A review of the use of symmetry, the Golden Section and dynamic symmetry in contemporary art:
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
1986
|
Schlagworte: | |
ISSN: | 0024-094x |
Internformat
MARC
LEADER | 00000naa a2200000 c 4500 | ||
---|---|---|---|
001 | BV038454031 | ||
003 | DE-604 | ||
005 | 20071008121456 | ||
007 | t | ||
008 | 060816s1986 |||| 00||| eng d | ||
035 | |a (OCoLC)888500160 | ||
035 | |a (DE-599)BVBBV038454031 | ||
040 | |a DE-604 |b ger |e rakwb | ||
041 | 0 | |a eng | |
049 | |a DE-255 | ||
100 | 1 | |a McWhinnie, Harold J. |d 1929- |e Verfasser |0 (DE-588)133459934 |4 aut | |
245 | 1 | 0 | |a A review of the use of symmetry, the Golden Section and dynamic symmetry in contemporary art |c Harold J. McWhinnie |
264 | 1 | |c 1986 | |
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
648 | 7 | |a Geschichte 1900-2000 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Komposition |0 (DE-588)4032012-1 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Komposition |0 (DE-588)4032012-1 |D s |
689 | 0 | 1 | |a Geschichte 1900-2000 |A z |
689 | 0 | |5 DE-604 | |
773 | 1 | 8 | |g volume:19 |g year:1986 |g pages:241-245 |
773 | 0 | 8 | |t Leonardo |d Oxford [u.a.], 1986 |g 19.1986, 241-245 |w (DE-604)BV002664514 |x 0024-094x |o (DE-600)214896-1 |
999 | |a oai:aleph.bib-bvb.de:BVB01-023666807 | ||
941 | |b 19 |j 1986 |s 241-245 |
Datensatz im Suchindex
_version_ | 1804147274727555072 |
---|---|
any_adam_object | |
article_link | (DE-604)BV002664514 |
author | McWhinnie, Harold J. 1929- |
author_GND | (DE-588)133459934 |
author_facet | McWhinnie, Harold J. 1929- |
author_role | aut |
author_sort | McWhinnie, Harold J. 1929- |
author_variant | h j m hj hjm |
building | Verbundindex |
bvnumber | BV038454031 |
ctrlnum | (OCoLC)888500160 (DE-599)BVBBV038454031 |
era | Geschichte 1900-2000 gnd |
era_facet | Geschichte 1900-2000 |
format | Article |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01120naa a2200325 c 4500</leader><controlfield tag="001">BV038454031</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20071008121456 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">060816s1986 |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)888500160</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV038454031</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-255</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">McWhinnie, Harold J.</subfield><subfield code="d">1929-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)133459934</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">A review of the use of symmetry, the Golden Section and dynamic symmetry in contemporary art</subfield><subfield code="c">Harold J. McWhinnie</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">1986</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Komposition</subfield><subfield code="0">(DE-588)4032012-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Komposition</subfield><subfield code="0">(DE-588)4032012-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Geschichte 1900-2000</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:19</subfield><subfield code="g">year:1986</subfield><subfield code="g">pages:241-245</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Leonardo</subfield><subfield code="d">Oxford [u.a.], 1986</subfield><subfield code="g">19.1986, 241-245</subfield><subfield code="w">(DE-604)BV002664514</subfield><subfield code="x">0024-094x</subfield><subfield code="o">(DE-600)214896-1</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-023666807</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="b">19</subfield><subfield code="j">1986</subfield><subfield code="s">241-245</subfield></datafield></record></collection> |
id | DE-604.BV038454031 |
illustrated | Not Illustrated |
indexdate | 2024-07-09T23:48:38Z |
institution | BVB |
issn | 0024-094x |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-023666807 |
oclc_num | 888500160 |
open_access_boolean | |
owner | DE-255 |
owner_facet | DE-255 |
publishDate | 1986 |
publishDateSearch | 1986 |
publishDateSort | 1986 |
record_format | marc |
spelling | McWhinnie, Harold J. 1929- Verfasser (DE-588)133459934 aut A review of the use of symmetry, the Golden Section and dynamic symmetry in contemporary art Harold J. McWhinnie 1986 txt rdacontent n rdamedia nc rdacarrier Geschichte 1900-2000 gnd rswk-swf Komposition (DE-588)4032012-1 gnd rswk-swf Komposition (DE-588)4032012-1 s Geschichte 1900-2000 z DE-604 volume:19 year:1986 pages:241-245 Leonardo Oxford [u.a.], 1986 19.1986, 241-245 (DE-604)BV002664514 0024-094x (DE-600)214896-1 |
spellingShingle | McWhinnie, Harold J. 1929- A review of the use of symmetry, the Golden Section and dynamic symmetry in contemporary art Komposition (DE-588)4032012-1 gnd |
subject_GND | (DE-588)4032012-1 |
title | A review of the use of symmetry, the Golden Section and dynamic symmetry in contemporary art |
title_auth | A review of the use of symmetry, the Golden Section and dynamic symmetry in contemporary art |
title_exact_search | A review of the use of symmetry, the Golden Section and dynamic symmetry in contemporary art |
title_full | A review of the use of symmetry, the Golden Section and dynamic symmetry in contemporary art Harold J. McWhinnie |
title_fullStr | A review of the use of symmetry, the Golden Section and dynamic symmetry in contemporary art Harold J. McWhinnie |
title_full_unstemmed | A review of the use of symmetry, the Golden Section and dynamic symmetry in contemporary art Harold J. McWhinnie |
title_short | A review of the use of symmetry, the Golden Section and dynamic symmetry in contemporary art |
title_sort | a review of the use of symmetry the golden section and dynamic symmetry in contemporary art |
topic | Komposition (DE-588)4032012-1 gnd |
topic_facet | Komposition |
work_keys_str_mv | AT mcwhinnieharoldj areviewoftheuseofsymmetrythegoldensectionanddynamicsymmetryincontemporaryart |