A history of the modern British ghost story:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Basingstoke [u.a.]
Palgrave Macmillan
2011
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | VI, 253 S. |
| ISBN: | 9780230278325 |
Internformat
MARC
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| 245 | 1 | 0 | |a A history of the modern British ghost story |c Simon Hay |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgments
vi
Introduction: Even the Dead Will Not Be Safe
1
1
A Failed Modernity: The Ghost Story as the Bad Conscience
of the Historical Novel
28
2
Fragment and Totality: The Ghost Story and Early Victorian
Realism
57
3
Supernatural Naturalism: The Golden Age of the
Ghost Story
91
4
Ghosts That a White Man Can See: The Ghost Story
and Empire
124
5
I had not Thought Death had Undone so Many :
Modernism and the Ghost
157
6
The Ghost Story and Magic Realism
190
Conclusion: Ghosts and History
227
Notes
233
Works Cited
238
Index
249
A History of the Modern British Ghost Story places the ghost story in the
contexts of historical period and literary form. It reads ghost stories as
continuously engaging with, or even a kind of shadow form of, the novel:
as the dominant mode of novelistic writing moves, in the nineteenth
century, through the historical novel, Dickensian realism and naturalism,
ghost stories develop new modes and techniques for exposing and critiquing
these novelistic forms. Throughout this period, the book argues, ghost
stories are one of the key ways that literature has addressed empire, class,
property, history and the traumatic emergence of capitalism. By the end
of the nineteenth century, usually considered the genre s golden age,
ghost stories begin to seem set on autopilot, the same basic techniques
repeated with minimal variation. But this book follows the way that
modernist and then
postcolonial
writers deploy ghosts in new contexts,
radically changing the work that the figure of the ghost does: in modernism,
the ghost becomes a central ¡mage for representing not the past s persistence
into the present, but the alienation and abstraction of modern life; and in
postcolonial
writing, where both the emergence of modernity and the
pressures of the past are different, the ghost plays a key role figuring the
intersection of indigenous traditions with those of capitalist modernity, in
the emergence of magic realism.
|
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| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
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| discipline | Anglistik / Amerikanistik |
| edition | 1. publ. |
| era | Geschichte 1800-2000 gnd |
| era_facet | Geschichte 1800-2000 |
| format | Book |
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| isbn | 9780230278325 |
| language | English |
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| title | A history of the modern British ghost story |
| title_auth | A history of the modern British ghost story |
| title_exact_search | A history of the modern British ghost story |
| title_full | A history of the modern British ghost story Simon Hay |
| title_fullStr | A history of the modern British ghost story Simon Hay |
| title_full_unstemmed | A history of the modern British ghost story Simon Hay |
| title_short | A history of the modern British ghost story |
| title_sort | a history of the modern british ghost story |
| topic | Gespenstergeschichte (DE-588)4157126-5 gnd Englisch (DE-588)4014777-0 gnd |
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