Douglas Gordon, "24 Hour Psycho": Anamorphosen des Kinos
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | German |
| Veröffentlicht: |
2004
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| Schlagworte: | |
| ISSN: | 1438-8995 |
Internformat
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Datensatz im Suchindex
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| illustrated | Not Illustrated |
| indexdate | 2024-07-09T23:37:33Z |
| institution | BVB |
| issn | 1438-8995 |
| language | German |
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| spelling | Frohne, Ursula 1958- Verfasser (DE-588)137136498 aut Douglas Gordon, "24 Hour Psycho" Anamorphosen des Kinos 2004 txt rdacontent n rdamedia nc rdacarrier Gordon, Douglas 1966- 24 Hour Psycho (DE-588)4559288-3 gnd rswk-swf Psycho Film (DE-588)4309064-3 gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf Psycho Film (DE-588)4309064-3 u Rezeption (DE-588)4049716-1 s DE-604 Gordon, Douglas 1966- 24 Hour Psycho (DE-588)4559288-3 u Kunsthistorische Arbeitsblätter Köln, 2004 2004, 11, 15-24 (DE-604)BV012823525 1438-8995 (DE-600)1497422-8 |
| spellingShingle | Frohne, Ursula 1958- Douglas Gordon, "24 Hour Psycho" Anamorphosen des Kinos Gordon, Douglas 1966- 24 Hour Psycho (DE-588)4559288-3 gnd Psycho Film (DE-588)4309064-3 gnd Rezeption (DE-588)4049716-1 gnd |
| subject_GND | (DE-588)4559288-3 (DE-588)4309064-3 (DE-588)4049716-1 |
| title | Douglas Gordon, "24 Hour Psycho" Anamorphosen des Kinos |
| title_auth | Douglas Gordon, "24 Hour Psycho" Anamorphosen des Kinos |
| title_exact_search | Douglas Gordon, "24 Hour Psycho" Anamorphosen des Kinos |
| title_full | Douglas Gordon, "24 Hour Psycho" Anamorphosen des Kinos |
| title_fullStr | Douglas Gordon, "24 Hour Psycho" Anamorphosen des Kinos |
| title_full_unstemmed | Douglas Gordon, "24 Hour Psycho" Anamorphosen des Kinos |
| title_short | Douglas Gordon, "24 Hour Psycho" |
| title_sort | douglas gordon 24 hour psycho anamorphosen des kinos |
| title_sub | Anamorphosen des Kinos |
| topic | Gordon, Douglas 1966- 24 Hour Psycho (DE-588)4559288-3 gnd Psycho Film (DE-588)4309064-3 gnd Rezeption (DE-588)4049716-1 gnd |
| topic_facet | Gordon, Douglas 1966- 24 Hour Psycho Psycho Film Rezeption |
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