Scotland: global cinema: genres, modes and identities
What is your favourite fantasy Scotland? Perhaps you enjoyed Whisky Galore! or Brigadoon, or maybe The Wicker Man is to your taste, Local Hero or Highlander? Yet have you also considered Kuch Kuch Hota Hai, Rob Roy, Dog Soldiers, Danny the Dog, Festival, The Water Horse, Carla's Song, Trainspot...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh Univ. Press
2010
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | What is your favourite fantasy Scotland? Perhaps you enjoyed Whisky Galore! or Brigadoon, or maybe The Wicker Man is to your taste, Local Hero or Highlander? Yet have you also considered Kuch Kuch Hota Hai, Rob Roy, Dog Soldiers, Danny the Dog, Festival, The Water Horse, Carla's Song, Trainspotting and Red Road? Scotland: Global Cinema is the first book to focus exclusively on the unprecedented explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmakers from all over the world - including Scotland, England, France, the United States and India - who braved the weather to shoot in Scotland. Significantly broadening the scope of previous debates, Scotland: Global Cinema provides analysis of ten different genres and modes prevalent in the 1990s/2000s: the comedy, road movie, Bollywood extravaganza, (Loch Ness) monster movie, horror film, costume drama, gangster flick, social realist melodrama, female friendship/US indie movie, and art cinema. These various chapters suggest a wealth of different histories of cinema in Scotland, and uncover the numerous identities - national, transnational, diasporic, global/local, gendered, sexual, religious - created by these approaches. Cinema in Scotland is situated in a global context through analysis of the intersection of transversal flows of filmmaking, tourism, trade and transnational fantasy typical of globalization, as they meet and mingle against the world famous cinematic landscapes of Scotland. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | IX, 254 S. Ill. 24 cm |
| ISBN: | 9780748633920 |
Internformat
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| 520 | 3 | |a What is your favourite fantasy Scotland? Perhaps you enjoyed Whisky Galore! or Brigadoon, or maybe The Wicker Man is to your taste, Local Hero or Highlander? Yet have you also considered Kuch Kuch Hota Hai, Rob Roy, Dog Soldiers, Danny the Dog, Festival, The Water Horse, Carla's Song, Trainspotting and Red Road? Scotland: Global Cinema is the first book to focus exclusively on the unprecedented explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmakers from all over the world - including Scotland, England, France, the United States and India - who braved the weather to shoot in Scotland. Significantly broadening the scope of previous debates, Scotland: Global Cinema provides analysis of ten different genres and modes prevalent in the 1990s/2000s: the comedy, road movie, Bollywood extravaganza, (Loch Ness) monster movie, horror film, costume drama, gangster flick, social realist melodrama, female friendship/US indie movie, and art cinema. These various chapters suggest a wealth of different histories of cinema in Scotland, and uncover the numerous identities - national, transnational, diasporic, global/local, gendered, sexual, religious - created by these approaches. Cinema in Scotland is situated in a global context through analysis of the intersection of transversal flows of filmmaking, tourism, trade and transnational fantasy typical of globalization, as they meet and mingle against the world famous cinematic landscapes of Scotland. | |
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Datensatz im Suchindex
| _version_ | 1804145770191912960 |
|---|---|
| adam_text | Contents
Illustrations
vii
Acknowledgements
viii
Introduction: Fantasy Scotlands
1
1.
Comedy: Global/Local Identities
24
Gregory s Two Girls
(1999)
Festival
(2005)
2.
Road Movie: Scotland in the World
45
Soft Top, Hard Shoulder
(1993)
Carla s Song
(1996)
Tickets
(2005)
3.
Bollywood: Non-Resident Indian-Scotland
67
Kuch Kuch
Hota
Hai
(1998)
Kandukondain Kandukondain
(2000)
Pyaar Ishq
aur
Mohabbat
(2001)
Nina s
Heavenly Delights
(2006)
4.
(Loch Ness) Monster Movie: A Return to Primal Scotland
89
The Secret of the Loch
(1934)
Loch Ness ( 996)
The Water Horse
(2007)
5.
Horror Film: History Hydes in the Highlands
113
Dog Soldiers
(2002)
Wild Country
(2005)
6.
Costume Drama: From Men in Kilts to Developing
Diasporas
135
The Governess
(1998)
7.
Gangster Film: Glasgow s Transnational Identities
153
American Cousins
(2003)
Danny the Dog
(2005)
8.
