More interested in tragedy and violence than poetry: Italian Renaissance art
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2006
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| ISSN: | 0960-6556 |
Internformat
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| 787 | 0 | 8 | |i Rezension von |a D'Elia, Una Roman |t The poetics of Titian's religious paintings / Una Roman D'Elia |d 1. publ.. - Cambridge [u.a.] : Cambridge University Press, 2005 |w (DE-604)BV019868003 |
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Datensatz im Suchindex
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| spelling | Parker, Laura Verfasser aut More interested in tragedy and violence than poetry Italian Renaissance art 2006 txt rdacontent n rdamedia nc rdacarrier volume:16 number:170 year:2006 pages:46 The art newspaper London, 2006 16.2006, 170, 46 (DE-604)BV004193826 0960-6556 (DE-600)1063227-X Rezension von Puttfarken, Thomas Titian & tragic painting : Aristotle's "poetics" and the rise of the modern artist New Haven [u.a.] : Yale University Press, 2005 (DE-604)BV021539105 Rezension von D'Elia, Una Roman The poetics of Titian's religious paintings / Una Roman D'Elia 1. publ.. - Cambridge [u.a.] : Cambridge University Press, 2005 (DE-604)BV019868003 |
| spellingShingle | Parker, Laura More interested in tragedy and violence than poetry Italian Renaissance art |
| title | More interested in tragedy and violence than poetry Italian Renaissance art |
| title_auth | More interested in tragedy and violence than poetry Italian Renaissance art |
| title_exact_search | More interested in tragedy and violence than poetry Italian Renaissance art |
| title_full | More interested in tragedy and violence than poetry Italian Renaissance art |
| title_fullStr | More interested in tragedy and violence than poetry Italian Renaissance art |
| title_full_unstemmed | More interested in tragedy and violence than poetry Italian Renaissance art |
| title_short | More interested in tragedy and violence than poetry |
| title_sort | more interested in tragedy and violence than poetry italian renaissance art |
| title_sub | Italian Renaissance art |
| work_keys_str_mv | AT parkerlaura moreinterestedintragedyandviolencethanpoetryitalianrenaissanceart |