The use of history: the Museum of Modern Art's four Atget exhibitions have dispelled some - but hardly all - of the mist that has accumulated around Atget's documentary practice
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
1986
|
Schlagworte: | |
ISSN: | 0004-3214 |
Internformat
MARC
LEADER | 00000naa a2200000 c 4500 | ||
---|---|---|---|
001 | BV038484810 | ||
003 | DE-604 | ||
005 | 20090905132751 | ||
007 | t | ||
008 | 060911s1986 |||| 00||| eng d | ||
035 | |a (OCoLC)888230868 | ||
035 | |a (DE-599)BVBBV038484810 | ||
040 | |a DE-604 |b ger |e rakwb | ||
041 | 0 | |a eng | |
049 | |a DE-255 | ||
100 | 1 | |a Nesbit, Molly |e Verfasser |4 aut | |
245 | 1 | 0 | |a The use of history |b the Museum of Modern Art's four Atget exhibitions have dispelled some - but hardly all - of the mist that has accumulated around Atget's documentary practice |c Molly Nesbit |
264 | 1 | |c 1986 | |
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
600 | 1 | 7 | |a Atget, Eugène |d 1856-1927 |0 (DE-588)118504835 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Atget, Eugène |d 1856-1927 |0 (DE-588)118504835 |D p |
689 | 0 | |5 DE-604 | |
773 | 1 | 8 | |g volume:74 |g number:2 |g year:1986 |g pages:72-83 |
773 | 0 | 8 | |t Art in America |d New York, NY, 1986 |g 74.1986, 2, 72-83 |w (DE-604)BV002685683 |x 0004-3214 |o (DE-600)211710-1 |
999 | |a oai:aleph.bib-bvb.de:BVB01-023697590 | ||
941 | |b 74 |h 2 |j 1986 |s 72-83 |
Datensatz im Suchindex
_version_ | 1804147316521697280 |
---|---|
any_adam_object | |
article_link | (DE-604)BV002685683 |
author | Nesbit, Molly |
author_facet | Nesbit, Molly |
author_role | aut |
author_sort | Nesbit, Molly |
author_variant | m n mn |
building | Verbundindex |
bvnumber | BV038484810 |
ctrlnum | (OCoLC)888230868 (DE-599)BVBBV038484810 |
format | Article |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01116naa a2200301 c 4500</leader><controlfield tag="001">BV038484810</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20090905132751 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">060911s1986 |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)888230868</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV038484810</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Nesbit, Molly</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The use of history</subfield><subfield code="b">the Museum of Modern Art's four Atget exhibitions have dispelled some - but hardly all - of the mist that has accumulated around Atget's documentary practice</subfield><subfield code="c">Molly Nesbit</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">1986</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Atget, Eugène</subfield><subfield code="d">1856-1927</subfield><subfield code="0">(DE-588)118504835</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Atget, Eugène</subfield><subfield code="d">1856-1927</subfield><subfield code="0">(DE-588)118504835</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:74</subfield><subfield code="g">number:2</subfield><subfield code="g">year:1986</subfield><subfield code="g">pages:72-83</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Art in America</subfield><subfield code="d">New York, NY, 1986</subfield><subfield code="g">74.1986, 2, 72-83</subfield><subfield code="w">(DE-604)BV002685683</subfield><subfield code="x">0004-3214</subfield><subfield code="o">(DE-600)211710-1</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-023697590</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="b">74</subfield><subfield code="h">2</subfield><subfield code="j">1986</subfield><subfield code="s">72-83</subfield></datafield></record></collection> |
id | DE-604.BV038484810 |
illustrated | Not Illustrated |
indexdate | 2024-07-09T23:49:18Z |
institution | BVB |
issn | 0004-3214 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-023697590 |
oclc_num | 888230868 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
publishDate | 1986 |
publishDateSearch | 1986 |
publishDateSort | 1986 |
record_format | marc |
spelling | Nesbit, Molly Verfasser aut The use of history the Museum of Modern Art's four Atget exhibitions have dispelled some - but hardly all - of the mist that has accumulated around Atget's documentary practice Molly Nesbit 1986 txt rdacontent n rdamedia nc rdacarrier Atget, Eugène 1856-1927 (DE-588)118504835 gnd rswk-swf Atget, Eugène 1856-1927 (DE-588)118504835 p DE-604 volume:74 number:2 year:1986 pages:72-83 Art in America New York, NY, 1986 74.1986, 2, 72-83 (DE-604)BV002685683 0004-3214 (DE-600)211710-1 |
spellingShingle | Nesbit, Molly The use of history the Museum of Modern Art's four Atget exhibitions have dispelled some - but hardly all - of the mist that has accumulated around Atget's documentary practice Atget, Eugène 1856-1927 (DE-588)118504835 gnd |
subject_GND | (DE-588)118504835 |
title | The use of history the Museum of Modern Art's four Atget exhibitions have dispelled some - but hardly all - of the mist that has accumulated around Atget's documentary practice |
title_auth | The use of history the Museum of Modern Art's four Atget exhibitions have dispelled some - but hardly all - of the mist that has accumulated around Atget's documentary practice |
title_exact_search | The use of history the Museum of Modern Art's four Atget exhibitions have dispelled some - but hardly all - of the mist that has accumulated around Atget's documentary practice |
title_full | The use of history the Museum of Modern Art's four Atget exhibitions have dispelled some - but hardly all - of the mist that has accumulated around Atget's documentary practice Molly Nesbit |
title_fullStr | The use of history the Museum of Modern Art's four Atget exhibitions have dispelled some - but hardly all - of the mist that has accumulated around Atget's documentary practice Molly Nesbit |
title_full_unstemmed | The use of history the Museum of Modern Art's four Atget exhibitions have dispelled some - but hardly all - of the mist that has accumulated around Atget's documentary practice Molly Nesbit |
title_short | The use of history |
title_sort | the use of history the museum of modern art s four atget exhibitions have dispelled some but hardly all of the mist that has accumulated around atget s documentary practice |
title_sub | the Museum of Modern Art's four Atget exhibitions have dispelled some - but hardly all - of the mist that has accumulated around Atget's documentary practice |
topic | Atget, Eugène 1856-1927 (DE-588)118504835 gnd |
topic_facet | Atget, Eugène 1856-1927 |
work_keys_str_mv | AT nesbitmolly theuseofhistorythemuseumofmodernartsfouratgetexhibitionshavedispelledsomebuthardlyallofthemistthathasaccumulatedaroundatgetsdocumentarypractice |