Steven Soderbergh:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Urbana [u.a.]
Univ. of Illinois Press
2011
|
| Schriftenreihe: | Contemporary film directors
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Includes bibliographical references and index -- Includes filmography |
| Beschreibung: | XII, 132 S. Ill. |
| ISBN: | 9780252036057 9780252077968 |
Internformat
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Datensatz im Suchindex
| _version_ | 1804145744907599872 |
|---|---|
| adam_text | Contents
Preface
and Acknowledgments I
ix
THE FILMS OF STEVEN SODERBERGH
Ι ι
Relational Independence
ι
Remade by Steven Soderbergh:
The Underneath, Traffic,
Ocean s Eleven, Solaris
16
Star Actors: Julia Roberts,
Michael Douglas, George Clooney
28
Cinema of Outsiders: Alienation and Crime
39
Critical Violence and Out of Sight
42
Words as Weapons:
The Limey and Ocean s Eleven
53
Independent Form
60
Experiments in Digital Video:
Full Frontal,
К
Street, Bubble
75
Class Conflict in High Definition:
Che and The Girlfriend Experience
86
Music and Authorship in
Ocean s Eleven and The Limey
90
INTERVIEWS WITH STEVEN SODERBERGH I
97
Filmography I
115
Bibliography I
123
Index I
129
Steven Soderbergh
s feature
films present a
diverse range of subject matter and formal styles:
from the self-absorption of his breakthrough
hit Sex, Lies, and Videotape to populist social
problem films such as Erin Brockovich, and from
the modernist discontinuity of FullFrontal and
filmed performance art
οι
Gray s Anatomy to a
glossy, star-studded action blockbuster such as
Ocean s Eleven. Using a combination of realism
and expressive stylization of character subjectivity,
Soderberghs films diverge from the contemporary
Hollywood mainstream through the statements
they offer on issues including political repression,
illegal drugs, violence, environmental degradation,
the empowering and controlling potential of digi¬
tal technology, and economic inequality.
Arguing that Soderbergh practices an eclec¬
tic type of moviemaking indebted both to the
European art cinema and the Hollywood genre
film, Aaron Baker charts the common thematic
and formal patterns present across Soderbergh
s
oeuvre.
Almost every movie centers on an alien¬
ated main character, and Soderbergh has repeat¬
edly emphasized place as a major factor in his
narratives. Formally, he represents the uncon¬
ventional thinking of his outsider protagonists
through a discontinuous editing style. Including
detailed analyses of major films as well as two
interviews with the director, this volume illus¬
trates Soderbergh
s
hybrid flexibility in bringing
an independent aesthetic to wide audiences.
|
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| title | Steven Soderbergh |
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