Caravaggio and pictorial narrative: dislocating the "Istoria" in early modern painting
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Miller
2011
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VII, 654 S. zahlr. Ill. |
| ISBN: | 9781905375486 |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV037688354 | ||
| 003 | DE-604 | ||
| 005 | 20130513 | ||
| 007 | t | ||
| 008 | 110211s2011 a||| |||| 00||| eng d | ||
| 020 | |a 9781905375486 |9 978-1-905375-48-6 | ||
| 035 | |a (OCoLC)704382547 | ||
| 035 | |a (DE-599)BVBBV037688354 | ||
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| 041 | 0 | |a eng | |
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| 999 | |a oai:aleph.bib-bvb.de:BVB01-022901885 | ||
Datensatz im Suchindex
| _version_ | 1804146155652644864 |
|---|---|
| adam_text | Table
of
Contents
ACKNOWLEDGMENTS
...................................... 1
FOREWORD
Caravaggio and the
Istoria
................................... 3
PART ONE
A Matter of Optics and Rhetoric: The
Aporia
of Pictorial Narrative Before,
During, and After Car avaggio
s
Time
Caravaggio s Nonsense
..................................... 15
Chapter
1
The Glitches in Alberti s
Istoria:
The Human Figure Between Beauty and Reality
. . 35
Chapter
2
The Glitches in Alberti s
Istoria:
Time and Action
.................... 67
Chapter
3
The False Dichotomy Between Telling and Showing: Beyond Alberti s
Istoria
.... 93
PART TWO
Blending Genres: Lyrical and Comical Interactions in Caravaggio s Early Paintings
Comedy of Errors
........................................ 121
Chapter
4
Money and Seduction: Narrative Patterns in Caravaggio s Two Versions of
The Fortune Teller
....................................... 135
Chapter
5
Behind the Comical Trick: Caravaggio s The
Cardsharps
and Giovan
Battista
Marino s
Gioco di
Primera ...........................
157
Chapter
6
Love in the Mirror: A Comparative Reading of Titian s Woman at Her Toilet
and Caravaggio s Conversion of Mary Magdalene
.................... 177
V
TABLE
OF
CONTENTS
PART
THREE
The Misplaced Hero: The Challenge of the
Istoria
in Caravaggio s Early
Religious Narratives
Truth in Painting
......................................... 199
Chapter
7
The Calling of Saint Matthew in Retrospective: Experimenting with Narrative
Disconnections
........................................ 211
Chapter
8
Completely Bereft of Action : Narrative Blindness and the Heroic Horse
in the
Cerasi
Conversion of Saint Paul
........................... 243
Chapter
9
Visualizing Appearance and Disappearance: Caravaggio s Two Versions
of The Supper at Emmaus
.................................. 265
PART FOUR
With the Mind s Eye : Self-Representation and Self-Referentiality in
Caravaggio s Pictorial Narratives
The Shaman Painter or The Metaphysics of Pictorial Invention
.............. 297
Chapter
10
Zuccari s Lantern: The Blind Spot of Painting in Caravaggio s The Taking of Christ
. . 311
Chapter
11
The Other Michelangelo: The Weight of Composition and Artistic
Paragone in
Caravaggio s Entombment
.................................. 343
Chapter
12
The Impossible Banality of Representing Christ: Self-Parody and
Tragicomedy in Caravaggio s Ecce Homo
......................... 375
PART FIVE
The Work of Memory: Variations on Themes and Telescopic Parallels in
Caravaggio s Late Pictorial Narratives
Artistic Memory and the Invention of the
Istoria
...................... 403
Chapter
13
Narratives of the
Non-Finito:
On Caravaggio s Denial of Saint Peter, The Burial of
Saint Lucy, and The Resurrection of Lazarus
........................ 415
Chapter
14
Piercing the Canvas: Painting and
Meta-Narrative in
Caravaggio s
The Incredulity of Saint Thomas and The Martyrdom of Saint Ursula
........... 447
VI
TABLE
OF
CONTENTS
PART SIX
Reaction to
Change:
The Afterlife of
Caravaggio s
Poetics of
Dislocation
The Black
Tide of Caravaggio s Painting
........................... 481
Chapter
15
Blind and Deaf Actions:
Ceceo
del Caravaggio s Chicago Resurrection
........ 495
Chapter
16
The Antichrist of Spanish Painting: Diego Velazquez s Supper at Emmaus
and the Two Versions of
La Mulata
............................ 517
Chapter
17
Without a Plot: Valentin
de
Boulogne s Liechtenstein Merry Company with
Fortune Teller
......................................... 539
EPILOGUE
The End of Narrative? Afterthoughts on the Definition and Function of the
Istoria
in an Age of Subjectivity
.................................... 559
TABLE OF ILLUSTRATIONS
................................... 573
BIBLIOGRAPHY
. . ......................................... 589
INDEX
................................................. 645
VII
|
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| author | Pericolo, Lorenzo 1966- |
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| dewey-ones | 759 - History, geographic treatment, biography |
| dewey-raw | 759.5 |
| dewey-search | 759.5 |
| dewey-sort | 3759.5 |
| dewey-tens | 750 - Painting and paintings |
| discipline | Kunstgeschichte |
| format | Book |
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| indexdate | 2024-07-09T23:30:51Z |
| institution | BVB |
| isbn | 9781905375486 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-022901885 |
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| spelling | Pericolo, Lorenzo 1966- Verfasser (DE-588)141660376 aut Caravaggio and pictorial narrative dislocating the "Istoria" in early modern painting Lorenzo Pericolo London [u.a.] Miller 2011 VII, 654 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Caravaggio, Michelangelo Merisi da 1571-1610 (DE-588)118519034 gnd rswk-swf Caravaggio, Michelangelo Merisi da 1571-1610 (DE-588)118519034 p DE-604 Caravaggio, Michelangelo Merisi da 1571-1610 Sonstige (DE-588)118519034 oth Digitalisierung UB Bamberg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022901885&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Pericolo, Lorenzo 1966- Caravaggio and pictorial narrative dislocating the "Istoria" in early modern painting Caravaggio, Michelangelo Merisi da 1571-1610 (DE-588)118519034 gnd |
| subject_GND | (DE-588)118519034 |
| title | Caravaggio and pictorial narrative dislocating the "Istoria" in early modern painting |
| title_auth | Caravaggio and pictorial narrative dislocating the "Istoria" in early modern painting |
| title_exact_search | Caravaggio and pictorial narrative dislocating the "Istoria" in early modern painting |
| title_full | Caravaggio and pictorial narrative dislocating the "Istoria" in early modern painting Lorenzo Pericolo |
| title_fullStr | Caravaggio and pictorial narrative dislocating the "Istoria" in early modern painting Lorenzo Pericolo |
| title_full_unstemmed | Caravaggio and pictorial narrative dislocating the "Istoria" in early modern painting Lorenzo Pericolo |
| title_short | Caravaggio and pictorial narrative |
| title_sort | caravaggio and pictorial narrative dislocating the istoria in early modern painting |
| title_sub | dislocating the "Istoria" in early modern painting |
| topic | Caravaggio, Michelangelo Merisi da 1571-1610 (DE-588)118519034 gnd |
| topic_facet | Caravaggio, Michelangelo Merisi da 1571-1610 |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022901885&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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