[Rezension von:] Guilbaut, Serge: How New York stole the idea of modern art : Abstract Expressionism, freedom, and the Cold War. - Chicago : University of Chicago Press, 1983:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
1990
|
| ISSN: | 0884-6766 |
Internformat
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV038707309 | ||
| 003 | DE-604 | ||
| 005 | 20090114100623 | ||
| 007 | t | ||
| 008 | 971021s1990 |||| 00||| eng d | ||
| 035 | |a (OCoLC)888928063 | ||
| 035 | |a (DE-599)BVBBV038707309 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 |a DE-255 | ||
| 100 | 1 | |a Hills, Patricia |d 1936- |e Verfasser |0 (DE-588)137062435 |4 aut | |
| 245 | 1 | 0 | |a [Rezension von:] Guilbaut, Serge: How New York stole the idea of modern art : Abstract Expressionism, freedom, and the Cold War. - Chicago : University of Chicago Press, 1983 |
| 264 | 1 | |c 1990 | |
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 773 | 0 | 8 | |t Archives of American Art journal / ed.: Paul Cummings |d New York, NY [u.a.], 1990 |g Vol. 30(1990), 1-4, 84-87 |w (DE-604)BV002691739 |x 0884-6766 |o (DE-600)802102-8 |
| 787 | 0 | 8 | |i Rezension von |a Guilbaut, Serge |t How New York stole the idea of modern art : Abstract Expressionism, freedom, and the Cold War |d Chicago : University of Chicago Press, 1983 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-023920105 | ||
Datensatz im Suchindex
| _version_ | 1804147636645658624 |
|---|---|
| any_adam_object | |
| article_link | (DE-604)BV002691739 |
| author | Hills, Patricia 1936- |
| author_GND | (DE-588)137062435 |
| author_facet | Hills, Patricia 1936- |
| author_role | aut |
| author_sort | Hills, Patricia 1936- |
| author_variant | p h ph |
| building | Verbundindex |
| bvnumber | BV038707309 |
| ctrlnum | (OCoLC)888928063 (DE-599)BVBBV038707309 |
| format | Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01113naa a2200253 c 4500</leader><controlfield tag="001">BV038707309</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20090114100623 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">971021s1990 |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)888928063</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV038707309</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hills, Patricia</subfield><subfield code="d">1936-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)137062435</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">[Rezension von:] Guilbaut, Serge: How New York stole the idea of modern art : Abstract Expressionism, freedom, and the Cold War. - Chicago : University of Chicago Press, 1983</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">1990</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Archives of American Art journal / ed.: Paul Cummings</subfield><subfield code="d">New York, NY [u.a.], 1990</subfield><subfield code="g">Vol. 30(1990), 1-4, 84-87</subfield><subfield code="w">(DE-604)BV002691739</subfield><subfield code="x">0884-6766</subfield><subfield code="o">(DE-600)802102-8</subfield></datafield><datafield tag="787" ind1="0" ind2="8"><subfield code="i">Rezension von</subfield><subfield code="a">Guilbaut, Serge</subfield><subfield code="t">How New York stole the idea of modern art : Abstract Expressionism, freedom, and the Cold War</subfield><subfield code="d">Chicago : University of Chicago Press, 1983</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-023920105</subfield></datafield></record></collection> |
| id | DE-604.BV038707309 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T23:54:24Z |
| institution | BVB |
| issn | 0884-6766 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-023920105 |
| oclc_num | 888928063 |
| open_access_boolean | |
| owner | DE-Y3 DE-255 |
| owner_facet | DE-Y3 DE-255 |
| publishDate | 1990 |
| publishDateSearch | 1990 |
| publishDateSort | 1990 |
| record_format | marc |
| spelling | Hills, Patricia 1936- Verfasser (DE-588)137062435 aut [Rezension von:] Guilbaut, Serge: How New York stole the idea of modern art : Abstract Expressionism, freedom, and the Cold War. - Chicago : University of Chicago Press, 1983 1990 txt rdacontent n rdamedia nc rdacarrier Archives of American Art journal / ed.: Paul Cummings New York, NY [u.a.], 1990 Vol. 30(1990), 1-4, 84-87 (DE-604)BV002691739 0884-6766 (DE-600)802102-8 Rezension von Guilbaut, Serge How New York stole the idea of modern art : Abstract Expressionism, freedom, and the Cold War Chicago : University of Chicago Press, 1983 |
| spellingShingle | Hills, Patricia 1936- [Rezension von:] Guilbaut, Serge: How New York stole the idea of modern art : Abstract Expressionism, freedom, and the Cold War. - Chicago : University of Chicago Press, 1983 |
| title | [Rezension von:] Guilbaut, Serge: How New York stole the idea of modern art : Abstract Expressionism, freedom, and the Cold War. - Chicago : University of Chicago Press, 1983 |
| title_auth | [Rezension von:] Guilbaut, Serge: How New York stole the idea of modern art : Abstract Expressionism, freedom, and the Cold War. - Chicago : University of Chicago Press, 1983 |
| title_exact_search | [Rezension von:] Guilbaut, Serge: How New York stole the idea of modern art : Abstract Expressionism, freedom, and the Cold War. - Chicago : University of Chicago Press, 1983 |
| title_full | [Rezension von:] Guilbaut, Serge: How New York stole the idea of modern art : Abstract Expressionism, freedom, and the Cold War. - Chicago : University of Chicago Press, 1983 |
| title_fullStr | [Rezension von:] Guilbaut, Serge: How New York stole the idea of modern art : Abstract Expressionism, freedom, and the Cold War. - Chicago : University of Chicago Press, 1983 |
| title_full_unstemmed | [Rezension von:] Guilbaut, Serge: How New York stole the idea of modern art : Abstract Expressionism, freedom, and the Cold War. - Chicago : University of Chicago Press, 1983 |
| title_short | [Rezension von:] Guilbaut, Serge: How New York stole the idea of modern art : Abstract Expressionism, freedom, and the Cold War. - Chicago : University of Chicago Press, 1983 |
| title_sort | rezension von guilbaut serge how new york stole the idea of modern art abstract expressionism freedom and the cold war chicago university of chicago press 1983 |
| work_keys_str_mv | AT hillspatricia rezensionvonguilbautsergehownewyorkstoletheideaofmodernartabstractexpressionismfreedomandthecoldwarchicagouniversityofchicagopress1983 |