Rubens's "Ecce Homo" and "Derision of Silenus": classical antiquity, images of devotion, and the ostentation of art
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2007
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| ISBN: | 978-2-503-52068-1 |
Internformat
MARC
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Datensatz im Suchindex
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| author | Göttler, Christine |
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| ctrlnum | (OCoLC)887174724 (DE-599)BVBBV038043243 |
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| spelling | Göttler, Christine Verfasser aut Rubens's "Ecce Homo" and "Derision of Silenus" classical antiquity, images of devotion, and the ostentation of art 2007 txt rdacontent n rdamedia nc rdacarrier pages:427-483 Image and imagination of the religious self in late medieval and early modern Europe / Emory University, Lovis Corinth Colloquia 1. Ed. by Reindert Falkenburg, Walter S. Melion ... Turnhout, 2007 S. 427-483 Proteus ; 1 (DE-604)BV038858741 978-2-503-52068-1 |
| spellingShingle | Göttler, Christine Rubens's "Ecce Homo" and "Derision of Silenus" classical antiquity, images of devotion, and the ostentation of art |
| title | Rubens's "Ecce Homo" and "Derision of Silenus" classical antiquity, images of devotion, and the ostentation of art |
| title_auth | Rubens's "Ecce Homo" and "Derision of Silenus" classical antiquity, images of devotion, and the ostentation of art |
| title_exact_search | Rubens's "Ecce Homo" and "Derision of Silenus" classical antiquity, images of devotion, and the ostentation of art |
| title_full | Rubens's "Ecce Homo" and "Derision of Silenus" classical antiquity, images of devotion, and the ostentation of art |
| title_fullStr | Rubens's "Ecce Homo" and "Derision of Silenus" classical antiquity, images of devotion, and the ostentation of art |
| title_full_unstemmed | Rubens's "Ecce Homo" and "Derision of Silenus" classical antiquity, images of devotion, and the ostentation of art |
| title_short | Rubens's "Ecce Homo" and "Derision of Silenus" |
| title_sort | rubens s ecce homo and derision of silenus classical antiquity images of devotion and the ostentation of art |
| title_sub | classical antiquity, images of devotion, and the ostentation of art |
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