Landscape as world picture: tracing cultural evolution in images 2 Early modernity
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Aarhus [u.a.]
Aarhus Univ. Press [u.a.]
2009
|
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | VIII, 520 S., [16] Bl. zahlr. Ill., graph. Darst. |
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Datensatz im Suchindex
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adam_text | Jacob Wamberg
Landscape as
World
Picture
Tracing Cultural
Evolution in Images
VOLUME
II
Early Modernity
Translated by
Gaye
Kynoch
Aarhus University Press
Contents
VOLUME
II
Early Modernity
о
-
Tis
All in Peeces,
All Cohaerence Gone
____
Modern
Pictorial Space between Self-Consciousness
and World Picture
·
ι
Introduction: breakthrough of the modern pictorial paradigm
·
ι
8.1
The pole of vantage point: modern pictorial space
and the emergence of self-consciousness
·
б
From world cave to eye socket
■ 7
| Hegel s romanticism as imprint of consciousness
■ 8
The
perspectivai
vista through a Piagetian lens
■ 9
| Self-consciousness as nominalism,
I: ramifications in religious and natural philosophy
■ 11
| Self-consciousness as nominalism
II: the aesthetic
ramification
■ 14
| Landscape as expression of urban alienation
■ 17
8.2
The pole of remoteness: modern pictorial space
and the genesis of the open cosmos
· 19
Genesis of the Copernican world picture
■ 19
| The image as window on the world
■
za
|
Perspective between intuition and linearity
■ 27
| The gaze from above: voyages of
discovery, cartography, perspective
■ 35
| The triumph of sight and colonisation
■ 41
|
Petrarch on the Windy Mountain
■ 45
| The searching gaze: cross section
■ 46
Z
Pressure and Counter-Pressure
_j^__ The Pictorial Paradigm of Modernity
and Its Curbing in the Renaissance
· 51
Introduction
· 51
9.1
Modernity versus Renaissance: a historiographical perspective
· 53
The Renaissance
-
mask or face?
■ 53
| Gothic modernity, Renaissance conservatism
■ 59
9.2
Modernity s pictorial space and its Gothic origins
■ 64
Ergon-parergon
■ 64
| Northern landscape sensibility in the 15th century
■ 67
I
Etymology of landscape
■ 70
| Rise of the autonomous landscape image
■ 71
|
Origins oflandscape space: the Gothic-Romantic axis
■ 82
9.3
Gothic versus Renaissance in Italian ^th-isth-century painting
· 89
Giotto and the Sienese
■ 89
| Masaccio and Gentile da Fabriano
■ 94
| Pisanello and
Guarino da Verona
■ 98
|
Alberti
s De
pictura
· 99
| Ghiberti
and the
Sienese
■
roi
9.4
Supremacy of the amorphous:
naturalism
without Renaissance
■ 104
Landscape imagery between wall stains and hypernaturalism
■ 104
| Naturalism in
recent art criticism; some adjustments
· 108
|
Wölfflin s
principles: a reappraisal
■ 113
|
The last bastion ofneoclassicism: Panofiky s iconography
■ 114
-rsZ Time, Territory and Wilderness in Early Modern Landscape Images, I
____
Before the Paradigm Shift
1420 · 117
Introduction
■ 117
юл
Capitalism, work and pictorial space
· 119
10.2
Sienese beginnings
· 123
Trial run for the modern landscape image: Ambrogio Lorenzetti s portrait of Siena
· 123
|
Portrait of conquest:
Simone
Martini s Guidoriccio
da Fogliano
■ 129
10.3
Landscape-promoting themes
· 132
Time
■ 132
I Topography
■ 139
| The encyclopaedic tradition,
1:
