Verfügbarkeit: Hans Memling :: THWS Bibkatalog

Hans Memling: master painter in fifteenth-century Bruges

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Bibliographische Detailangaben
1. Verfasser:	Lane, Barbara G. (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	London [u.a.] Miller 2009
Schlagworte:	Memling, Hans > 1430-1494 Katalog
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	386 S. zahlr. Ill. 29 cm
ISBN:	9781905375196

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MARC


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Datensatz im Suchindex

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adam_text	HANS MEMLING MASTER PAINTER IN FIFTEENTH-CENTURY BRUGES Barbara G. Lane HARVEY MILLER PUBLISHERS Table of Contents Preface ........................................................... 5 Abbreviations ........................................................ 7 Introduction ........................................................ 9 Part I. Wanderjahre Chapter 1. In Search of Memling in Rogier s Workshop ......................... 17 I. Sixteenth-Century Sources Associating Memling with Rogier van der Weyden...... 17 A. Vasari and Guicciardini ........................................... 17 B. Inventories of the Collection of Margaret of Austria ...................... 19 II. Paintings Related to Works by Rogier van der Weyden ...................... 21 A. The Gdansk Last Judgment and the Beaune Altarpiece ................... 21 B. Memling s Adoration Triptychs and the Columba Altarpiece ................ 24 С Rogerian Paintings Erroneously Attributed to the Youthful Memling ......... 25 D.Recent Attributions to Memling ..................................... 33 Chapter 2. Early Training in Cologne ...................................... 43 I. Memling and Lochner ............................................. 45 II. Memling and Painting in Cologne before Lochner ........................ 51 A. The Virgo inter Virgines ......................................... 51 B.The Narrative Crucifixion ........................................ 53 C. Simultanbilder ................................................ 53 Chapter 3. A Sojourn in Louvain? Compositional Types Related to Works by Dirk Bouts 63 I. The Madonna and Child with Angels in a Loggia ......................... 63 II. The Half-length Madonna in an Interior or Loggia ........................ 65 III.Diptych with the Man of Sorrows and the Virgin in Prayer .................. 68 IV. Passion Scenes .................................................. 71 Chapter 4. The Impact of Van Kyck and Christus ............................. 79 I. Inscriptions on Frames and Trompe-ľoei/ ............................... 79 II. Portraiture ..................................................... 81 Ul.The Virgin and Child with Saints, Angels, and/or Donors ................... 83 Part II. Master Painter in Bruges Chapter 5. Workshop ................................................. 95 I. Production ..................................................... 95 A. 1465-1479 .................................................... 95 B. 1480-1488 .................................................... 96 С 1489-1494 .................................................... 96 II. Proposed Assistants ............................................... 98 A. Martin Schongauer ............................................. 98 B. Michel Sittow ................................................. 102 С The Master of the St. Bartholomew Altarpiece ......................... 103 D. Albrecht Dürer ................................................ 106 III. Workshop Practices ............................................... 110 Chapter 6. Patronage ................................................. 115 I. Who the Patrons Were ............................................. 115 II. What the Patrons Wanted .......................................... 116 A. The Desire for Works Based on Famous Precedents ..................... 116 B. Types of Paintings Commissioned .................................. 117 С Motivations ................................................... 118 III.How the Patrons got what they wanted ................................ 119 Part Ш. Major Commissions Chapter 7. Funerary Altarpieces ......................................... 129 I. The Gdansk Last Judgment Triptych ................................... 129 II. The Moreel Triptych .............................................. 136 III. The Lübeck Passion Altarpiece ....................................... 139 Chapter 8. Paintings as Aids to Spiritual Pilgrimage ........................... І47 I. The Tinin Scenes of the Passion ..................................... І47 II. The Serenjoys of the Virgin ........................................ 155 ШЛЪе Lübeck Passion Altarpiece ...................................... 162 IV. The Reliquary of St. Ursula ......................................... 164 Chapter 9. Hospital Altai-pieces ......................................... 175 I. The Hospital Context ............................................. 175 II. The St. John Altarpiece ............................................ 179 111.The Triptych of Jan Floreins and the Triptych of Adriaan Reins .............. 186 Part IV. Memling and Italy Chapter 10. Italian Commissions and their Impact in Italy ...................... 199 I. Memling s Italian Patrons ......................................... 199 II. Paintings by Memling in Italy, с 1470-1510 ............................ 201 A. Works by Memling Documented in Italian Sources ..................... 202 B.Works by Memling Reflected in Italian Painting ........................ 202 III.Italian Responses to Memling s Paintings ............................... 208 A. Copies ...................................................... 209 B. Quotations of Specific Landscape Motifs ............................. 209 С The Landscape alla fiamminga ................................... 213 D. Portraiture ................................................... 213 Chapter 11. Italian Painters Emulating Memling ............................. 221 I. Domenico Ghirlandaio (1449-1494) ................................. 221 II. Leonardo da Vinci (1452-1519) ..................................... 226 III. Pietro Vannucci, called Perugino (ca. 1445-1523) ....................... 230 lY.Raffaello Sanzio, called Raphael (1483-1520) ........................... 236 Epilogue .......................................................... 249 Catalogue A. Accepted works ................................................ 256 B. Disputed works ................................................. 322 С Rejected works .................................................. 335 Selected Bibliography ................................................. 339 Exhibition Catalogues ................................................. 359 Index .............................................................. 363 Photographic Credits ................................................. 385
any_adam_object	1
author	Lane, Barbara G.
author_facet	Lane, Barbara G.
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author_sort	Lane, Barbara G.
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building	Verbundindex
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ctrlnum	(OCoLC)603999447 (DE-599)BVBBV037659405
dewey-full	759.9493
dewey-hundreds	700 - The arts
dewey-ones	759 - History, geographic treatment, biography
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dewey-search	759.9493
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dewey-tens	750 - Painting and paintings
discipline	Kunstgeschichte
format	Book
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title	Hans Memling master painter in fifteenth-century Bruges
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