From Constructivism to Pop: avant-garde practices in Brazil, Britain and North America between the 1950s and 1960s
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2009
|
| ISBN: | 978-0-522-85500-5 |
Internformat
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV038081457 | ||
| 003 | DE-604 | ||
| 005 | 20090809101910 | ||
| 007 | t | ||
| 008 | 090807s2009 |||| 00||| eng d | ||
| 035 | |a (OCoLC)886828668 | ||
| 035 | |a (DE-599)BVBBV038081457 | ||
| 040 | |a DE-604 |b ger |e rakwb | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Y3 |a DE-Y2 | ||
| 100 | 1 | |a Asbury, Michael |d 1966- |e Verfasser |0 (DE-588)13311855X |4 aut | |
| 245 | 1 | 0 | |a From Constructivism to Pop |b avant-garde practices in Brazil, Britain and North America between the 1950s and 1960s |
| 264 | 1 | |c 2009 | |
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 773 | 1 | 8 | |g pages:743-746 |
| 773 | 0 | 8 | |t Crossing cultures / (Comité International d'Histoire de l'Art, CIHA). Ed. by Jaynie Anderson |b 1. publ. |d Carlton, 2009 |g S. 743-746 |w (DE-604)BV035186772 |z 978-0-522-85500-5 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-023294227 | ||
| 941 | |s 743-746 | ||
Datensatz im Suchindex
| _version_ | 1804146767561752576 |
|---|---|
| any_adam_object | |
| article_link | (DE-604)BV035186772 |
| author | Asbury, Michael 1966- |
| author_GND | (DE-588)13311855X |
| author_facet | Asbury, Michael 1966- |
| author_role | aut |
| author_sort | Asbury, Michael 1966- |
| author_variant | m a ma |
| building | Verbundindex |
| bvnumber | BV038081457 |
| ctrlnum | (OCoLC)886828668 (DE-599)BVBBV038081457 |
| format | Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00932naa a2200265 c 4500</leader><controlfield tag="001">BV038081457</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20090809101910 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">090807s2009 |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)886828668</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV038081457</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y3</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Asbury, Michael</subfield><subfield code="d">1966-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)13311855X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">From Constructivism to Pop</subfield><subfield code="b">avant-garde practices in Brazil, Britain and North America between the 1950s and 1960s</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2009</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:743-746</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Crossing cultures / (Comité International d'Histoire de l'Art, CIHA). Ed. by Jaynie Anderson</subfield><subfield code="b">1. publ.</subfield><subfield code="d">Carlton, 2009</subfield><subfield code="g">S. 743-746</subfield><subfield code="w">(DE-604)BV035186772</subfield><subfield code="z">978-0-522-85500-5</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-023294227</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">743-746</subfield></datafield></record></collection> |
| id | DE-604.BV038081457 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T23:40:35Z |
| institution | BVB |
| isbn | 978-0-522-85500-5 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-023294227 |
| oclc_num | 886828668 |
| open_access_boolean | |
| owner | DE-Y3 DE-Y2 |
| owner_facet | DE-Y3 DE-Y2 |
| publishDate | 2009 |
| publishDateSearch | 2009 |
| publishDateSort | 2009 |
| record_format | marc |
| spelling | Asbury, Michael 1966- Verfasser (DE-588)13311855X aut From Constructivism to Pop avant-garde practices in Brazil, Britain and North America between the 1950s and 1960s 2009 txt rdacontent n rdamedia nc rdacarrier pages:743-746 Crossing cultures / (Comité International d'Histoire de l'Art, CIHA). Ed. by Jaynie Anderson 1. publ. Carlton, 2009 S. 743-746 (DE-604)BV035186772 978-0-522-85500-5 |
| spellingShingle | Asbury, Michael 1966- From Constructivism to Pop avant-garde practices in Brazil, Britain and North America between the 1950s and 1960s |
| title | From Constructivism to Pop avant-garde practices in Brazil, Britain and North America between the 1950s and 1960s |
| title_auth | From Constructivism to Pop avant-garde practices in Brazil, Britain and North America between the 1950s and 1960s |
| title_exact_search | From Constructivism to Pop avant-garde practices in Brazil, Britain and North America between the 1950s and 1960s |
| title_full | From Constructivism to Pop avant-garde practices in Brazil, Britain and North America between the 1950s and 1960s |
| title_fullStr | From Constructivism to Pop avant-garde practices in Brazil, Britain and North America between the 1950s and 1960s |
| title_full_unstemmed | From Constructivism to Pop avant-garde practices in Brazil, Britain and North America between the 1950s and 1960s |
| title_short | From Constructivism to Pop |
| title_sort | from constructivism to pop avant garde practices in brazil britain and north america between the 1950s and 1960s |
| title_sub | avant-garde practices in Brazil, Britain and North America between the 1950s and 1960s |
| work_keys_str_mv | AT asburymichael fromconstructivismtopopavantgardepracticesinbrazilbritainandnorthamericabetweenthe1950sand1960s |