landscape images in
mirabilia collections and encyclopaedias
■ 142
| The encyclopaedic tradition, II: landscape
images in animal, medical and health compendia
■ 145
| The forest
■ 149
10.4
On the threshold to the paradigm of modernity
■ 151
The Labours of the Months around
1400 ■ 151
| The landscape paradigm around
1400 ■ 157
__.
Time, Territory and Wilderness in Early Modern Landscape Images, II
After the Paradigm Shift
1420 · 167
Introduction
■ 167
π.ι
Time as weather and light
· 173
Scanning the paradigm
■ 173
| Weather between
1420
and
1500:
sunshine
without sun
■
i8o I Post
цјо:
overcast skies
■ 192
| Post-1500: nocturnal
clouds to the south, diurnal clouds to the north
■ 200
11.2
Territory and wilderness
· 203
Scanning the paradigm
■ 203
| Farm land as park: territory and wilderness
in the ¡sth-century landscape image
■ 208
| The field of work ideology
■ 218
|
Paradisiacal rudiments of the landscape image
■ 221
| Return of the chthonic:
Mary as earth goddess
■ 229
11.3
The Renaissance and the ideal landscape: prelude
■ 233
Alberti
s
landscape genres
■ 234
| Arcadia
■ 236
| A case story: Pan
Saturnus
Medicea
and Signorelli s School of Pan
■ 238
-
The Architecture of the Underworld
15th-century
Pictorial Rocks in a Field of Conflict between
Middle Ages, Modernity and Renaissance
■ 247
Introduction
■ 247
12.1
Self-grown architecture
· 250
Exposing the tensions of the paradigm-shift:
Filippo Lippi s
rocb versus those of the
Ferrarese
■ 250
| Natural architecture
■ 256
| The art-philosophical and alchemical
context
■ 263
I Mountain alchemy
■ 272
Rocb and pictorial space
■ 280
The mirror image of the abyss: Leonardo s Virgin of the Rocks
■ 282
12.2
Hewing, mine-work and quarrying
· 290
Between autochthony and cultivation
■ 290
| Quarrying and mining
■ 296
|
Mantegna I: Camera
degli Sposi
■ 307
| Mantegna II: Madonna of the Stonecutters
and Christ as the Suffering Redeemer
■ 312
| Mantegna III: Parnassus
· 325
12.3
Ruins
· 330
12.4
Latent images in nature
· 345
Images in stone, trees and clouds
■ 347
| Mantegna IV: Pallas Expelling the Vices from
the Garden of Virtue
· 353
| Mantegna V: the Martyrdom of Saint Sebastian in
Vienna
■ 356
I The
Gorgo
gaze of the
Po
Plain: stone guests in iftb-century painting
■ 357
Conclusion
· 365
Notes Volume II
· 383
Bibliography
· 425
List of terms
· 465
Index
■ 477
|
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spelling | Wamberg, Jacob 1961- Verfasser (DE-588)131564277 aut Landskabet som verdensbillede Landscape as world picture tracing cultural evolution in images 2 Early modernity Jacob Wamberg Aarhus [u.a.] Aarhus Univ. Press [u.a.] 2009 VIII, 520 S., [16] Bl. zahlr. Ill., graph. Darst. txt rdacontent n rdamedia nc rdacarrier (DE-604)BV036109125 2 KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024023200&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Wamberg, Jacob 1961- Landscape as world picture tracing cultural evolution in images |
title | Landscape as world picture tracing cultural evolution in images |
title_alt | Landskabet som verdensbillede |
title_auth | Landscape as world picture tracing cultural evolution in images |
title_exact_search | Landscape as world picture tracing cultural evolution in images |
title_full | Landscape as world picture tracing cultural evolution in images 2 Early modernity Jacob Wamberg |
title_fullStr | Landscape as world picture tracing cultural evolution in images 2 Early modernity Jacob Wamberg |
title_full_unstemmed | Landscape as world picture tracing cultural evolution in images 2 Early modernity Jacob Wamberg |
title_short | Landscape as world picture |
title_sort | landscape as world picture tracing cultural evolution in images early modernity |
title_sub | tracing cultural evolution in images |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=024023200&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV036109125 |
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