The significance of iconography in the print culture of the late-fifteenth-century music theoretical discourse: the Theoricum opus musice discipline (1480) and Theorica musice (1492) of Franchino Gaffurio in the context of his trilogy
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Artikel |
Sprache: | English |
Veröffentlicht: |
2010
|
Schlagworte: | |
ISSN: | 1522-7464 |
Internformat
MARC
LEADER | 00000naa a2200000 c 4500 | ||
---|---|---|---|
001 | BV038126269 | ||
003 | DE-604 | ||
005 | 20110407104614 | ||
007 | t | ||
008 | 110330s2010 |||| 00||| eng d | ||
035 | |a (OCoLC)887152319 | ||
035 | |a (DE-599)BVBBV038126269 | ||
040 | |a DE-604 |b ger |e rakwb | ||
041 | 0 | |a eng | |
049 | |a DE-Y3 |a DE-255 |a DE-Y2 | ||
100 | 1 | |a Kreyszig, Walter Kurt |e Verfasser |4 aut | |
245 | 1 | 0 | |a The significance of iconography in the print culture of the late-fifteenth-century music theoretical discourse |b the Theoricum opus musice discipline (1480) and Theorica musice (1492) of Franchino Gaffurio in the context of his trilogy |
264 | 1 | |c 2010 | |
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
650 | 0 | 7 | |a Musiktheorie |0 (DE-588)4040876-0 |2 gnd |9 rswk-swf |
689 | 0 | 0 | |a Musiktheorie |0 (DE-588)4040876-0 |D s |
689 | 0 | |5 DE-604 | |
773 | 0 | 8 | |t Music in art / Research Center for Music Iconography |d New York, NY, 2010 |g 35.2010, 1/2, 53-70 |w (DE-604)BV012878156 |x 1522-7464 |o (DE-600)1498279-1 |
999 | |a oai:aleph.bib-bvb.de:BVB01-023339039 |
Datensatz im Suchindex
_version_ | 1804146831109652480 |
---|---|
any_adam_object | |
article_link | (DE-604)BV012878156 |
author | Kreyszig, Walter Kurt |
author_facet | Kreyszig, Walter Kurt |
author_role | aut |
author_sort | Kreyszig, Walter Kurt |
author_variant | w k k wk wkk |
building | Verbundindex |
bvnumber | BV038126269 |
ctrlnum | (OCoLC)887152319 (DE-599)BVBBV038126269 |
format | Article |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01101naa a2200277 c 4500</leader><controlfield tag="001">BV038126269</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20110407104614 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">110330s2010 |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)887152319</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV038126269</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Kreyszig, Walter Kurt</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The significance of iconography in the print culture of the late-fifteenth-century music theoretical discourse</subfield><subfield code="b">the Theoricum opus musice discipline (1480) and Theorica musice (1492) of Franchino Gaffurio in the context of his trilogy</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2010</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musiktheorie</subfield><subfield code="0">(DE-588)4040876-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Musiktheorie</subfield><subfield code="0">(DE-588)4040876-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Music in art / Research Center for Music Iconography</subfield><subfield code="d">New York, NY, 2010</subfield><subfield code="g">35.2010, 1/2, 53-70</subfield><subfield code="w">(DE-604)BV012878156</subfield><subfield code="x">1522-7464</subfield><subfield code="o">(DE-600)1498279-1</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-023339039</subfield></datafield></record></collection> |
id | DE-604.BV038126269 |
illustrated | Not Illustrated |
indexdate | 2024-07-09T23:41:35Z |
institution | BVB |
issn | 1522-7464 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-023339039 |
oclc_num | 887152319 |
open_access_boolean | |
owner | DE-Y3 DE-255 DE-Y2 |
owner_facet | DE-Y3 DE-255 DE-Y2 |
publishDate | 2010 |
publishDateSearch | 2010 |
publishDateSort | 2010 |
record_format | marc |
spelling | Kreyszig, Walter Kurt Verfasser aut The significance of iconography in the print culture of the late-fifteenth-century music theoretical discourse the Theoricum opus musice discipline (1480) and Theorica musice (1492) of Franchino Gaffurio in the context of his trilogy 2010 txt rdacontent n rdamedia nc rdacarrier Musiktheorie (DE-588)4040876-0 gnd rswk-swf Musiktheorie (DE-588)4040876-0 s DE-604 Music in art / Research Center for Music Iconography New York, NY, 2010 35.2010, 1/2, 53-70 (DE-604)BV012878156 1522-7464 (DE-600)1498279-1 |
spellingShingle | Kreyszig, Walter Kurt The significance of iconography in the print culture of the late-fifteenth-century music theoretical discourse the Theoricum opus musice discipline (1480) and Theorica musice (1492) of Franchino Gaffurio in the context of his trilogy Musiktheorie (DE-588)4040876-0 gnd |
subject_GND | (DE-588)4040876-0 |
title | The significance of iconography in the print culture of the late-fifteenth-century music theoretical discourse the Theoricum opus musice discipline (1480) and Theorica musice (1492) of Franchino Gaffurio in the context of his trilogy |
title_auth | The significance of iconography in the print culture of the late-fifteenth-century music theoretical discourse the Theoricum opus musice discipline (1480) and Theorica musice (1492) of Franchino Gaffurio in the context of his trilogy |
title_exact_search | The significance of iconography in the print culture of the late-fifteenth-century music theoretical discourse the Theoricum opus musice discipline (1480) and Theorica musice (1492) of Franchino Gaffurio in the context of his trilogy |
title_full | The significance of iconography in the print culture of the late-fifteenth-century music theoretical discourse the Theoricum opus musice discipline (1480) and Theorica musice (1492) of Franchino Gaffurio in the context of his trilogy |
title_fullStr | The significance of iconography in the print culture of the late-fifteenth-century music theoretical discourse the Theoricum opus musice discipline (1480) and Theorica musice (1492) of Franchino Gaffurio in the context of his trilogy |
title_full_unstemmed | The significance of iconography in the print culture of the late-fifteenth-century music theoretical discourse the Theoricum opus musice discipline (1480) and Theorica musice (1492) of Franchino Gaffurio in the context of his trilogy |
title_short | The significance of iconography in the print culture of the late-fifteenth-century music theoretical discourse |
title_sort | the significance of iconography in the print culture of the late fifteenth century music theoretical discourse the theoricum opus musice discipline 1480 and theorica musice 1492 of franchino gaffurio in the context of his trilogy |
title_sub | the Theoricum opus musice discipline (1480) and Theorica musice (1492) of Franchino Gaffurio in the context of his trilogy |
topic | Musiktheorie (DE-588)4040876-0 gnd |
topic_facet | Musiktheorie |
work_keys_str_mv | AT kreyszigwalterkurt thesignificanceoficonographyintheprintcultureofthelatefifteenthcenturymusictheoreticaldiscoursethetheoricumopusmusicediscipline1480andtheoricamusice1492offranchinogaffuriointhecontextofhistrilogy |