Quadrante and the politicization of architectural discourse in fascist Italy:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | English |
| Veröffentlicht: |
2007
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XVI, 519 S. Ill., graph. Darst., Kt. 23 cm |
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Datensatz im Suchindex
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| adam_text |
David
Rifkind
Submitted in partial fulfillment of the requirements for
the degree of Doctor of Philosophy
under the Executive Committee of the Graduate School of
Arts and Sciences
COLUMBIA
UNIVERSITY
200?
Contents
List cf figures
Acknowledgements
Introduction
Chapter
1:
Architecture, Art of the State
1926-1927:
the
Gruppo
7
1928:
The first Exhibition
öf
Rationalist Architecture
Intransigenüy
modern
1930:
Spaces of discourse
1931:
MIAR
1930:
the PoMttcization of Architectural Discourse
Architecture as Art and Morality
The Table of Horrors
Beyond
MIAR
1932:
a "journal of battle"
Illustrations
m
xv
1
16
70
81
Chapter
2:
Against Sedentary Intelligence: The Founding of Quadrants
Bontempelii and Bardi's
"Principii"
Un programma di Architettura
"an unfettered, advanced, original intelligence"
Birth of a journal
Kn and the debate over abstraction
Influence and influences
Edizioni di Quadrante
Conclusion
-
Contro l'intelligenza sedentaria
Appendix
1:
"Un programma di Architettura"
130
Illustrations
131
Chapter
3:
Quadrante
and the V
Triennale di Milano,
1933 137
Villa Studio per un Artista
Casa sul Ugo per Artista
Edificio di elementi di case popolari
"salon europeanism"
Padiglione delta Stampa
Casa del Sabato per gli Sposi
Steel
Houses
The Triennale
and the legacy of the
Tavolo degli orrori
Saletta dei CIRPAC
Conclusion ~ In the expositions!"
Illustrations
194
Chapter
4:
"Profoundly Political":
Quadrante
and the Palazzo del
Littorio
competition
224
Casa del Fascio
and
Palazzo del Littorio
"the most meaningful and important artistic fact of our fascist
epoch"
"We have had enough of
Sabaudia!"
"the rats dance"
"Have no fear to have courage."
Quadrante
covers the competition
The
Gruppo Quadrante
The
Gruppo Milanese
Adalberto Libera
This we will not allow
Appendix
2:
letter from
Piacentini
to Bontempelii
267
Illustrations
268
Chapter
§:
"fascist, limpid and naked bke the truth": the
Casa del Fascio
283
Casa del Fascio,
Como
Mass identity
a glass house into which everyone can peer
Mussolini is always present
Symbolic materials
Critical fortunes
"Irrterpretazione"
Conclusion
Illustrations
320
Chapter
6:
Visionary Engineers:
Ciocca,
Horím",
Nervi
332
Bardi
and the advocacy of engineering
Gaetano
Ciocca
Guido Fiorini
Pier Luigi Nervi
Illustrations
Chapter
7:
Quadrante
and the
Corporatist
City
375
387
СІАМ
Chiadrante
and the IV
ОЛИ
Quadrante,
СІАМ
and the influence of
Le Corbusier
in Italy
CMS and Verona
CMS
Rebbio
Hygienic, but not sterile
Urbanistica
Sabaudia
and the
Pontine
marshes
Corporatist urbanism
"everything in the state, nothing against the state, nothing
outside the state"
"the order of the «lay"
The
Valle
ďAosta
regional plan
Conclusion
-
QT8 and the
\Ш СІАМ
Illustrations
4SI
Conclusion: The necessity and
linrits
of politics
Bibliography
478
490
List of
figures
pages
70-80:
1.1.
V
Triennale di Milano. Herbert
Hoffmann,
"Ше
V.
Triennale,
Mailand 1933 und
das neue Bauen in Italien," Moderne Bauformen (August 1933): 401.
1.2.
Gruppo Toscano,
Santa Maria
Novella
Train Station,
Florence.
Architettura
Triennale ài
mano,
Special
Issue
(1933): 146.
1.3.
Inauguration of
Sabaudia.
Quadrante
13
(May
1934): 3.
1.4.
Adalberto
libera and Mario de Renzi,
Italian Pavilion, Century of Progress
Exposition, Chicago,
1933.
Francesco Garofalo and
Luca
Vecesane,
Adalberto
Libera
(New York: Princeton Architectural Press,
2002), 68.
1.5.
Gruppo
7
projects exhibited at the
Ш
Triennale,
Monza
(top) and
Gruppo
7
projects exhibited with drawings by
Antonio SanťEtia,
Werkbund Austeilung,
Stuttgart (middle and bottom),
1927.
Quadrante
23
(March
1935): 37.
1.6.
Gruppo
7
projects exhibited at the
Ш
Triennale,
Monza,
1927.
Vittorio Savi,
Luigi
fígini
e
біт
Pclliái,
arenatiti: catalogo
(Milan:
Electa
Editrice,
1980), 10.
1.7.
Gruppo
7,
with
n'ero Bottoni, Casa Elettrica,
IV
Triennale,
Monza,
1930.
Quadrante
1
(May
1933):
piate
iv.
1.8.
Carlo Belli,
"When the
Gruppo
7
was born, Italian architecture was tike this."
satirical collage of work by Gio
Ponti,
Marcello
Piacentini
and Giovanni
Нило,
с
1926.
Quadrante
гЪ
(March
1935): 25.
1.9.
Giuseppe Pagano and Gino Levi-Montalctm, Guatino office
building, Turin,
1928.
АпЛпеШт
e
ΑΦ"
Ikcorative
{Злтшгу-Ытту
1931): 293.
1.10.
Giuseppe
Terragni,
Novocomum apartment building,
Como,
1928.
Architettura e
ArtiDecorative
(January-February
1931): 299.
1.11.
Luigi Rgini, Gino Pollini
and Luciano Baldessari, Bar Craja, Milan,
1930.
Sculpture:
Fausto
MeLottt, Icaro
che sfugge
alk steile.
Ardritettura
e Arti
Decorative
(November
1931): 797.
1.12.
Luigi Rgini, Gino
РоШпі
and Luciano Baltlessari, Bar Craja,
Milan,
1930.
Sculpture: Marcello
(uzzoli, Arrechino, Savi,
12.
1.13.
Giuseppe Terragni and Pietro
Lingen,
Casa
Ghmngheüi,
Milan,
1933-35.
Photo
by author.
1.14.
Pietro Maria Bardi, Tamia degb' orrori.
Second Exhibition of Rationalist
Architecture, Rome, March
1931.
The strip of photographs depicting the
Palazzo dell'Arte
at the Milan
Triennale
was added for publication in
Quadranti. Quadrante
г (Липе
1933).
1.15.
figini,
РоШггі
ami Bottoni,
"polemical exhibition" at the
Galleria del Milione,
1931.
ñero
Ватаг, орет
completa
(Milan;
Fabbri,
1990), 441.
1.16.
Marcello
Piacentini, Piazza della Vittoria,
Brescia,
1927-1932.
Architettura |
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