Stories:
In Stories, Adams fuses storytelling and performance in a reverie on reality and fiction. The artist sits alone in near darkness while, in voiceover, he relates a series of seemingly autobiographical anecdotes – "inside information" marked by irony, loss and black humour. The stark interro...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Video Software Buchkapitel |
| Sprache: | English |
| Zusammenfassung: | In Stories, Adams fuses storytelling and performance in a reverie on reality and fiction. The artist sits alone in near darkness while, in voiceover, he relates a series of seemingly autobiographical anecdotes – "inside information" marked by irony, loss and black humour. The stark interrogation of self is accompanied by evocative narrative signifiers: a ringing telephone (an Adams signature), a ticking clock, a naked light bulb, dice, flickering TV images of a porn movie. The ambiguity of his Stories – memory? dreams? fictions? – implies a tension between the construction of personal reality and the internalisation of the conventions of popular fiction. As Adams writes "The Stories are all true. The character, of course, is fiction." [www.closeupfilmcentre.com] |
| Beschreibung: | 13 Min. Orig.: Großbritannien 1982 |
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| 520 | 3 | |a In Stories, Adams fuses storytelling and performance in a reverie on reality and fiction. The artist sits alone in near darkness while, in voiceover, he relates a series of seemingly autobiographical anecdotes – "inside information" marked by irony, loss and black humour. The stark interrogation of self is accompanied by evocative narrative signifiers: a ringing telephone (an Adams signature), a ticking clock, a naked light bulb, dice, flickering TV images of a porn movie. The ambiguity of his Stories – memory? dreams? fictions? – implies a tension between the construction of personal reality and the internalisation of the conventions of popular fiction. As Adams writes "The Stories are all true. The character, of course, is fiction." [www.closeupfilmcentre.com] | |
| 546 | |a Engl. | ||
| 700 | 1 | |a Adams, John |d 1953- |0 (DE-588)143100327 |4 drt | |
| 773 | 0 | 8 | |t Rewind + play / by John Adams ; Peter Anderson ; Kevin Atherton ... |b Three DVD box set |d London, 2009 |w (DE-604)BV037365001 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-022641247 | ||
Datensatz im Suchindex
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| id | DE-604.BV037489890 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T23:25:16Z |
| institution | BVB |
| language | English |
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| spelling | Stories John Adams tdi rdacontent v rdamedia vd rdacarrier 13 Min. Orig.: Großbritannien 1982 In Stories, Adams fuses storytelling and performance in a reverie on reality and fiction. The artist sits alone in near darkness while, in voiceover, he relates a series of seemingly autobiographical anecdotes – "inside information" marked by irony, loss and black humour. The stark interrogation of self is accompanied by evocative narrative signifiers: a ringing telephone (an Adams signature), a ticking clock, a naked light bulb, dice, flickering TV images of a porn movie. The ambiguity of his Stories – memory? dreams? fictions? – implies a tension between the construction of personal reality and the internalisation of the conventions of popular fiction. As Adams writes "The Stories are all true. The character, of course, is fiction." [www.closeupfilmcentre.com] Engl. Adams, John 1953- (DE-588)143100327 drt Rewind + play / by John Adams ; Peter Anderson ; Kevin Atherton ... Three DVD box set London, 2009 (DE-604)BV037365001 |
| spellingShingle | Stories |
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| title_short | Stories |
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