Vasari's theory on the origins of oil painting and its influence on cleaning methods: the ruined polychromy of the early thirteenth century crucifix from Haug, Norway
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
1997
|
ISBN: | 1-85928-254-7 |
Internformat
MARC
LEADER | 00000naa a2200000 c 4500 | ||
---|---|---|---|
001 | BV038136562 | ||
003 | DE-604 | ||
005 | 20070905101125 | ||
007 | t | ||
008 | 990903s1997 |||| 00||| eng d | ||
035 | |a (OCoLC)887244370 | ||
035 | |a (DE-599)BVBBV038136562 | ||
040 | |a DE-604 |b ger |e rakwb | ||
041 | 0 | |a eng | |
049 | |a DE-Y3 |a DE-255 |a DE-Y2 | ||
100 | 1 | |a Kollandsrud, Kaja |d 1963- |e Verfasser |0 (DE-588)133342093 |4 aut | |
245 | 1 | 0 | |a Vasari's theory on the origins of oil painting and its influence on cleaning methods |b the ruined polychromy of the early thirteenth century crucifix from Haug, Norway |c K. Kollandsrud |
264 | 1 | |c 1997 | |
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
773 | 1 | 8 | |g pages:139-149 |
773 | 0 | 8 | |t Sculpture conservation / ed. by Phillip Lindley |d Aldershot, 1997 |g S. 139-149 |w (DE-604)BV037591341 |z 1-85928-254-7 |
999 | |a oai:aleph.bib-bvb.de:BVB01-023349332 | ||
941 | |s 139-149 |
Datensatz im Suchindex
_version_ | 1804146845777133568 |
---|---|
any_adam_object | |
article_link | (DE-604)BV037591341 |
author | Kollandsrud, Kaja 1963- |
author_GND | (DE-588)133342093 |
author_facet | Kollandsrud, Kaja 1963- |
author_role | aut |
author_sort | Kollandsrud, Kaja 1963- |
author_variant | k k kk |
building | Verbundindex |
bvnumber | BV038136562 |
ctrlnum | (OCoLC)887244370 (DE-599)BVBBV038136562 |
format | Article |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00952naa a2200265 c 4500</leader><controlfield tag="001">BV038136562</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20070905101125 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">990903s1997 |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)887244370</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV038136562</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Kollandsrud, Kaja</subfield><subfield code="d">1963-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)133342093</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Vasari's theory on the origins of oil painting and its influence on cleaning methods</subfield><subfield code="b">the ruined polychromy of the early thirteenth century crucifix from Haug, Norway</subfield><subfield code="c">K. Kollandsrud</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">1997</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:139-149</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Sculpture conservation / ed. by Phillip Lindley</subfield><subfield code="d">Aldershot, 1997</subfield><subfield code="g">S. 139-149</subfield><subfield code="w">(DE-604)BV037591341</subfield><subfield code="z">1-85928-254-7</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-023349332</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">139-149</subfield></datafield></record></collection> |
id | DE-604.BV038136562 |
illustrated | Not Illustrated |
indexdate | 2024-07-09T23:41:49Z |
institution | BVB |
isbn | 1-85928-254-7 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-023349332 |
oclc_num | 887244370 |
open_access_boolean | |
owner | DE-Y3 DE-255 DE-Y2 |
owner_facet | DE-Y3 DE-255 DE-Y2 |
publishDate | 1997 |
publishDateSearch | 1997 |
publishDateSort | 1997 |
record_format | marc |
spelling | Kollandsrud, Kaja 1963- Verfasser (DE-588)133342093 aut Vasari's theory on the origins of oil painting and its influence on cleaning methods the ruined polychromy of the early thirteenth century crucifix from Haug, Norway K. Kollandsrud 1997 txt rdacontent n rdamedia nc rdacarrier pages:139-149 Sculpture conservation / ed. by Phillip Lindley Aldershot, 1997 S. 139-149 (DE-604)BV037591341 1-85928-254-7 |
spellingShingle | Kollandsrud, Kaja 1963- Vasari's theory on the origins of oil painting and its influence on cleaning methods the ruined polychromy of the early thirteenth century crucifix from Haug, Norway |
title | Vasari's theory on the origins of oil painting and its influence on cleaning methods the ruined polychromy of the early thirteenth century crucifix from Haug, Norway |
title_auth | Vasari's theory on the origins of oil painting and its influence on cleaning methods the ruined polychromy of the early thirteenth century crucifix from Haug, Norway |
title_exact_search | Vasari's theory on the origins of oil painting and its influence on cleaning methods the ruined polychromy of the early thirteenth century crucifix from Haug, Norway |
title_full | Vasari's theory on the origins of oil painting and its influence on cleaning methods the ruined polychromy of the early thirteenth century crucifix from Haug, Norway K. Kollandsrud |
title_fullStr | Vasari's theory on the origins of oil painting and its influence on cleaning methods the ruined polychromy of the early thirteenth century crucifix from Haug, Norway K. Kollandsrud |
title_full_unstemmed | Vasari's theory on the origins of oil painting and its influence on cleaning methods the ruined polychromy of the early thirteenth century crucifix from Haug, Norway K. Kollandsrud |
title_short | Vasari's theory on the origins of oil painting and its influence on cleaning methods |
title_sort | vasari s theory on the origins of oil painting and its influence on cleaning methods the ruined polychromy of the early thirteenth century crucifix from haug norway |
title_sub | the ruined polychromy of the early thirteenth century crucifix from Haug, Norway |
work_keys_str_mv | AT kollandsrudkaja vasaristheoryontheoriginsofoilpaintinganditsinfluenceoncleaningmethodstheruinedpolychromyoftheearlythirteenthcenturycrucifixfromhaugnorway |