince s collecting contributed to his pro¬
motions on the Swedish art field from his period of training in Paris in the late 1880 s up to his
death in
1947.
Eugen s prospects of promotion might have been better than many other agents
on the art field, but there are no short cuts, not even for a royal prince. The ultimate result of
such a reading allows for a clearer picture not only of Prince Eugen s different roles and achieve¬
ments in Swedish art life, but also of the art field in itself and Swedish art life and its agents in
general.
keywords: Prince
Eugen,
Swedish art, art collecting, patronship, art life
1887-1947,
historio¬
graphy of art, museology, Pierre Bourdieu, field theory, habitus, capital
Christina G. Wistman, Department of Art History and Visual Studies, Box
200,
SE-405
30
Gothenburg.
Innehåll
Förord
11
Slutet som början
15
Prins Eugens död, begravning och eftermäle
15
Syfte, frågeställning och disposition
16
I
ANTAGANDEN OCH UTGÅNGSPUNKTER.
TEORI, METOD OCH KÄLLMATERIAL
Teoretiska utgångspunkter
23
Pierre Bourdieus fältteori
24
Agentposition och kvalitativ social relation
30
Operationalisering
-
hur teori och
empiri
samspelar
31
Konstsamlande och konstsamlare
32
Konstsamlingar
34
Konstsamlare och mecenater
36
Källmaterial och metodologi
37
Källmaterial
38
Musealt arbete
40
Metod
-
hur materialet bearbetats och använts
41
Tidigare forskning och litteratur
45
π
PRINS
EUGEN -
KONSTSAMLARE OCH MECENAT
Prins Eugens roll som konstsamlare
60
Konst på önskelista
7°
Waldemarsuddesamlingens ton och innehåll
72
Konstnärer, verk och motiv. Urval och mönster
76
Konst och pengar. Försäljningar och förvärv
107
Försäljningar
-
prinsens konstmarknad
110
Inköp och försälj are
114
Förvärv direkt från konstnärer
115
Inköp på utställningar
124
Inköp på auktioner och från privatpersoner,
beställningar samt byten och arbetsbyten
127
Handlare
131
Gåvor
154
Mecenaten på konstfältet
159
Sammanfattande reflektioner
172
II
PRINS EUGEN OCH WALDEMARSUDDE
Ett stegvis offentliggörande
177
Katalogen över Waldemarsuddes konstsamling
-
systematiskt ordnande och manifestation
177
Waldemarsuddesamlingens sociala funktion
182
En konstsamlings fortlevnad
-
värd att visa, viktig
att bevara?
Museigrundandet
197
Donator
donatores. Prins Eugens testamente
198
Här skall inte se ut som om jag endast lämnat huset
för en kortare resa
201
Det levande museet
205
Donatorsmuseer
206
Waldemarsudde
-
ett själfständigt konstverk med lif uti
211
Prins Eugens konstgalleri
225
Prins Eugens Waldemarsudde
-
från privatbostad
till donor
memorial
230
IV
FÄLTAGENTEN.
FRÅN INTRÄDE TILL EGEN POSITION
Det bernadotteska rummet
243
Prins Eugen Bernadotte
244
Prins Eugens
habitus,
kapital och horisont av möjligheter
247
Ett furstligt inträde på konstfältet
250
À
paris
250
Dubbla lojaliteter. Prins Eugen, Konstakademien
och Konstnärsförbundet
256
Kungligheten är nu en gång tidens finaste reklam .
Kunglighet på konstfältet
263
Mot en egen position
270
Utställningar och samlingar. Prins Eugen på
Nationalmuseum och Liljevalchs konsthall
271
Prins Eugen och Konstnärsförbundet
277
Forment
och informellt på fältet
285
Prins Eugen berättar
-
självbiografi som manifestation
289
Konstsamlande som social strategi
291
Positionen
prins
Eugen.
En
summering
і
termer
av fältteori
294
Avslutande resultatredovisning
301
Summary
308
Noter
315
Förkortningar
360
Kall- och litteraturförteckning
361
Bild- och fotografförteckning
374
Personindex
377
|
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author | Wistman, Christina G. |
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ctrlnum | (OCoLC)315592681 (DE-599)BVBBV038934637 |
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spelling | Wistman, Christina G. Verfasser aut Manifestation och avancemang Eugen: konstnär, konstsamlare, mecenat och prins Göteborg Acta Universitatis Gothoburgensis 2008 387, 31 S. Ill. txt rdacontent n rdamedia nc rdacarrier Gothenburg studies in art and architecture 26 ZDB784458-X Zsfassung in engl. Sprache Zugl.: Göteborg, Univ., Diss., 2008 Eugen Schweden, Prinz 1865-1947 (DE-588)118915983 gnd rswk-swf Kunstsammler (DE-588)4166042-0 gnd rswk-swf Mäzenatentum (DE-588)4074442-5 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content (DE-588)4113937-9 Hochschulschrift gnd-content Eugen Schweden, Prinz 1865-1947 (DE-588)118915983 p Kunstsammler (DE-588)4166042-0 s Mäzenatentum (DE-588)4074442-5 s 1\p DE-604 Gothenburg studies in art and architecture 26 (DE-604)BV037477688 26 KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024108639&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
spellingShingle | Wistman, Christina G. Manifestation och avancemang Eugen: konstnär, konstsamlare, mecenat och prins Gothenburg studies in art and architecture Eugen Schweden, Prinz 1865-1947 (DE-588)118915983 gnd Kunstsammler (DE-588)4166042-0 gnd Mäzenatentum (DE-588)4074442-5 gnd |
subject_GND | (DE-588)118915983 (DE-588)4166042-0 (DE-588)4074442-5 (DE-588)4006804-3 (DE-588)4113937-9 |
title | Manifestation och avancemang Eugen: konstnär, konstsamlare, mecenat och prins |
title_auth | Manifestation och avancemang Eugen: konstnär, konstsamlare, mecenat och prins |
title_exact_search | Manifestation och avancemang Eugen: konstnär, konstsamlare, mecenat och prins |
title_full | Manifestation och avancemang Eugen: konstnär, konstsamlare, mecenat och prins |
title_fullStr | Manifestation och avancemang Eugen: konstnär, konstsamlare, mecenat och prins |
title_full_unstemmed | Manifestation och avancemang Eugen: konstnär, konstsamlare, mecenat och prins |
title_short | Manifestation och avancemang |
title_sort | manifestation och avancemang eugen konstnar konstsamlare mecenat och prins |
title_sub | Eugen: konstnär, konstsamlare, mecenat och prins |
topic | Eugen Schweden, Prinz 1865-1947 (DE-588)118915983 gnd Kunstsammler (DE-588)4166042-0 gnd Mäzenatentum (DE-588)4074442-5 gnd |
topic_facet | Eugen Schweden, Prinz 1865-1947 Kunstsammler Mäzenatentum Biografie Hochschulschrift |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024108639&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV037477688 |
work_keys_str_mv | AT wistmanchristinag manifestationochavancemangeugenkonstnarkonstsamlaremecenatochprins |