Towards a science of art: the concept of "pure composition" in nineteenth- and twentieth-century art theory
Gespeichert in:
1. Verfasser: | |
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Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
2000
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Schlagworte: | |
ISBN: | 0-85481-126-5 |
Internformat
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Datensatz im Suchindex
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article_link | (DE-604)BV013752732 |
author | Locher, Hubert 1963- |
author_GND | (DE-588)120756358 |
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id | DE-604.BV038169455 |
illustrated | Not Illustrated |
indexdate | 2024-07-09T23:42:33Z |
institution | BVB |
isbn | 0-85481-126-5 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-023382225 |
oclc_num | 886869573 |
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publishDate | 2000 |
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spelling | Locher, Hubert 1963- Verfasser (DE-588)120756358 aut Towards a science of art the concept of "pure composition" in nineteenth- and twentieth-century art theory 2000 txt rdacontent n rdamedia nc rdacarrier Geschichte 1850-1950 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Komposition (DE-588)4032012-1 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Geschichte 1850-1950 Malerei (DE-588)4037220-0 s Komposition (DE-588)4032012-1 s Ästhetik (DE-588)4000626-8 s Geschichte 1850-1950 z DE-604 pages:217-251 Pictorial composition from medieval to modern art / ed. by Paul Taylor and François Quiviger London, 2000 S. 217-251 Warburg Institute colloquia ; 6 (DE-604)BV013752732 0-85481-126-5 |
spellingShingle | Locher, Hubert 1963- Towards a science of art the concept of "pure composition" in nineteenth- and twentieth-century art theory Malerei (DE-588)4037220-0 gnd Komposition (DE-588)4032012-1 gnd Ästhetik (DE-588)4000626-8 gnd |
subject_GND | (DE-588)4037220-0 (DE-588)4032012-1 (DE-588)4000626-8 |
title | Towards a science of art the concept of "pure composition" in nineteenth- and twentieth-century art theory |
title_auth | Towards a science of art the concept of "pure composition" in nineteenth- and twentieth-century art theory |
title_exact_search | Towards a science of art the concept of "pure composition" in nineteenth- and twentieth-century art theory |
title_full | Towards a science of art the concept of "pure composition" in nineteenth- and twentieth-century art theory |
title_fullStr | Towards a science of art the concept of "pure composition" in nineteenth- and twentieth-century art theory |
title_full_unstemmed | Towards a science of art the concept of "pure composition" in nineteenth- and twentieth-century art theory |
title_short | Towards a science of art |
title_sort | towards a science of art the concept of pure composition in nineteenth and twentieth century art theory |
title_sub | the concept of "pure composition" in nineteenth- and twentieth-century art theory |
topic | Malerei (DE-588)4037220-0 gnd Komposition (DE-588)4032012-1 gnd Ästhetik (DE-588)4000626-8 gnd |
topic_facet | Malerei Komposition Ästhetik |
work_keys_str_mv | AT locherhubert towardsascienceofarttheconceptofpurecompositioninnineteenthandtwentiethcenturyarttheory |