Social Realist Melodrama: Middle-class Minorities and
Floundering Fathers
175
Ae Fond Kiss
(2004)
On a Clear Day
(2005)
9.
Female Friendship/US Indie: Women Talking
195
Women Talking Dirty
(1999)
Beautiful Creatures
(2000)
10.
Art Cinema: The Global Limits of Cinematic Scotland
214
Red Road
(2006)
Young Adam
(2003)
Conclusion
233
Select Bibliography
236
Index
244
|
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| era | Geschichte 1900-2000 Geschichte 1993-2007 gnd |
| era_facet | Geschichte 1900-2000 Geschichte 1993-2007 |
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| spelling | Martin-Jones, David 1974- Verfasser (DE-588)138203725 aut Scotland: global cinema genres, modes and identities David Martin-Jones Edinburgh Edinburgh Univ. Press 2010 IX, 254 S. Ill. 24 cm txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index What is your favourite fantasy Scotland? Perhaps you enjoyed Whisky Galore! or Brigadoon, or maybe The Wicker Man is to your taste, Local Hero or Highlander? Yet have you also considered Kuch Kuch Hota Hai, Rob Roy, Dog Soldiers, Danny the Dog, Festival, The Water Horse, Carla's Song, Trainspotting and Red Road? Scotland: Global Cinema is the first book to focus exclusively on the unprecedented explosion of filmmaking in Scotland in the 1990s and 2000s. It explores the various cinematic fantasies of Scotland created by contemporary filmmakers from all over the world - including Scotland, England, France, the United States and India - who braved the weather to shoot in Scotland. Significantly broadening the scope of previous debates, Scotland: Global Cinema provides analysis of ten different genres and modes prevalent in the 1990s/2000s: the comedy, road movie, Bollywood extravaganza, (Loch Ness) monster movie, horror film, costume drama, gangster flick, social realist melodrama, female friendship/US indie movie, and art cinema. These various chapters suggest a wealth of different histories of cinema in Scotland, and uncover the numerous identities - national, transnational, diasporic, global/local, gendered, sexual, religious - created by these approaches. Cinema in Scotland is situated in a global context through analysis of the intersection of transversal flows of filmmaking, tourism, trade and transnational fantasy typical of globalization, as they meet and mingle against the world famous cinematic landscapes of Scotland. Geschichte 1900-2000 Geschichte 1993-2007 gnd rswk-swf Motion pictures / Scotland / History / 20th century Motion pictures / Scotland / History / 21st century Film Geschichte Motion picture industry Scotland History Motion pictures Scotland History Film (DE-588)4017102-4 gnd rswk-swf Filmproduktion (DE-588)4124971-9 gnd rswk-swf Schottland Schottland (DE-588)4053233-1 gnd rswk-swf Schottland (DE-588)4053233-1 g Film (DE-588)4017102-4 s Geschichte 1993-2007 z DE-604 Filmproduktion (DE-588)4124971-9 s Digitalisierung UB Bamberg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=022616340&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Martin-Jones, David 1974- Scotland: global cinema genres, modes and identities Motion pictures / Scotland / History / 20th century Motion pictures / Scotland / History / 21st century Film Geschichte Motion picture industry Scotland History Motion pictures Scotland History Film (DE-588)4017102-4 gnd Filmproduktion (DE-588)4124971-9 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4124971-9 (DE-588)4053233-1 |
| title | Scotland: global cinema genres, modes and identities |
| title_auth | Scotland: global cinema genres, modes and identities |
| title_exact_search | Scotland: global cinema genres, modes and identities |
| title_full | Scotland: global cinema genres, modes and identities David Martin-Jones |
| title_fullStr | Scotland: global cinema genres, modes and identities David Martin-Jones |
| title_full_unstemmed | Scotland: global cinema genres, modes and identities David Martin-Jones |
| title_short | Scotland: global cinema |
| title_sort | scotland global cinema genres modes and identities |
| title_sub | genres, modes and identities |
| topic | Motion pictures / Scotland / History / 20th century Motion pictures / Scotland / History / 21st century Film Geschichte Motion picture industry Scotland History Motion pictures Scotland History Film (DE-588)4017102-4 gnd Filmproduktion (DE-588)4124971-9 gnd |
| topic_facet | Motion pictures / Scotland / History / 20th century Motion pictures / Scotland / History / 21st century Film Geschichte Motion picture industry Scotland History Motion pictures Scotland History Filmproduktion Schottland |
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